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Date 1850
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201
- To the keepers and drivers of donkeys
- [approximately 1850]
202
- A first floor to let
- [approximately 1850]
203
- Two funeral scenes, with horse-drawn hearses
- [approximately 1850]
204
- Constable & Compy
- [approximately 1850]
205
- Billhead of J. Christie & Son, Edinburgh clothiers, for purchases by Joseph Markland, 1850
- 1850
206
- Ye cvstoms & manners of Ye Englyshe people
- [approximately 1850]
207
- The low back'd chair
- [mid 19th century]
208
- Harlequin riddle-me, riddle-me-ree or, You can't guess what this may be : adapted only for Redington's characters and scenes
- [between 1850 and 1876]
209
- Parnell & Banner
- [approximately 1850]
210
- The circle of knowledge
- [ca. 1850?]
211
- Wanderings of a pilgrim in search of the picturesque
- 1850
![Sala, George Augustus, 1828-1895. The Great Exhibition "wot is to be", or, Probable results of the industry of all nations in the year '51 : showing what is to be exhibited, who is to exhibit it; in short, how its [!] all going to be done /](https://media.collections.yale.edu/thumbnail/ycba/f453bb1f-2fb6-442e-84d6-763b95b9a0c0)
212
- The Great Exhibition "wot is to be", or, Probable results of the industry of all nations in the year '51 : showing what is to be exhibited, who is to exhibit it; in short, how its [!] all going to be done
- 1850
![[Greeting card with movable flower].](https://media.collections.yale.edu/thumbnail/ycba/09b529a4-ace4-4567-ac02-6c3632f4b27f)
213
- [Greeting card with movable flower]
- [1850?]
214
- Richard Turpin, the highwayman
- [between 1850-1862]
215
- Miss Cooper educates a limited number of young ladies
- [approximately 1850]
216
- A journey to Lindley Murray's
- [185-?]
217
- Panorama of the city of Dacca
- [ca. 1850]
218
- Six views of Buxton & neighbourhood
- [185-?]
219
- [Catalogue of specimens of iron and brass castings
- [185-?]
220
- A second floor to let
- [1850?]
221
- British, Victorian frame
- 3rd quarter of 19th century
222
- British, Provincial Rococo frame
- 3rd quarter of 18th century
223
- British architectural moulding frame
- 2nd half of 19th century
224
- British or Irish, Rococo Revival frame
- 2nd half of 19th century
225
- British, Arts and Crafts frame
- 2nd half of 19th century
226
- British, 'Carlo Maratta' style frame
- 2nd half of 19th century
227
- British, Louis XIV style frame
- 2nd quarter of 18th century
228
- British (?) oval architrave moulding frame
- 2nd half of 19th century
229
- British, Louis XVI Revival frame
- 2nd half of 19th century
230
- British, Neoclassical Revival style frame
- 2nd half of 19th century
231
- British, Victorian frame
- 2nd half of 19th century
232
- British, Louis XIII style frame
- 2nd half of 19th century
233
- British, Rococo Revival frame
- 3rd quarter of 19th century
234
- Italian, Louis XIII style frame
- 2nd half of 19th century
235
- British Neoclassical Revival frame
- 2nd half of 19th century
236
- British, Neoclassical Revival frame
- 2nd half of 19th century
237
- British artist's style frame
- 3rd quarter of 19th century
238
- British, Victorian 'Salon' style frame
- 2nd half of 19th century
239
- British, Artist's frame
- 3rd quarter of 19th century
240
- French (?) Louis XIV Revival frame
- 2nd half of 19th century
241
- British Neoclassical Revival frame
- 2nd half of 19th century
242
- British Victorian 'Salon' style frame
- 3rd quarter of 19th century
243
- British, Victorian frame
- 2nd half of 19th century
244
- British artist's frame: Pre-Raphaelite
- 3rd quarter of 19th century
245
- British, Victorian 'Nazarene' frame
- 2nd half of 19th century
246
- British artist's frame
- 3rd quarter of 19th century
247
- British artist's frame
- 3rd quarter of 19th century
248
- French, Baroque moulding frame
- 2nd half of 19th century
249
- 2 [Second floor plan]
- undated
- Archives
250
- 2M [Second floor mezzanine plan]
- undated
- Archives
251
- Letters to Eva Whyte
- 1889 October or November
- Archives