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Collection
Prints and Drawings
24
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
18
Allen, James Baylis, 1803–1876
3
Bentley, Joseph Clayton, 1809–1851
3
Cousen, John, 1804–1880
3
Finden, Edward Francis, 1791–1857
3
Ruskin, John, 1819–1900
3
Horsburgh, John, 1791–1869
2
Knight, Henry Gally, 1786–1846
2
Brandard, Robert, 1805–1862
1
Bulwer, James Rev., 1794–1879
1
CUNDY, Thomas, 1790–1867
1
Cockerell, Charles Robert, 1788–1863
1
Doyle, John ('H.B.'), 1797–1868
1
Ducôte, A., active 1832–1840
1
Le, Keux Henry, 1787–1868
1
McLean, Thomas, 1788–1875
1
Miller, William, 1796–1882
1
Smith, William R., active 1819–1851
1
Date
1802
100
1800
95
1803
69
1804
67
1835
62
1794
54
1630
49
1836
49
1814
45
1818
44
1795
41
1832
40
1825
39
1813
35
1745
29
1833
28
1788
25
1792
25
1834
[remove]
24
1763
23
1642
22
1799
22
1748
21
1810
21
1824
21
1826
21
1768
20
1791
20
1819
20
1821
20
1628
19
1805
19
1808
19
1820
19
1859
19
1764
18
1772
18
1827
18
1828
18
1790
17
1839
17
1910
17
1753
16
1773
16
1829
16
1775
15
1675
14
1700
14
1793
14
1798
14
1801
14
1674
13
1784
13
1785
13
1667
12
1715
12
1771
12
1789
12
1816
12
1752
11
1760
11
1787
11
1797
11
1817
11
1831
11
1855
11
1690
10
1728
10
1806
10
1807
10
1815
10
1738
9
1746
9
1796
9
1811
9
1823
9
1861
9
1765
8
1778
8
1780
8
1783
8
1809
8
1812
8
1822
8
1729
7
1777
7
1779
7
1782
7
1837
7
1717
6
1830
6
1838
6
1845
6
1849
6
1873
6
1735
5
1737
5
1767
5
1770
5
1776
5
On-site Access
Accessible in the Study Room
24
Image Use
Free to Use
[remove]
24
Image Available
Available
24
Classification
Prints
19
Drawings & Watercolors
3
Drawing & Watercolors-Architectural
2
Creator Gender
male
24
Collective Title
Scott's Poetical Works
4
Turner's Annual Tour- The Seine
4
Finden's Landscape Illustrations to the Bible
3
Byron's Life and Works
2
Picturesque Views in England and Wales
1
Scott's Prose Works
1
Period
19th century
24
Materials & Techniques
line engraving
13
wove paper
13
etching (printing process)
4
graphite
4
black ink
3
chine collé
3
engraving (printing process)
3
white gouache
2
brown ink
1
brown wash
1
lithography
1
watercolor
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
2
to
44
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
9
to
44
Work Type
intaglio print
18
drawing
5
watercolor
2
planographic print
1
Genre
architectural subject
12
landscape
11
religious and mythological subject
6
literary theme
5
marine art
5
cityscape
1
genre subject
1
still life
1
Subject Terms
river
11
landscape (representation)
6
architectural subject
5
bridge
5
marine art
4
abbey
3
harbor
3
lighthouses
3
literary theme
3
castle
2
landscape
2
man
2
trees
2
actor
1
angel
1
arch
1
basilica
1
bay (body of water)
1
botanical subject
1
capes
1
more
Subject Terms
»
Associated Places
England
6
United Kingdom
5
France
4
Seine
4
Italy
3
Le Havre
3
Le Phares de la Hève
3
North Yorkshire
3
Rievaulx
3
Rievaulx Abbey
3
Rievaulx Bridge
3
Rye
3
Seine-Maritime
3
Castel Sant'Angelo
2
Europe
2
Lazio
2
Parco Adriano
2
Ponte Sant'Angelo
2
Rome
2
Saint Peter's Basilica
2
more
Associated Places
»
Associated People
Garrick, David (1717–1779), actor and playwright
1
Grey, Charles, 2nd Earl Grey (1764–1845), politician/statesman
1
Melpomene, muse of comedy
1
Peter, Henry, 1st Baron Brougham and Vaux (1778–1868), politician/statesman
1
Shakespeare, William (1564–1616), playwright and poet
1
Thalia, muse of tragedy
1
William IV (1765–1837), king of the United Kingdom of Great Britain and Ireland, and king of Hanove
1
muses
1
Exhibition History
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
2
Unto This Last (Watts Gallery) (Watts Gallery Trust, 2020-03-10 - 2020-11-01)
2
Unto this Last: Two Hundred Years of John Ruskin (Yale Center for British Art, 2019-09-05 - 2019-12-08)
2
Ruskin, Turner and the Pre-Raphaelites (Tate Britain, 2000-03-09 - 2000-05-28)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
21
Yale Center for British Art, Gift of the Martin D'Arcy Gallery of Art from the bequest of Mr. and Mrs. John Estabrook
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
1
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Date
1834
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Height [cm]
23
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1
attributed to John Ruskin, 1819–1900
Studies of Leaves
undated
2
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
3
Print made by Edward Francis Finden, 1791–1857
Corinth, Cenchrea
1834
4
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
5
Print made by Edward Francis Finden, 1791–1857
The Castle of St. Angelo
1834
6
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
7
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
8
Print made by John Horsburgh, 1791–1869
Milan
1834
9
Print made by James Baylis Allen, 1803–1876
Mount Sinai, the Valley in which the Children of Israel were Encamped
1834
10
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
11
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
12
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
13
Print made by John Cousen, 1804–1880
Light Towers of the Hève
1834
14
Print made by John Cousen, 1804–1880
Light Towers of the Hève
1834
15
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
16
Print made by Edward Francis Finden, 1791–1857
The Castle of St. Angelo
1834
17
Print made by John Cousen, 1804–1880
Light Towers of the Hève
1834
18
John Ruskin, 1819–1900
Doorhead of the Palazzo Contarini della Porta di Ferro
undated
19
John Ruskin, 1819–1900
Mountainous Landscape
undated
20
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
21
Print made by James Baylis Allen, 1803–1876
Mount Sinai, the Valley in which the Children of Israel were Encamped
1834
22
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
23
Print made by John Horsburgh, 1791–1869
Bemerside
1834
24
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1834