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A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bruce Passing the Peveril Coach and Manchester Mail
Creator:
Print made by Robert Havell II, 1793–1878
Date:
1837
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/8 x 11 1/8in. (20.6 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dead Eagle, Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 9/16 × 11 3/16 inches (42.1 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Runjeet Singh and His Suwarree, or Cavalcade of Seiks
Creator:
Print made by George Presbury, active 1840
Date:
1837
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
Tombs of the Kings of Golconda
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1837
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 10 7/8 inches (22.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
No cover image available
Creator:
Print made by Robert Havell II, 1793–1878
Date:
1837
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/4 x 11 1/8in. (21 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection