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Period 18th century

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Genre architectural subject

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Subject Terms reflections

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Tea Party at Lord Harrington's House, St. James's
Creator:
Charles Philips, 1708–1747
Date:
1730
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/4 x 49 3/4 inches (102.2 x 126.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
View of Bath from Spring Gardens
Creator:
Thomas Hearne, 1744–1817
Date:
1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Convent of Monte Olivetto near Florence
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Convent of Monte Olivetto near Florence
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 5 5/8 inches (10.5 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Grotto and the Temple of Contemplation, Stowe
Creator:
Jean B. C. Chatelain, 1710–1771
Date:
1752
Materials & Techniques:
Watercolor, graphite, brown wash, gray wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bristol Hot Wells
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1773
Materials & Techniques:
Pen and brown ink on thin, smooth, cream laid paper, mounted on medium, rough, beige wove paper
Dimensions:
Sheet: 5 x 8 7/8 inches (12.7 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection