Seated Female Nude, Probably for "Susannah and the Elders"
undated
224
George Romney, 1734–1802
Reclining Female Figure
undated
225
George Romney, 1734–1802
Two Heads Looking Up
undated
226
George Romney, 1734–1802
Standing Figure
undated
227
George Romney, 1734–1802
Figures
undated
228
George Romney, 1734–1802
Four Sketches of a Child at Play
undated
229
George Romney, 1734–1802
Two Sisters
undated
230
George Romney, 1734–1802
Howard Visiting a Prison
undated
231
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
232
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
233
George Romney, 1734–1802
Apollo and Diana for "The Destruction of Niobe's Children"
undated
234
George Romney, 1734–1802
Samson Overpowered
undated
235
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
236
George Romney, 1734–1802
Sketch for the Portrait of a Lady
undated
237
George Romney, 1734–1802
Boy Seated beneath a Rock
undated
238
George Romney, 1734–1802
Prostrate Woman
undated
239
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
240
George Romney, 1734–1802
Pamela
undated
241
George Romney, 1734–1802
The Two Friends
undated
242
George Romney, 1734–1802
Woman at a Column
undated
243
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
244
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
245
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
246
George Romney, 1734–1802
The Destruction of Niobe's Children
undated
247
George Romney, 1734–1802
Anger, Envy, and Fear
undated
248
George Romney, 1734–1802
Howard Visiting a Prison
undated
249
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
250
George Romney, 1734–1802
Reclining Nude
undated
251
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
252
George Romney, 1734–1802
Captive or Dejected Woman: Possibly Andromache
undated
253
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
254
George Romney, 1734–1802
Classical Male Nude
undated
255
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
256
George Romney, 1734–1802
Howard Visiting a Prison
between 1790 and 1794
257
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
258
George Romney, 1734–1802
Ladies in Waiting
undated
259
George Romney, 1734–1802
Head in Profile
undated
260
Allan Ramsay, 1713–1784
Costume Study for a Portrait of a Man
undated
261
Francis Wheatley, 1747–1801
An Old Fisherwoman with Two Women Digging for Bait
undated
262
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
263
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
264
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
265
Samuel Scott, 1701/2–1772
The Gossips
undated
266
John Vanderbank, 1694–1739
Portrait of a Young Lady as a Shepherdress
undated
267
Thomas Carwitham, active 1723
Figure studies
1723
268
John Singleton Copley, 1738–1815
Figure Study for the Painting of Victory of Lord Duncan: Study for the Figure of Admiral de Winter
undated
269
John Singleton Copley, 1738–1815
Figure Study for the Painting of the Victory of Lord Duncan: Study for Sailor Bearing the Dutch Flag
undated
270
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
271
John Singleton Copley, 1738–1815
Study for the Central Group in the "Death of Earl of Chatham"
1778
272
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
273
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
274
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
275
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
276
George Walker, active 1792–died 1795
Figure Sketches
undated
277
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
278
Allan Ramsay, 1713–1784
Study for a Portrait of a Seated Gentleman
undated
279
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
280
Julia Swinburne, ca. 1795–1893
A Sandwich Islands Group
June 5, 1824
281
John Vanderbank, 1694–1739
Two Ladies and A Gentleman
1736
282
attributed to Richard Wilson, 1713/4–1782
Full-length Study of a Young Man
undated
283
Louis Philippe Boitard, active 1734–1760
Man in Ragged Clothes Seated with Right Arm Over Another Chair
undated
284
Louis Philippe Boitard, active 1734–1760
Beggar with Staff Holding Tricorn Hat
undated
285
Attributed to Sir James Thornhill, 1675–1734
Portrait of a Man Wearing a Full-Bottomed Wig
undated
286
John Vanderbank, 1694–1739
Rider in a Tricorn Hat, Horse Walking towards Front
undated
287
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
288
unknown artist
Three Figure Studies
undated
289
unknown artist
Study of a Seated Woman Holding a Fan
ca. 1740
290
Thomas Worlidge, 1700–1766
An Old Woman Smoking a Pipe
undated
291
Hamlet Winstanley, 1698–1756
Sketchbook containing 81 drawings and 2 engravings of self-portraits