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The museum is reopening to the public in March 2025.
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Collection
Prints and Drawings
30
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
28
Miller, William, 1796–1882
5
Brandard, Robert, 1805–1862
4
Cousen, John, 1804–1880
3
Willmore, James Tibbits, 1800–1863
3
Armytage, James Charles, -1897
2
Goodall, Edward, 1795–1870
2
Higham, Thomas, 1796–1844
2
Horsburgh, John, 1791–1869
2
Wallis, Robert, 1794–1878
2
Allen, James Baylis, 1803–1876
1
Cadell, Robert, 1788–1849
1
Doyle, John ('H.B.'), 1797–1868
1
Ducôte, A., active 1832–1840
1
Havell, Robert, 1769–1832
1
McLean, Thomas, 1788–1875
1
Pye, John, 1782–1874
1
Smith, William R., active 1819–1851
1
Date
1568
30
1834
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30
1896
25
1795
20
1835
20
1789
18
1847
18
1827
17
1745
16
1800
16
1818
16
1808
13
1819
13
1820
12
1833
12
1735
11
1784
11
1823
11
1828
11
1791
10
1831
10
1787
9
1754
8
1767
8
1832
8
1836
8
1977
8
1780
7
1792
7
1794
7
1811
7
1815
7
1830
7
1744
6
1755
6
1782
6
1788
6
1802
6
1804
6
1825
6
1848
6
1963
6
1700
5
1762
5
1770
5
1781
5
1801
5
1810
5
1814
5
1821
5
1891
5
1675
4
1732
4
1739
4
1741
4
1746
4
1750
4
1760
4
1764
4
1765
4
1777
4
1778
4
1779
4
1783
4
1786
4
1793
4
1796
4
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4
1805
4
1806
4
1807
4
1809
4
1812
4
1813
4
1816
4
1817
4
1837
4
1903
4
1929
4
2010
4
1662
3
1667
3
1690
3
1736
3
1751
3
1752
3
1772
3
1773
3
1797
3
1798
3
1822
3
1826
3
1839
3
1858
3
1859
3
1874
3
1880
3
1882
3
1884
3
1893
3
On-site Access
Accessible by appointment in the Study Room
30
Image Use
Free to Use
30
Image Available
Available
30
Classification
Prints
[remove]
30
Creator Gender
male
30
Collective Title
Turner's Annual Tour- The Seine
12
Scott's Poetical Works
5
Scott's Prose Works
5
Rogers's Poems
3
Picturesque Views in England and Wales
2
Political Sketches
1
Tilt's Illustrations to Scott's Poetical Works
1
Period
19th century
30
Materials & Techniques
line engraving
24
wove paper
8
etching (printing process)
5
engraving (printing process)
4
chine collé
2
colored ink
1
lithography
1
Height [cm]
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6
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31
Width [cm]
Width [cm] range begin
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Current results range from
7
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47
Work Type
intaglio print
28
planographic print
1
Genre
landscape
18
architectural subject
17
marine art
9
cityscape
8
literary theme
8
genre subject
2
historical subject
2
animal art
1
military art
1
sporting art
1
Subject Terms
river
13
landscape (representation)
11
architectural subject
6
abbey
4
church
4
cityscape
3
ruins
3
château
2
fortification
2
landscape (environment)
2
literary theme
2
marine art
2
rivers
2
amphitheater (built work)
1
animal art
1
bone
1
castle
1
channel (water body component)
1
dogs (animals)
1
faces
1
more
Subject Terms
»
Associated Places
France
11
Seine
10
Europe
9
Le Havre
4
Normandie
3
United Kingdom
3
Abbaye de Jumieges
2
Church of Saint-Catherine
2
Honfleur
2
Jumièges
2
Lieutenancy Building
2
Scotland
2
Seine-Maritime, Département de la
2
Bolbec
1
Bolton Abbey
1
Caux, Pays de
1
Château de la Mailleraye
1
Château à Lillebonne
1
Durham
1
England
1
more
Associated Places
»
Associated People
John Bull, fictitious epitomist of Englishness and British imperialism
1
Lambton, John George, 1st Earl of Durham (1792–1840), MP, Ambassador to Russia, Governor-General of Canada
1
Peter, Henry, 1st Baron Brougham and Vaux (1778–1868), politician/statesman
1
Wellesley, Arthur, first duke of Wellington (1769–1852), army officer and prime minister
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art; Gift of Brian and Linda Gracie
1
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Date
1834
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Height [cm]
31
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Prints
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1
Print made by John Cousen, 1804–1880
Harfleur
1834
2
Print made by Thomas Higham, 1796–1844
Rouen Cathedral
1834
3
Print made by John Cousen, 1804–1880
Honfleur
1834
4
Print made by Robert Brandard, 1805–1862
Between Quilleboeuf and Villequier
1834
5
Print made by William Miller, 1796–1882
Jerusalem
1834
6
Print made by William Miller, 1796–1882
Brussels, Distant View
1834
7
Print made by James Tibbits Willmore, 1800–1863
Llandberis Lake, Wales
1834
8
Print made by James Tibbits Willmore, 1800–1863
Penmaen Mawr, Caernarvonshire
1834
9
Print made by Robert Brandard, 1805–1862
Graville
1834
10
Print made by William Miller, 1796–1882
Brussels, Distant View
1834
11
Print made by William Miller, 1796–1882
Hougoumont
1834
12
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
13
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
14
Print made by John Horsburgh, 1791–1869
Napoleon's Logement, Quai Conti
1834-1836
15
Print made by John Horsburgh, 1791–1869
Bemerside
1834
16
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
17
Print made by William Miller, 1796–1882
Loch Katrine
1834
18
Print made by Edward Goodall, 1795–1870
Shipbuilding (An Old Oak Dead)
1834
19
Robert Havell, 1769–1832
Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours
1834
20
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
21
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
22
Print made by John Cousen, 1804–1880
Honfleur
1834
23
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
24
Print made by James Baylis Allen, 1803–1876
Havre
1834
25
Print made by Edward Goodall, 1795–1870
Traitor's Gate, Tower of London
1834
26
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
27
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
28
Print made by John Doyle ('H.B.'), 1797–1868
Trois Dogs: a Graphic Tale, with a Moral... for Those Who Can Find It Out!
1834
29
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
30
Print made by Thomas Higham, 1796–1844
Rouen Cathedral
1834