Thomas Wilkinson, M.F.H., with the Hurworth Foxhounds
1846
Not on view
3
Sir Edwin Henry Landseer, 1802–1873
Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres
Summer 1846 to March 1847
Not on view
4
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
5
William Barraud, 1810–1850
Lord and Lady Twemlow
late 1840s
Not on view
6
Harry Hall, 1838–1886
Sir Tatton Sykes Leading in the Horse 'Sir Tatton Sykes' with William Scott Up
1846
Not on view
7
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
8
Robert Huskisson, 1820–1861
Lord Northwick's Picture Gallery at Thirlestaine House
between 1846 and 1847
Not on view
9
Edward Hodges Baily, 1788–1867
Agnes Strickland
1846
Not on view
10
Edward Bowring Stephens, 1815–1882
Narcissus
1846
Not on view
11
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
12
William Callow, 1812–1908
The Rialto
1846
13
Daniel Wilson, 1816–1892
The Chapel, Dirleton Castle, Scotland
1846
14
Augustus Welby Northmore Pugin, 1812–1852
Designs for Altar and Processional Crosses
1846
15
Sir John Everett Millais, 1829–1896
An Evening Party
1846
16
Henry Moore, 1831–1895
High Tor, Matlock
undated
17
Lt. Gen. Charles Emilius Gold, 1803?–1871
A View of Hobart, Tasmania
1846
18
John Frederick Lewis, 1804–1876
Gray Mare and a Chestnut Foal
1846
19
Augustus Welby Northmore Pugin, 1812–1852
Design for the Brass Eagle Lectern Base
1846
20
Augustus Welby Northmore Pugin, 1812–1852
Design for the Roof Truss, Rampisham Rectory
between 1846 and 1848
21
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
22
unknown artist
"Sheppon Fields"
1846
23
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Standing Candlesticks and Incense Burners
1846
24
Charles Samuel Keene, 1823–1891
Sketchbook
between 1846 and 1852
25
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
26
Henry Griffiths, 1835–1849
Martin Archer Shee
1846
27
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
28
John Ruskin, 1819–1900
Champagnole
1846
29
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."
1846
30
James Thomson, 1789–1850
Sir Thomas Lawrence, late President of the Royal Academy
1846
31
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
32
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
33
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
34
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
35
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
36
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
37
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
38
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
39
Charles E. Wagstaff, 1808–
John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
1846
40
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
41
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
42
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."
1846
43
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."
1846
44
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."
1846
45
Capt. Thomas Hastings, 1778–1854
Beachley, 19 May 1846
1846
46
Print made by Miles Edmund Cotman, 1810–1858
French Fishing Boat off the Shears
1846
47
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
48
W. L. Walton, active 1834–1855
Holland House, Middlesex
1846
49
Print made by Charles William Sherborn, 1831–1912
Ranelagh
undated
50
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
51
Thomas Picken, 1815–1870
The Great Britain Iron Steam Ship
1846
52
Samuel Lunley
Brewers, Chasters, and Galley Quays
1846
53
Robert Brandard, 1805–1862
The Drowning Slave
1846
54
Capt. Thomas Hastings, 1778–1854
Beachley, 29 May 1846
1846
55
Capt. Thomas Hastings, 1778–1854
At Beachley
1846
56
Capt. Thomas Hastings, 1778–1854
Beachley near the Sea Shore, 29 May 1846
1846
57
Capt. Thomas Hastings, 1778–1854
Sunset, Beachley, 29 May 1846
1846
58
Marcus Ward, active 1846
Giant's Causeway
1846
59
Marcus Ward, active 1846
White Rocks, Dunlace Antrim
1846
60
John Doyle ('H.B.'), 1797–1868
Protection, A Hen and Chickens of an Extraordinary Game Breed, Not to be Found in any work on Ornithology (from: Caricature, vol. 6)
1846
61
John Doyle ('H.B.'), 1797–1868
Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire
1846
62
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
63
Identifying sitters in a painting by Richard Ansdell, 1815–1885
Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance