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Collection
Prints and Drawings
2
Creator
Holdgate, Richard, active 1850–1868
1
Legros, Alphonse, 1837–1911
1
Miller, William, 1796–1882
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1827
17
1814
12
1771
11
1747
10
1755
10
1791
9
1800
9
1806
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1807
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1690
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1763
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1764
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1927
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1726
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1756
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1803
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1812
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1758
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1770
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1781
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1793
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1797
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1802
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1808
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1825
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1729
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1760
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1768
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1784
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1792
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1799
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1823
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1824
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1920
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1737
3
1738
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1750
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1769
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1783
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1809
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1828
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1889
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1916
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1930
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1931
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1671
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1674
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1720
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1743
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1745
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1746
2
1752
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1785
2
1789
2
1790
2
1804
2
1819
2
1821
2
1822
2
1829
2
1833
2
1852
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2
1860
2
1863
2
1880
2
1897
2
1906
2
1921
2
1923
2
1950
2
1972
2
On-site Access
Accessible in the Study Room
2
Image Use
Free to Use
2
Image Available
Available
2
Classification
Prints
2
Creator Gender
male
2
Period
19th century
2
Materials & Techniques
etching (printing process)
2
black ink
1
chine collé
1
line engraving
1
wove paper
1
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50
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51
Work Type
intaglio print
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2
Genre
historical subject
1
marine art
1
portrait
1
Exhibition History
Voices of Scotland (The Grolier Club, 1992-12-17 - 1993-02-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art, Paul Mellon Fund
1
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Date
1852
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Work Type
intaglio print
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35
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1
Print made by Alphonse Legros, 1837–1911
Thomas Carlyle
between 1852 and 1877
2
Print made by William Miller, 1796–1882
The Prince of Orange Landing at Torbay
1852