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Date 1835

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Collective Title Scott's Prose Works

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Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Front Wrapper for the Prose Works of Sir Walter Scott, Part One (two copies)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Cloud
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field of Waterloo, with Lightning
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Milan

Milan
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field of Waterloo, with Lightning
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice, the Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 10 7/8 inches (41.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Vincennes

Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 10 1/4 inches (41.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 5/8 inches (27.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 10 7/8 inches (41 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. St. Cloud

St. Cloud
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Milan

Milan
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field of Waterloo, with Lightning
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 4 1/8 inches (17.1 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 10 1/2 inches (40.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection