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Collection
Prints and Drawings
77
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
33
Cruikshank, George, 1792–1878
23
Willmore, James Tibbits, 1800–1863
9
Bell, John, 1811–1895
5
Miller, William, 1796–1882
5
Brandard, Robert, 1805–1862
4
Fisher, S., active 1831–1844
4
Varrall, J. C., active 1815–1827
4
Goodall, Edward, 1795–1870
3
Cousen, John, 1804–1880
2
Smith, William R., active 1819–1851
2
Unknown artist
2
Beattie, Lucas, active 1835–1838
1
Bentley, Richard, 1794–1871
1
Cotman, John Sell, 1782–1842
1
Creswick, Thomas, 1811–1869
1
Etching, Club, active 1838–1885
1
Fisher,, Son & Co., active 1821–1848
1
Harding, James Duffield, 1798–1863
1
Henry, Graves & Co., ca. 1812–1892
1
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Creator
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Date
1834
502
1835
269
1833
255
1827
218
1830
200
1836
200
1800
189
1630
172
1793
152
1837
130
1792
122
1802
122
1832
120
1799
118
1797
116
1794
114
1818
109
1828
109
1859
108
1795
107
1812
107
1814
102
1820
100
1811
99
1789
97
1999
96
1808
93
2000
93
1780
92
1807
92
1803
91
1816
89
1745
87
1782
84
1788
84
1825
84
1831
84
1826
82
1784
80
1823
80
1674
79
1785
77
1838
[remove]
77
1779
74
1790
74
1796
74
1819
74
1850
73
1773
72
1775
72
1783
70
1791
70
1809
69
0
68
1546
68
1667
68
1776
68
1810
67
1824
67
1786
66
1821
66
1550
65
1787
64
1700
63
1739
63
1762
63
1813
63
1772
62
1778
62
1755
61
1781
61
1771
60
1801
58
1770
57
1822
57
1675
55
1765
54
1990
54
1839
53
1829
52
1798
51
1750
50
1806
50
1769
49
1777
49
1719
46
1804
46
1754
44
1738
42
1767
41
1897
41
1743
40
1760
40
1774
39
1842
39
1690
37
1751
37
1896
37
1805
36
1815
36
On-site Access
Accessible by appointment in the Study Room
77
Image Use
Free to Use
77
Image Available
Available
[remove]
77
Classification
Prints
77
Creator Gender
male
70
unknown
2
female
1
Collective Title
Picturesque Views in England and Wales
11
The Turner Gallery
3
White's Views in India
3
Fisher's Pilgrim's Progress
1
The Ingoldsby Legends
1
Period
19th century
76
Materials & Techniques
wove paper
61
line engraving
30
etching (printing process)
17
chine collé
10
mezzotint
3
aquatint
1
engraving (printing process)
1
hand coloring
1
laid paper
1
stipple engraving
1
Height [cm]
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0
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69
Unknown
25
Width [cm]
Width [cm] range begin
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Current results range from
0
to
95
Unknown
25
Work Type
intaglio print
[remove]
77
frontispiece
1
Genre
landscape
30
marine art
14
architectural subject
5
religious and mythological subject
5
animal art
4
cityscape
3
genre subject
3
portrait
3
sporting art
3
historical subject
2
literary theme
2
figure study
1
Subject Terms
river
11
landscape (representation)
8
marine art
6
death
4
landscape (environment)
3
religious and mythological subject
3
tower (single built work)
3
architectural subject
2
bows
2
canal
2
chimney
2
church
2
cityscape
2
cloth
2
clouds
2
fighting
2
genre subject
2
historical subject
2
men
2
staff
2
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Subject Terms
»
Associated Places
Germany
9
Rhine
9
Rhineland Palatinate
6
Filsen
3
Italy
3
Neuwied
3
Oberwesel
3
Ochsenturm
3
Osterspai
3
Weissenthurm
3
England
2
Grand Canal
2
Santa Maria della Salute
2
St Mark's Campanile
2
United Kingdom
2
Venice
2
Devon
1
Lazio
1
Nemi, Lago di
1
Tamar
1
more
Associated Places
»
Associated People
Brutus
1
Charon
1
Julius Caesar
1
demon
1
demons
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
38
Yale Center for British Art; Yale University Art Gallery Collection
32
Yale Center for British Art, Paul Mellon Fund
6
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
1
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Date
1838
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1
Print made by W. R. Smith, active 1819–1851
Chain Bridge over the River Tees
1838
2
Print made by J. C. Varrall, active 1815–1827
Rochester, Stroud and Chatham, Medway
1838
3
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
4
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
5
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
6
Print made by S. Fisher, active 1831–1844
Mount St. Michael, Cornwall
1838
7
Print made by S. Fisher, active 1831–1844
Mount St. Michael, Cornwall
1838
8
Print made by S. Fisher, active 1831–1844
Mount St. Michael, Cornwall
1838
9
Print made by James Tibbits Willmore, 1800–1863
Fetcham Park
1838-1852
10
Print made by William Miller, 1796–1882
The Rhine - Osterspey and Feltzen
1838-1852
11
Print made by Robert Brandard, 1805–1862
The Rhine - Neuwied and Weissenthurm
1838-1852
12
Print made by William Miller, 1796–1882
The Grand Canal, Venice
1838
13
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1838
14
Print made by Robert Wallis, 1794–1878
Nemi
1838-1852
15
Print made by William Miller, 1796–1882
The Rhine - Osterspey and Feltzen
1838-1852
16
John Henry Robinson, 1796–1871
The Mantilla
1838
17
Print made by William Miller, 1796–1882
The Grand Canal, Venice
1838
18
Print made by George H. Phillips, active 1819–1825
Countess Wilton
1838
19
Print made by James Tibbits Willmore, 1800–1863
Oberwesel
1838-1852
20
Print made by James Tibbits Willmore, 1800–1863
Oberwesel
1838-1852
21
Print made by Robert Brandard, 1805–1862
The Rhine - Neuwied and Weissenthurm
1838-1852
22
Print made by John Bell, 1811–1895
The Assault
between 1838 and 1850
23
Print made by John Bell, 1811–1895
And This Was Caesar
between 1838 and 1850
24
Print made by John Bell, 1811–1895
Charon's Boat
between 1838 and 1850
25
Print made by John Bell, 1811–1895
Diavoli Pescatori
between 1838 and 1850
26
Print made by James Tibbits Willmore, 1800–1863
Oberwesel
1838-1854
27
Print made by William Miller, 1796–1882
The Rhine - Osterspey and Feltzen
1838-1854
28
Print made by Edward Goodall, 1795–1870
Frontispiece to Pilgrim's Progress
1838
29
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1838-1854
30
Print made by W. R. Smith, active 1819–1851
Chain Bridge over the River Tees
1838
31
Print made by J. C. Varrall, active 1815–1827
Rochester, Stroud and Chatham, Medway
1838
32
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
33
Print made by S. Fisher, active 1831–1844
Mount St. Michael, Cornwall
1838
34
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
35
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
36
Henry Papprill, 1816–d.after 1883
British Queen Steam Ship
1838
37
Print made by John Porter, active 1838
The Chillington Oxen
1838
38
Print made by John Cousen, 1804–1880
View near Jubbera
1838
39
Print made by Edward Goodall, 1795–1870
Snowy Range, from Tyne or Marma
1838
40
Print made by John Cousen, 1804–1880
Falls near the Source of the Jumna
1838
41
Print made by James Tibbits Willmore, 1800–1863
The Old Téméraire
1838-1854
42
Print made by Robert Brandard, 1805–1862
The Rhine - Neuwied and Weissenthurm
1838-1854
43
Print made by J. C. Varrall, active 1815–1827
Rochester, Stroud and Chatham, Medway
1838
44
Print made by John Bell, 1811–1895
Sketch from a Statue of a Dreamer
between 1838 and 1850
45
Samuel William Reynolds, 1773–1835
Sir Joshua Reynolds
1838
46
Print made by George Cruikshank, 1792–1878
Brenhilda, Agelastes & Sylvan
1838
47
Print made by George Cruikshank, 1792–1878
Dougal Mac Callum and Hutcheon
1838
48
Print made by George Cruikshank, 1792–1878
Sir Kenneth and the Dwarfs of the Chapel
1838
49
Print made by George Cruikshank, 1792–1878
Mrs. Heukbane & Mrs. Shortcake
1838
50
Print made by George Cruikshank, 1792–1878
Philipson & the German Inn Keeper
1838
51
Print made by George Cruikshank, 1792–1878
The Citizen and the Soldier
1838
52
Print made by George Cruikshank, 1792–1878
The Last Chance
1838
53
Mr. Fagin and his Pupil Recovering Nancy
1838
54
Print made by George Cruikshank, 1792–1878
The Evidence Destroyed
1838
55
Print made by George Cruikshank, 1792–1878
The Meeting
1838
56
Print made by George Cruikshank, 1792–1878
Pikes Attempting to Destroy his Dog
1838
57
Print made by George Cruikshank, 1792–1878
Oliver Wanted by the Bon Street Runners
1838
58
Print made by George Cruikshank, 1792–1878
Mr. Claypole as he Appeared when his Master was out
1838
59
Print made by George Cruikshank, 1792–1878
Oliver Twist at Mrs. Maylie's Door
1838
60
Print made by George Cruikshank, 1792–1878
Monks and the Jew
1838
61
Print made by George Cruikshank, 1792–1878
The Burglary
1838
62
Print made by George Cruikshank, 1792–1878
Rose Maylie and Oliver
1838
63
Print made by George Cruikshank, 1792–1878
Fagin in the Condemned Cell
1838
64
Print made by George Cruikshank, 1792–1878
Master Holdenough Interrupted in his Vocation
1838
65
Print made by George Augustus Sala, 1828–1895
London
undated
66
Print made by George Cruikshank, 1792–1878
Mr. Bumble Degraded in the Eyes of the Paupers
1838
67
Print made by George Cruikshank, 1792–1878
The Jew & Morris Bolter Begin to Understand Each Other
1838
68
Print made by George Cruikshank, 1792–1878
Norma Dispatching the Provisions
1838
69
Print made by George Cruikshank, 1792–1878
Mr. Bumble and Mrs. Corney Taking Tea
1838
70
Published by Newman & Co., active 1820
The Gap of Dunloe, Killarney
undated
71
Sheep and Cattle
1838
72
Three Goats
1838
73
Cattle
1838
74
Print made by unknown artist
Cows, Sheep, and Goats with Shepherd and a Woman on a Mule
1838
75
Sheep and Cattle in a Barn
1838
76
Print made by J. C. Varrall, active 1815–1827
Approach to Royat, France
1838
77
Print made by George Johann Scharf, 1788–1860
A View of the Grand Fete on Parker's Piece, Cambridge
1838