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Collection
Prints and Drawings
43
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
30
Goodall, Edward, 1795–1870
6
Constable, John, 1776–1837
5
Jeavons, Thomas, ca. 1800–1867
5
Miller, William, 1796–1882
5
Bentley, Joseph Clayton, 1809–1851
4
Lear, Edward, 1812–1888
4
Smith, William R., active 1819–1851
4
Lucas, David, 1802–1881
3
Wallis, Robert, 1794–1878
3
Cooke, William Bernard, 1778–1855
2
Cox, David, 1783–1859
2
Fielding, Anthony Vandyke Copley, 1787–1855
1
Linnell, John, 1729–1796
1
Willmore, James Tibbits, 1800–1863
1
Date
1814
134
1800
51
1834
[remove]
43
1820
41
1799
40
1836
39
1818
38
1827
35
1859
33
1810
30
1830
30
1831
30
1795
29
1784
28
1791
27
1793
26
1821
26
1825
26
1835
26
1833
25
1792
24
1860
24
1815
23
1808
22
1805
21
1819
20
1797
19
1822
19
1772
18
1790
18
1832
18
1864
18
1794
17
1816
17
1817
17
1824
17
1850
17
1762
16
1826
16
1775
15
1813
14
1789
13
1809
13
1812
13
1823
13
1829
13
1840
13
1865
13
1746
12
1782
12
1796
12
1807
12
1960
12
1773
11
1802
11
1811
11
1700
10
1764
10
1776
10
1785
10
1798
10
1845
10
1759
9
1768
9
1774
9
1780
9
1804
9
1806
9
1837
9
1770
8
1801
8
1842
8
1923
8
1778
7
1890
7
1755
6
1786
6
1788
6
1839
6
1843
6
1855
6
1874
6
1877
6
1739
5
1740
5
1747
5
1765
5
1767
5
1771
5
1844
5
1870
5
1912
5
1730
4
1787
4
1847
4
1849
4
1857
4
1868
4
1880
4
1908
4
On-site Access
Accessible by appointment in the Study Room
43
Image Use
Free to Use
43
Image Available
Available
41
Unavailable
2
Classification
Prints
33
Drawings & Watercolors
10
Creator Gender
male
43
Collective Title
Picturesque Views in England and Wales
12
Rogers's Poems
6
Scott's Poetical Works
4
Tilt's Illustrations to Scott's Poetical Works
4
Period
19th century
43
Materials & Techniques
wove paper
27
line engraving
24
graphite
8
etching (printing process)
6
chine collé
5
watercolor
4
engraving (printing process)
3
mezzotint
3
brown ink
2
gouache
2
pen
2
scratching out
2
white gouache
2
black chalk
1
blue chalk
1
drypoint
1
gum arabic
1
scraping out
1
white chalk
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
74
Unknown
14
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
92
Unknown
14
Work Type
intaglio print
33
drawing
10
watercolor
4
Genre
landscape
[remove]
43
architectural subject
25
literary theme
10
animal art
6
marine art
6
religious and mythological subject
5
cityscape
4
genre subject
2
Subject Terms
river
25
landscape (representation)
23
architectural subject
15
landscape
15
castle
14
abbey
8
bridge
5
literary theme
5
trees
5
water
5
rocks (landforms)
4
sea
4
basalt
3
cave
3
field
3
horse (animal)
3
mountains
3
ocean
3
tree
3
waves (natural events)
3
more
Subject Terms
»
Associated Places
United Kingdom
[remove]
43
England
24
Europe
10
North Yorkshire
8
Scotland
7
Wales
7
West Sussex
7
Arundel
6
Arun
5
Arundel Castle
5
Bolton Abbey
4
Carew
4
Carew Castle
4
Pembroke
4
Pembrokeshire
4
Rievaulx
4
Rievaulx Abbey
4
Rievaulx Bridge
4
Rye
4
Wharfe
4
more
Associated Places
»
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Romantic Watercolor : Exhibition Watercolors & Technique (Yale Center for British Art, 2002-10-10 - 2003-01-05)
1
Sun, Wind, and Rain - The Art of David Cox (Birmingham Museum & Art Gallery, 2009-01-31 - 2009-05-03)
1
Sun, Wind, and Rain - The Art of David Cox (Yale Center for British Art, 2008-10-16 - 2009-01-04)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Great Age of British Watercolors c.1750 - 1880 (National Gallery of Art, 1993-05-02 - 1993-07-25)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
38
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
4
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
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Date
1834
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Genre
landscape
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Associated Places
United Kingdom
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1
John Constable, 1776–1837
Stoke Poges Church
1834
2
John Constable, 1776–1837
View near Arundel
between 1834 and 1835
3
Edward Lear, 1812–1888
Peppering, Oct. 3. 1834
1834
4
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
5
Edward Lear, 1812–1888
Peppering. 20 October. 1834
1834
6
Edward Lear, 1812–1888
At Knowsley?
1834
7
John Linnell, 1792–1882
Beddgelert
1834
8
Print made by David Lucas, 1802–1881
Stratford Mill, The Young Waltonians
1834 to 1840
9
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
10
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
11
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
12
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
13
Print made by William Bernard Cooke, 1778–1855
Tantallon Castle
1834
14
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
15
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
16
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
17
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
18
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
19
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
20
Print made by William Bernard Cooke, 1778–1855
Crichton Castle
1834
21
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
22
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
23
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
24
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
25
Print made by James Tibbits Willmore, 1800–1863
Llanthony, Monmouthshire
1834
26
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
27
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
28
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
29
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
30
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
31
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
32
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
33
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
34
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
35
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
36
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
37
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
38
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
39
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
1834
40
David Cox, 1783–1859
Morecambe Sands
mid to late 1830s
41
David Cox, 1783–1859
Crossing Lancaster Sands
mid-1830s
42
Print made by David Lucas, 1802–1881
The Lock
1834
43
Print made by David Lucas, 1802–1881
The Lock
1834