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The Artist From the Horse's Point of View
Creator:
Gilbert Joseph Holiday, 1879 –1937
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hangman's Daughter
Creator:
Print made by William Strang, 1859–1921
Date:
1894
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 9 7/8 inches (21 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Male Nude
Creator:
Henri Edmond Cross, 1856–1910
Date:
1894
Materials & Techniques:
Black and red chalk on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Study of a Horse
Creator:
Gilbert Joseph Holiday, 1879 –1937
Date:
undated
Materials & Techniques:
Graphite, chalk and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rainy Day at Cookham
Creator:
Print made by Ernest Stamp, 1869–1942
Date:
1894
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Image: 4 3/4 × 10 inches (12.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
Gwen John, Ida Nettleship and Ursula Tyrwhitt
Creator:
Augustus Edwin John, 1878–1961
Date:
ca. 1899
Materials & Techniques:
Black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 9 7/8 inches (33 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection