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1. The Terrace

The Terrace
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
ca. 1844
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 5 1/2 inches (19.8 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Design for Love's Labour's Lost

Design for Love's Labour's Lost
Creator:
Thomas Grieve, 1799–1882
Date:
1839
Materials & Techniques:
Watercolor, white gouache, graphite, pen and ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thick, smooth, brown wove paper
Dimensions:
Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1839
Materials & Techniques:
Pen and brown ink, brown wash, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 6 3/4 × 2 7/8 inches (17.1 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Loch Katrine Pier, Scene of "the Lady of the Lake"

Loch Katrine Pier, Scene of "the Lady of the Lake"
Creator:
William Henry Fox Talbot, 1800–1877
Date:
ca. 1844
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Portrait of Maria Elizabeth Dadd, the Artist's Sister

Portrait of Maria Elizabeth Dadd, the Artist's Sister
Creator:
Richard Dadd, 1817–1886
Date:
1839
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, blue-green wove paper
Dimensions:
Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Studies of cats

No cover image available
Creator:
George Housman Thomas, 1824–1868
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/2 × 6 1/2 inches (16.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

9. Soldier in uniform

No cover image available
Creator:
George Housman Thomas, 1824–1868
Date:
undated
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson