Date: 1855 - YCBA Collections Search Search Results

1. Corfu from Ascension

Creator:: Edward Lear, 1812–1888
Date:: ca. 1860
Materials & Techniques:: oil on canvas
Dimensions:: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Sophie and Michael D. Coe, Yale MAH 1968
On View:: Not on view

2. "Lord, Thy Will Be Done"

Creator:: Philip Hermogenes Calderon, 1833–1898
Date:: 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 × 18 1/4 inches (25.7 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. First Class—The Meeting. "And at first meeting loved."

Creator:: Abraham Solomon, 1823–1862
Date:: 1855
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

4. Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

Creator:: Abraham Solomon, 1823–1862
Date:: 1855
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

5. A Spaniel Lying Down

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1860
Materials & Techniques:: Oil on panel
Dimensions:: 4 1/2 × 10 1/2 inches (11.4 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. A Hound and a Bearded Collie seated on a Hunting Coat

Creator:: John Frederick Herring, 1795–1865
Date:: 1855
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Study of a Greyhound

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1860
Materials & Techniques:: Oil on card
Dimensions:: 5 x 3 3/4 inches (12.7 x 9.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Fish Market by the Sea

Creator:: Richard Dadd, 1817–1886
Date:: ca. 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/2 x 49 1/2 inches (100.3 x 125.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Cornfield at sunset

Creator:: John William Inchbold, 1830–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

10. Crown Point, Whitlingham, near Norwich

Creator:: John Berney Ladbrooke, 1803–1879
Date:: 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 16 inches (30.5 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. A River Landscape, Sunset

Creator:: John Linnell, 1792–1882
Date:: ca. 1860
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 x 8 7/8 inches (16.5 x 22.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Drifting

Creator:: Thomas Alexander Graham, 1840–1906
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 3/16in. (26 x 36cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Edwin Austin Abbey Memorial Collection

13. The Visiting Card - Langham Sketching Club Subject

Creator:: Charles Green, 1840–1898
Date:: undated
Materials & Techniques:: Graphite, watercolor, white gouache, pen and brown ink on thick, smooth, white wove paper
Dimensions:: Sheet: 6 × 4 9/16 inches (15.2 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Design for Cowley Manor, Gloucestershire

Creator:: George Somers Clarke, 1825–1882
Date:: between 1855 and 1860
Materials & Techniques:: Watercolor, gouache on smooth, moderately thick, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Oruro, Bolivia

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: 1855
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Mount Washington

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: between 1855 and 1863
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 7/8 inches (26.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Basilica of the Virgin of Copacabana, Bolivia

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: 1855
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. An Album of Original Sketches

Creator:: Eugene S. Ince, active 1860
Date:: ca. 1860
Materials & Techniques:: Album of drawings and wood engravings on wove paper
Dimensions:: Spine: 8 7/8 inches (22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

19. Plums and Mulberries

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1860
Materials & Techniques:: Watercolor, gouache, and gum over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/4 x 9 1/2 inches (19.7 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860

Creator:: William Simpson, 1823–1899
Date:: ca. 1860
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A Lion

Creator:: Thomas William Wood, 1855–1872
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

Creator:: William Simpson, 1823–1899
Date:: 1855
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 x 20 5/8 inches (33 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Miss Lissie Weston as Oberon - Midsummer Night's Dream, Act II, Scene II

Creator:: unknown artist
Date:: 1855
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 9 3/4in. (28.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. View from Craig-y-Barns, Dunkeld, Looking South

Creator:: John Henry Mole, 1814–1886
Date:: 1855
Materials & Techniques:: Watercolor and white gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 21 1/8 inches (35.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Brighton: the front and the chain pier seen in the distance

Creator:: Frederick William Woledge, active 1840
Date:: undated
Materials & Techniques:: Graphite, pen and ink, gum arabic, watercolor, gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 10 inches (13.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Study for the head of a boy in "Peasants of the Campagne" during the Vintage

Creator:: George Frederic Watts, 1817–1904
Date:: ca. 1860
Materials & Techniques:: Black chalk and white chalk on medium, smooth, brown wove paper
Dimensions:: Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Studies of Death and the Resurrection, and a Head of a Man

Creator:: George Frederic Watts, 1817–1904
Date:: ca. 1860
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/16 × 4 7/16 inches (17.9 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Study for a Head of a Child

Creator:: George Frederic Watts, 1817–1904
Date:: ca. 1860
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 4 7/16 inches (10.8 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. Château de la Malleraie

Creator:: Print made by R. C. Hulme, active 1855
Date:: 1855
Materials & Techniques:: Lithograph, Not colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Penmaenmawr

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Durham Cathedral

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Sunrise, Margate

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: As published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Cowes

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: As published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Venice - Bridge of Sighs

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: As published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Banks of the Tavy

Creator:: Printed by James Coventry, fl.1854–1861
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Approach to Venice

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Gothic Bridge at Eudes, Tours

Creator:: Print made by John Connell Ogle, active 1844–1864
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Kirkstall Abbey on the River Aire

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Ramsgate

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Norham Castle on the River Tweed

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sheerness

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Humber

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Penmanmawr

Creator:: David Cox, 1783–1859
Date:: 1855
Materials & Techniques:: Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream wove paper
Dimensions:: Mount: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Quadrant, Regent Street

Creator:: John Woods, active 1836–1860
Date:: ca. 1860
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The North Gate, Carrickfergus

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Collotype on medium, smooth beige newsprint
Dimensions:: Sheet: 6 5/16 × 4 3/4 inches (16 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Gentleman with Whiskers

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream card
Dimensions:: Sheet: 7 × 4 1/2 inches (17.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Lady with Harp

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, siightly textured wove paper mounted to card
Dimensions:: Sheet: 5 3/4 × 3 3/4 inches (14.6 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Frieze in Winchester Cathedral

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Watercolor heightened with gold on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 4 5/8 inches (10.5 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Miss Mac - Gardening

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted to thick, red card
Dimensions:: Sheet: 6 3/4 x 3 1/4in. (17.1 x 8.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Innocence

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 4 7/8 inches (19.1 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Art Critics

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and gouache on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 7/8 × 5 inches (14.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Sketch for Whiskers

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 2 1/4 inches (8.6 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Quadrant, Regent Street

Creator:: John Woods, active 1836–1860
Date:: ca. 1860
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Queen Victoria

Creator:: after George Baxter, 1804–1867
Date:: ca. 1860
Materials & Techniques:: Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper mounted on contemporary cream card with unevenly painted gold border
Dimensions:: Mount: 10 1/16 x 8 1/16 inches (25.5 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Christ's Charge to Peter

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Girl at a Window

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 7/8 x 5 11/16 inches (20 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. By the Heath

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 6 15/16 x 8 inches (17.6 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Leeds Castle, Kent

Creator:: Thomas Collier, 1840–1891
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 3/8 inches (22.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Cue in a Corner

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1855
Materials & Techniques:: Etching on moderately thick, smooth, beige laid paper
Dimensions:: Sheet: 8 1/16 × 5 3/4 inches (20.4 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

63. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Graphite on medium, slightly textured, laid paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Porta St. Paolo with Pyramid of Caius Cestius

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 9 3/4 × 15 inches (24.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery

65. The Castle and Bridge of St. Angelo, with the Vatican in the Distance

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 6 3/4 × 15 5/16 inches (17.1 × 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

66. Arch of Titus, from the Temple of Venus and Rome

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 15 1/4 × 12 inches (38.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

67. The Coliseum with Meta Sudans and Portion of the Via Sacra

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 9 1/2 × 16 inches (24.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

68. Piazza of St. Peter's

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 6 5/8 × 16 1/16 inches (16.8 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

69. Arch of Titus, Roman Forum

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 9 3/16 × 14 1/2 inches (23.3 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

70. Bas-relief of the Biga, Arch of Titus

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 15 13/16 × 12 inches (40.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

71. General View of the Forum, School of Xanthus in the Foreground

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 9 × 16 inches (22.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

72. The Dying Gladiator, Back View, Capitol

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

73. The Bridge and Castle of St. Angelo

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 6 3/8 × 15 3/8 inches (16.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

74. Palace, Church, and Baptistery of the Lateran

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 6 1/2 × 15 7/8 inches (16.5 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

75. L'Allegro

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and graphite on thin, slightly textured, cream wove paper mounted to moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 1/2 × 4 7/8 inches (16.5 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. A Struggle With a Load of Clay

Creator:: James Abbott Pasquier, active 1851–1872
Date:: 1855
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, brown wove paper
Dimensions:: Mount: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Gentleman and a Lady

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, beige wove paper mounted to card
Dimensions:: Sheet: 8 1/4 × 7 1/4 inches (21 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Conversazione

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, graphite and white gouache on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. A Conversazione

Creator:: Print made by Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 1/2 x 6 7/8in. (11.4 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. A Game at Cards

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, brown wove paper
Dimensions:: Mount: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. A Game at Cards

Creator:: Print made by Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Wallflowers

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Kenilworth Castle

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Kidwelly Castle

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:: Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Miraculous Draught of Fishes

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Miraculous Draught of Fishes

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint on cream card
Dimensions:: Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:: Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:: Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. St Paul Preaching in Athens

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:: Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Conversion of the Proconsul

Creator:: Print made by George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Two Girls Playing

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige card
Dimensions:: Mount: 5 1/8 x 7 5/8 inches (13 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Sir Charles Eastlake

Creator:: Daniel J. Pound, active ca. 1860
Date:: ca. 1860
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. William Powell Frith

Creator:: Daniel J. Pound, active ca. 1860
Date:: ca. 1860
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Sower

Creator:: Alfred Stevens, 1817–1875
Date:: ca. 1860
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 4 1/8 inches (12.7 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Harlech Castle, North Wales

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1860
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/4 inches (16.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

100. English Country Estate, the Pond

Creator:: Attributed to John Mercer, 1791–1866
Date:: ca. 1860
Materials & Techniques:: Ambrotype on glass in metal passe-partout frame
Dimensions:: Overall: 4 × 5 inches (10.2 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

YCBA Collections Search

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Date 1855

Search Results

1. Corfu from Ascension

2. "Lord, Thy Will Be Done"

3. First Class—The Meeting. "And at first meeting loved."

4. Second Class—The Parting. "Thus part we rich in sorrow, parting poor."

5. A Spaniel Lying Down

6. A Hound and a Bearded Collie seated on a Hunting Coat

7. Study of a Greyhound

8. Fish Market by the Sea

9. Cornfield at sunset

10. Crown Point, Whitlingham, near Norwich

11. A River Landscape, Sunset

12. Drifting

13. The Visiting Card - Langham Sketching Club Subject

14. Design for Cowley Manor, Gloucestershire

15. Oruro, Bolivia

16. Mount Washington

17. Basilica of the Virgin of Copacabana, Bolivia

18. An Album of Original Sketches

19. Plums and Mulberries

20. The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860

21. A Lion

22. Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

23. Miss Lissie Weston as Oberon - Midsummer Night's Dream, Act II, Scene II

24. View from Craig-y-Barns, Dunkeld, Looking South

25. Brighton: the front and the chain pier seen in the distance

26. Study for the head of a boy in "Peasants of the Campagne" during the Vintage

27. Studies of Death and the Resurrection, and a Head of a Man

28. Study for a Head of a Child

29. Château de la Malleraie

30. Penmaenmawr

31. Durham Cathedral

32. Sunrise, Margate

33. Cowes

34. Venice - Bridge of Sighs

35. The Banks of the Tavy

36. The Approach to Venice

37. The Gothic Bridge at Eudes, Tours

38. Kirkstall Abbey on the River Aire

39. Ramsgate

40. Norham Castle on the River Tweed

41. Sheerness

42. Humber

43. Penmanmawr

44. Quadrant, Regent Street

45. The North Gate, Carrickfergus

46. Gentleman with Whiskers

47. Lady with Harp

48. Frieze in Winchester Cathedral

49. Miss Mac - Gardening

50. Innocence

51. Art Critics

52. Sketch for Whiskers

53. Quadrant, Regent Street

54. The Death of Ananias

55. Queen Victoria

56. Prince Albert

57. Prince Albert

58. Christ's Charge to Peter

59. Girl at a Window

60. By the Heath

61. Leeds Castle, Kent

62. Cue in a Corner

63. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

64. Porta St. Paolo with Pyramid of Caius Cestius

65. The Castle and Bridge of St. Angelo, with the Vatican in the Distance

66. Arch of Titus, from the Temple of Venus and Rome

67. The Coliseum with Meta Sudans and Portion of the Via Sacra

68. Piazza of St. Peter's

69. Arch of Titus, Roman Forum

70. Bas-relief of the Biga, Arch of Titus

71. General View of the Forum, School of Xanthus in the Foreground

72. The Dying Gladiator, Back View, Capitol

73. The Bridge and Castle of St. Angelo

74. Palace, Church, and Baptistery of the Lateran

75. L'Allegro