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Date 1860

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Ariccia, near Rome, Italy
Creator:
John William Inchbold, 1830–1888
Date:
1860
Materials & Techniques:
Oil on panel
Dimensions:
8 × 12 1/8 inches (20.3 × 30.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Whitlingham, Norfolk
Creator:
Frederick Sandys, 1829–1904
Date:
1860
Materials & Techniques:
Oil on canvas
Dimensions:
10 1/8 x 29 15/16 inches (25.7 x 76 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View near Auckland: Maori Warrior and Women
Creator:
Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:
1860
Materials & Techniques:
Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
Creator:
Albert Goodwin, 1845–1932
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ponte Lucano and the Tomb of Plautii, Tivoli
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 8 15/16 × 13 7/8 inches (22.7 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Kensington Gardens, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 5/16 x 14 1/16 inches (21.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Holly Field
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 9/16 inches (10.5 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard C. Morse
A Byroad in Tipperary
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, retouched with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 x 11 1/4 inches (14.5 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Combe Bottom
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 7 11/16 x 12 1/2 inches (19.6 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Kensington Gardens, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:
Sheet: 10 13/16 x 6 3/4 inches (27.4 x 17.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
A Byroad in Tipperary
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 15 5/8 inches (30.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Combe Bottom
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 4 7/16 x 6 1/8 inches (11.3 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Shere Mill Pond, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on thin, smooth, cream Asian paper
Dimensions:
Sheet: 6 1/4 x 7 13/16 inches (15.8 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection
The Mill Pond, Evelyn Woods
Creator:
George Vicat Cole, 1833–1893
Date:
1860
Materials & Techniques:
Watercolor, gouache, pen and brown ink, and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 15 7/8 × 21 7/8 inches (40.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund
Old British Camp in Bulstrode Park
Creator:
George Arthur Fripp, 1813–1896
Date:
1860
Materials & Techniques:
Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 24 1/4 inches (35.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Loch Earu

Loch Earu
Creator:
Rev. N. B. Drummond, active 1860s
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Mount: 12 × 14 1/2 inches (30.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs
Oakley Hall
Creator:
Henry Edridge, 1769–1821
Date:
1860
Materials & Techniques:
Graphite and gray wash on thick, rough, cream wove paper
Dimensions:
Sheet: 6 1/4 × 9 7/8 inches (15.9 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aquatic Landscape; Men with Boats and Fishtraps
Creator:
unknown artist
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Rustic Steps and Bridge in Landscape
Creator:
unknown artist
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Bend in the Dargle
Creator:
Payne Jennings, active ca. 1875, died 1926
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View in Betchworth Park, Surrey
Creator:
Alfred Rosling, 1802–ca. 1880
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 6 1/2 inches (21 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Stubbes, Essex
Creator:
George Shadbolt, 1830–1901
Date:
1860
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View of Oakfield, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 × 8 1/4 inches (17.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Mt. Pleasant Fields, Hornsey
Creator:
George Shadbolt, 1830–1901
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Trees in the Snow
Creator:
A. Booty Esq., active 1867
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Kenilworth Castle
Creator:
Attributed to Francis Bedford, 1816–1894
Date:
ca. 1865
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs
On the Teith, near Collander
Creator:
W. Church Esq., active 1862–1867
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
On the Severn
Creator:
unknown artist
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 7 7/8 inches (22.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View on the Lochlong with Gate
Creator:
unknown artist
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 × 10 1/2 inches (23.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
View on the Trent, Nottingham Castle in the Distance
Creator:
George Bankart, died 1903
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection