Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres
Summer 1846 to March 1847
On view
2
William Barraud, 1810–1850
Lord and Lady Twemlow
late 1840s
Not on view
3
Richard Redgrave, 1804–1888
The Moorhen's Haunt
1846
Not on view
4
John Ferneley, 1782–1860
Thomas Wilkinson, M.F.H., with the Hurworth Foxhounds
1846
On view
5
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
6
Harry Hall, 1838–1886
Sir Tatton Sykes Leading in the Horse 'Sir Tatton Sykes' with William Scott Up
1846
Not on view
7
Robert Huskisson, 1820–1861
Lord Northwick's Picture Gallery at Thirlestaine House
between 1846 and 1847
On view
8
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
9
Edward Hodges Baily, 1788–1867
Agnes Strickland
1846
Not on view
10
Edward Bowring Stephens, 1815–1882
Narcissus
1846
Not on view
11
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
12
Augustus Welby Northmore Pugin, 1812–1852
Design for the Brass Eagle Lectern Base
1846
13
Augustus Welby Northmore Pugin, 1812–1852
Design for the Roof Truss, Rampisham Rectory
between 1846 and 1848
14
Charles Samuel Keene, 1823–1891
Sketchbook
between 1846 and 1852
15
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Standing Candlesticks and Incense Burners
1846
16
Augustus Welby Northmore Pugin, 1812–1852
Designs for Altar and Processional Crosses
1846
17
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
18
unknown artist
"Sheppon Fields"
1846
19
Sir John Everett Millais, 1829–1896
An Evening Party
1846
20
Henry Moore, 1831–1895
High Tor, Matlock
undated
21
Daniel Wilson, 1816–1892
The Chapel, Dirleton Castle, Scotland
1846
22
Lt. Gen. Charles Emilius Gold, 1803?–1871
A View of Hobart, Tasmania
1846
23
William Callow, 1812–1908
The Rialto
1846
24
John Frederick Lewis, 1804–1876
Gray Mare and a Chestnut Foal
1846
25
Capt. Thomas Hastings, 1778–1854
Beachley, 29 May 1846
1846
26
Capt. Thomas Hastings, 1778–1854
Beachley, 19 May 1846
1846
27
Capt. Thomas Hastings, 1778–1854
Beachley near the Sea Shore, 29 May 1846
1846
28
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
29
Capt. Thomas Hastings, 1778–1854
Sunset, Beachley, 29 May 1846
1846
30
Capt. Thomas Hastings, 1778–1854
At Beachley
1846
31
Marcus Ward, active 1846
Giant's Causeway
1846
32
Marcus Ward, active 1846
White Rocks, Dunlace Antrim
1846
33
David Roberts, 1796–1864
From under the Portico of the Temple of Edfu, Upper Egypt
1846
34
Print made by Miles Edmund Cotman, 1810–1858
French Fishing Boat off the Shears
1846
35
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
36
Print made by Charles William Sherborn, 1831–1912
Ranelagh
undated
37
John Doyle ('H.B.'), 1797–1868
Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire
1846
38
John Doyle ('H.B.'), 1797–1868
Protection, A Hen and Chickens of an Extraordinary Game Breed, Not to be Found in any work on Ornithology (from: Caricature, vol. 6)
1846
39
Henry Griffiths, 1835–1849
Martin Archer Shee
1846
40
Leopold Flameng, 1831–1911
Van Dyck et Son Protecteur le Comte de Bristol
undated
41
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
42
Thomas Picken, 1815–1870
The Great Britain Iron Steam Ship
1846
43
W. L. Walton, active 1834–1855
Holland House, Middlesex
1846
44
Samuel Lunley
Brewers, Chasters, and Galley Quays
1846
45
Identifying sitters in a painting by Richard Ansdell, 1815–1885
Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance
1846
46
Charles E. Wagstaff, 1808–
John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
1846
47
John Ruskin, 1819–1900
Champagnole
1846
48
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."
1846
49
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
50
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
51
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
52
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
53
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
54
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
55
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
56
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
57
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
58
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
59
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
60
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
61
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
62
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
63
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
64
James Thomson, 1789–1850
Sir Thomas Lawrence, late President of the Royal Academy
1846
65
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."
1846
66
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."
1846
67
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."