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101. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on moderately thick, smooth, green wove paper
Dimensions:
Sheet: 10 1/8 × 3 7/8 inches (25.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache, verso: white gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 10 7/8 × 8 5/8 inches (27.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 3/8 × 5 1/4 inches (28.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 7 1/8 × 5 inches (18.1 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, slightly textured, green wove paper
Dimensions:
Sheet: 11 5/8 × 7 inches (29.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 8 7/8 × 3 5/8 inches (22.5 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 12 3/8 × 6 1/8 inches (31.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 1/2 × 4 3/8 inches (26.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Graphite, black ink, pen, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 14 1/8 × 6 3/4 inches (35.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, red ink, graphite and pen with watercolor and gouache on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 1/4 × 6 1/8 inches (15.9 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink and pen, watercolor and gouache, verso: white gouache on medium, slightly textured, brown wove
Dimensions:
Sheet: 13 1/2 × 7 3/4 inches (34.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Lake of Nemi

Lake of Nemi
Creator:
Print made by Edward Goodall, 1795–1870
Date:
ca. 1844
Materials & Techniques:
Etching and engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and engraving; engraver's proof (a) on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 × 9 1/2 inches (36.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. The Nile

The Nile
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 1/8 inches (42.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Etching and engraving with chine collé, graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/8 × 9 1/2 inches (36.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. The Abbey Pool

The Abbey Pool
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. The Long Gallery, Haddon Hall, Derbyshire

The Long Gallery, Haddon Hall, Derbyshire
Creator:
Joseph Nash, 1808–1878
Date:
1839
Materials & Techniques:
Watercolor, gouache, pen and brown ink, graphite, and scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Roslyn Castle - a wooded river landscape

Roslyn Castle - a wooded river landscape
Creator:
Thomas Peploe Wood, 1817–1845
Date:
1839
Materials & Techniques:
Brown wash with brown and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Design for Love's Labour's Lost

Design for Love's Labour's Lost
Creator:
Thomas Grieve, 1799–1882
Date:
1839
Materials & Techniques:
Watercolor, white gouache, graphite, pen and ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Llyn Dinas, North Wales

Llyn Dinas, North Wales
Creator:
John Varley, 1778–1842
Date:
1839
Materials & Techniques:
Watercolor, gouache, varnish and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 10 3/8 inches (11.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Design for Silverton Park, Devon

Design for Silverton Park, Devon
Creator:
studio of James Knowles, c. 1806–1884
Date:
between 1839 and 1845
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Landscape with Courting Couple

Landscape with Courting Couple
Creator:
John Martin, 1789–1854
Date:
1839
Materials & Techniques:
Watercolor and gum over graphite and scratching out on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 8 3/4 x 12 1/4 inches (22.3 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Interior of the Lower Basilica of St. Francis of Assisi

The Interior of the Lower Basilica of St. Francis of Assisi
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
1839
Materials & Techniques:
Watercolor and gouache with gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 19 7/16 inches (34.7 x 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

127. The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze

The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1839
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 5/16 × 33 inches (64.3 × 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. The Nile

The Nile
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 1/8 inches (42.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 10 7/8 inches (41 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Lake of Nemi

Lake of Nemi
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper mounted on canceled intaglio print
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper mounted on verso of canceled intaglio print
Dimensions:
Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. The Terrace

The Terrace
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
ca. 1844
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 5 1/2 inches (19.8 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place

Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 7/8 inches (35.5 x 53.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. The 'Horse and Groom' Public House, Lea Bridge

The 'Horse and Groom' Public House, Lea Bridge
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1839
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. St.Helen's Place Numbers 45-48 Bishopsgate as in the year 1833

St.Helen's Place Numbers 45-48 Bishopsgate as in the year 1833
Creator:
unknown artist
Date:
1839
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Tottenham Mills, Middlesex

Tottenham Mills, Middlesex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1839
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. "Building the Stationary Engine House, Camden Town, April 26th 1837"

"Building the Stationary Engine House, Camden Town, April 26th 1837"
Creator:
John Cooke Bourne, 1814–1896
Date:
1839
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. A Collection of Monuments on the Bastion of Valetta

A Collection of Monuments on the Bastion of Valetta
Creator:
Print made by Luigi de Brocktorff, active 1823
Date:
1839
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 17 1/8 x 12 1/8in. (43.5 x 30.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. The Plain of El Raheh, Mount Sinai

The Plain of El Raheh, Mount Sinai
Creator:
David Roberts, 1796–1864
Date:
1839
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Alcazaba from the Mole, Malaga

The Alcazaba from the Mole, Malaga
Creator:
David Roberts, 1796–1864
Date:
1839
Materials & Techniques:
Watercolor and gouache with some gum over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 11 5/8in. (21.6 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. The Temple of Baalbec

The Temple of Baalbec
Creator:
David Roberts, 1796–1864
Date:
1839
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to thick, smooth cream card
Dimensions:
Sheet: 13 1/2 × 21 1/4 inches (34.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Suez

Suez
Creator:
David Roberts, 1796–1864
Date:
1839
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 1 5/8 × 9 9/16 inches (4.1 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. W. H. Bartlett

W. H. Bartlett
Creator:
Benjamin Holl, 1808–1884
Date:
1839
Materials & Techniques:
Stipple Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Earl Talbot's Hound, Thomasine

Earl Talbot's Hound, Thomasine
Creator:
John Linnell, 1792–1882
Date:
1839
Materials & Techniques:
Graphite, watercolor, gouache and chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 5/8 x 19 inches (42.2 x 48.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Monument of Lord Chancellor Eldon

Monument of Lord Chancellor Eldon
Creator:
John T. Wedgwood, active 1839
Date:
1839
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. [Racing]: "Deception", Winner of the Oaks Stakes at Epsom, 1839, Rode by J. Day ...

[Racing]: "Deception", Winner of the Oaks Stakes at Epsom, 1839, Rode by J. Day ...
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Color printed aquatint
Dimensions:
Sheet: 12 1/4 x 16 5/8in. (31.1 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Extraordinary Trotting Match against Time

Extraordinary Trotting Match against Time
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 20 x 29in. (50.8 x 73.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Harkaway

Harkaway
Creator:
Charles Hunt, 1803–1877
Date:
1839
Materials & Techniques:
Aquatint, printed in color, varnish over color on horse
Dimensions:
Sheet: 14 1/16 x 17 15/16in. (35.7 x 45.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1839
Materials & Techniques:
Pen and brown ink, brown wash, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Portraits of Two well known Characters in the East Riding of Yorkshire, Robert Darling and John Brown.

Portraits of Two well known Characters in the East Riding of Yorkshire, Robert Darling and John Brown.
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1839
Materials & Techniques:
Aquatint, printed in color
Dimensions:
Sheet: 19 1/4 x 24in. (48.9 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. The Melton Breakfast

The Melton Breakfast
Creator:
Charles G. Lewis, 1808–1880
Date:
1839
Materials & Techniques:
Hand colored stipple engraving
Dimensions:
Sheet: 18 1/8 x 28 1/4in. (46 x 71.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Racing: Bloomsbury, Winner of the Derby Stakes at Epsom 1839

Racing: Bloomsbury, Winner of the Derby Stakes at Epsom 1839
Creator:
Edward Duncan, 1803–1882
Date:
1839
Materials & Techniques:
Aquatint, hand-colored, with varnish over color on horse
Dimensions:
Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839
Creator:
Edward Duncan, 1803–1882
Date:
1839
Materials & Techniques:
Aquatint, hand-colored with varnish over color on horse
Dimensions:
Sheet: 15 3/16 x 19 1/4in. (38.6 x 48.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box
Creator:
Edward Allen Everitt, 1824–1882
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 8 13/16 inches (32.9 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. North Foreland Lighthouse

North Foreland Lighthouse
Creator:
George Jackson, active 1839–1844
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 5/16 × 4 3/16 inches (8.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. A Tug Vessel

A Tug Vessel
Creator:
George Jackson, active 1839–1844
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 4 1/4 inches (8.6 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. In Portsmouth Harbor

In Portsmouth Harbor
Creator:
George Jackson, active 1839–1844
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and scratching out on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 4 3/16 inches (8.6 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Gale of Winds

Gale of Winds
Creator:
George Jackson, active 1839–1844
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/16 × 4 1/4 inches (8.4 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, with graphite, white chalk, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 8 5/8 inches (33.3 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, with graphite and chine-collé; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 8 3/8 inches (34.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé, published state on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Sandy Knowe, or Smailholm Tower

Sandy Knowe, or Smailholm Tower
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper mounted on verso of canceled intaglio print
Dimensions:
Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Rural Chivalry; A Series in six plates of Fighting Cocks: 2. Make Ready

Rural Chivalry; A Series in six plates of Fighting Cocks: 2. Make Ready
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Rural Chivalry; A Series in six plates of Fighting Cocks: 3. Present

Rural Chivalry; A Series in six plates of Fighting Cocks: 3. Present
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Rural Chivalry; A Series in six plates of Fighting Cocks: 4. Fire

Rural Chivalry; A Series in six plates of Fighting Cocks: 4. Fire
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Rural Chivalry; A Series in six plates of Fighting Cocks: 5. Victory

Rural Chivalry; A Series in six plates of Fighting Cocks: 5. Victory
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Rural Chivalry; A Series in six plates of Fighting Cocks: 6. Stand at Ease

Rural Chivalry; A Series in six plates of Fighting Cocks: 6. Stand at Ease
Creator:
James Fahey, 1804–1885
Date:
1839
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/8in. (21.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Jack Sheppard Gets Drunk and Orders his Mother off

Jack Sheppard Gets Drunk and Orders his Mother off
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 7 1/8 inches (21 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

174. Audacity of Jack Sheppard

Audacity of Jack Sheppard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

175. Jack Sheppard Committing the Robbery in Willesden Church

Jack Sheppard Committing the Robbery in Willesden Church
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 3/16 inches (21.8 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

176. Jack Sheppard Tricking Shotbolt, the Gaoler

Jack Sheppard Tricking Shotbolt, the Gaoler
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 x 7 9/16 inches (21.4 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

177. "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

178. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

179. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

180. Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

181. The Name on the Beams

The Name on the Beams
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 7 3/8 inches (21 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

182. Jack Sheppard and Blueskin in Mr. Woods Bedroom

Jack Sheppard and Blueskin in Mr. Woods Bedroom
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 3/8 inches (21.8 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

183. The Murder on the Thames

The Murder on the Thames
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

184. A Pool with Figures

A Pool with Figures
Creator:
George Chinnery, 1774–1852
Date:
1839
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, beige wove paper mounted to card
Dimensions:
Sheet: 11 3/8 x 8in. (28.9 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Loch Katrine Pier, Scene of "the Lady of the Lake"

Loch Katrine Pier, Scene of "the Lady of the Lake"
Creator:
William Henry Fox Talbot, 1800–1877
Date:
ca. 1844
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

186. Bluebeard Giving the Keys to Fatima

Bluebeard Giving the Keys to Fatima
Creator:
Attributed to Richard Doyle, 1824–1883
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 10 1/4 inches (21.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof (c) on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/8 × 11 5/8 inches (43.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Mrs. Sheppard Expostulating with her Son

Mrs. Sheppard Expostulating with her Son
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 6 15/16 inches (21 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

190. Jack Sheppard's Escape from the Cage at Willesden

Jack Sheppard's Escape from the Cage at Willesden
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 x 7 3/16 inches (21.9 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

191. Jack Sheppard Accuses Thames Darrell of the Theft

Jack Sheppard Accuses Thames Darrell of the Theft
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

192. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

193. `Queen's return from the House of Lords'

`Queen's return from the House of Lords'
Creator:
Benjamin Read, active 1820s–1840s
Date:
1839
Materials & Techniques:
Engraving with aquatint, hand-colored
Dimensions:
Sheet: 17 x 23in. (43.2 x 58.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

194. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. New Steine and Rock Gardens

New Steine and Rock Gardens
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. The Street, Church, Parsonage and Grammar School, Bankside, Southampton

The Street, Church, Parsonage and Grammar School, Bankside, Southampton
Creator:
William Edmunds, 1801–1847
Date:
1839
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/8 × 7 1/8 inches (11.1 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

198. Court of the Bargello, Florence

Court of the Bargello, Florence
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
1839
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 9 1/8in. (31.3 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Portrait of Maria Elizabeth Dadd, the Artist's Sister

Portrait of Maria Elizabeth Dadd, the Artist's Sister
Creator:
Richard Dadd, 1817–1886
Date:
1839
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, blue-green wove paper
Dimensions:
Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. A Seat in Church

A Seat in Church
Creator:
unknown artist
Date:
1839
Materials & Techniques:
Pen and black ink and gray wash on thin, smooth, brown wove paper
Dimensions:
Sheet: 7 1/2 × 8 7/8 inches (19.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery