Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres
Summer 1846 to March 1847
On view
2
William Barraud, 1810–1850
Lord and Lady Twemlow
late 1840s
Not on view
3
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
4
Harry Hall, 1838–1886
Sir Tatton Sykes Leading in the Horse 'Sir Tatton Sykes' with William Scott Up
1846
Not on view
5
Robert Huskisson, 1820–1861
Lord Northwick's Picture Gallery at Thirlestaine House
between 1846 and 1847
On view
6
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
7
John Ferneley, 1782–1860
Thomas Wilkinson, M.F.H., with the Hurworth Foxhounds
1846
On view
8
Richard Redgrave, 1804–1888
The Moorhen's Haunt
1846
Not on view
9
Edward Bowring Stephens, 1815–1882
Narcissus
1846
Not on view
10
Edward Hodges Baily, 1788–1867
Agnes Strickland
1846
Not on view
11
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
12
Lt. Gen. Charles Emilius Gold, 1803?–1871
A View of Hobart, Tasmania
1846
13
Daniel Wilson, 1816–1892
The Chapel, Dirleton Castle, Scotland
1846
14
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Standing Candlesticks and Incense Burners
1846
15
Augustus Welby Northmore Pugin, 1812–1852
Designs for Altar and Processional Crosses
1846
16
Arthur James Stark, 1831–1902
Stable Boy on a Pony
undated
17
Charles Samuel Keene, 1823–1891
Sketchbook
between 1846 and 1852
18
Henry Moore, 1831–1895
High Tor, Matlock
undated
19
W. L. Walton, active 1834–1855
Holland House, Middlesex
1846
20
Print made by Miles Edmund Cotman, 1810–1858
French Fishing Boat off the Shears
1846
21
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
22
Capt. Thomas Hastings, 1778–1854
Beachley, 29 May 1846
1846
23
Capt. Thomas Hastings, 1778–1854
Beachley, 19 May 1846
1846
24
Capt. Thomas Hastings, 1778–1854
At Beachley
1846
25
Capt. Thomas Hastings, 1778–1854
Beachley near the Sea Shore, 29 May 1846
1846
26
Capt. Thomas Hastings, 1778–1854
Sunset, Beachley, 29 May 1846
1846
27
Augustus Welby Northmore Pugin, 1812–1852
Design for the Brass Eagle Lectern Base
1846
28
Augustus Welby Northmore Pugin, 1812–1852
Design for the Roof Truss, Rampisham Rectory
between 1846 and 1848
29
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
30
unknown artist
"Sheppon Fields"
1846
31
John Frederick Lewis, 1804–1876
Gray Mare and a Chestnut Foal
1846
32
Sir John Everett Millais, 1829–1896
An Evening Party
1846
33
William Callow, 1812–1908
The Rialto
1846
34
Print made by Charles William Sherborn, 1831–1912
Ranelagh
undated
35
Samuel Lunley
Brewers, Chasters, and Galley Quays
1846
36
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
37
Marcus Ward, active 1846
Giant's Causeway
1846
38
Marcus Ward, active 1846
White Rocks, Dunlace Antrim
1846
39
David Roberts, 1796–1864
From under the Portico of the Temple of Edfu, Upper Egypt
1846
40
Charles E. Wagstaff, 1808–
John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
1846
41
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
42
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
43
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
44
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."
1846
45
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."
1846
46
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
47
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
48
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
49
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
50
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
51
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
52
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
53
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
54
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
55
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
56
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
57
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
58
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
59
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
60
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
61
Capt. Thomas Hastings, 1778–1854
Crickhowell Castle, 22 July 1846
1846
62
Capt. Thomas Hastings, 1778–1854
Llansteffan Castle, 28 July 1846
1846
63
Capt. Thomas Hastings, 1778–1854
The Werns, 29 July 1846
1846
64
Print made by Albert Henry Payne, 1812–1902
Students' Life in Germany, Landesvater
1846
65
Print made by William Wallis, 1794– active 1830
Jaffa, the Ancient Joppa
1846
66
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."
1846
67
Identifying sitters in a painting by Richard Ansdell, 1815–1885
Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance
1846
68
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
69
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."