Date: 1833 - YCBA Collections Search Search Results

1. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: exhibited 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 35 5/8 x 47 9/16 inches (90.5 x 120.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Boat Building near Dinan, Brittany

Creator:: Francis Danby, 1793–1861
Date:: ca. 1838
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 9 1/4 x 11 3/4 inches (23.5 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Wooded Landscape

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1833
Materials & Techniques:: Oil on artist's board mounted on panel
Dimensions:: 16 1/2 × 12 3/8 inches (41.9 × 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Interior of the British Institution (Old Master Exhibition, Summer 1832)

Creator:: Alfred Joseph Woolmer, 1805–1892
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Young Mariner and Dog

Creator:: Elizabeth Emma Soyer (née Jones), 1813–1842
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 30 × 25 inches (76.2 × 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. 'Margrave' with James Robinson Up

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 38 inches (66 x 96.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The English Brig 'Norval' before the Wind

Creator:: William Clark, 1803–1883
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/8 x 29 5/8 inches (50.5 x 75.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Chichester Cathedral

Creator:: Joseph Francis Gilbert, 1792–1855
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 24 9/16 x 37 7/16 inches (62.4 x 95.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Suffolk Hunt : The Death

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. William Massey-Stanley driving his Cabriolet in Hyde Park

Creator:: John Ferneley, 1782–1860
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 43 1/2 x 62 1/2 inches (110.5 x 158.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Suffolk Hunt: Full Cry

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. The Suffolk Hunt: Going to Cover near Herringswell

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Suffolk Hunt: Gone Away

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Summer Bower, Derwent Water

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Well of St. Keyne

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Dolwyddelan

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. View from Mr. Southey's House, Keswick

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Waterloo

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Prize Cattle in a Landscape

Creator:: Thomas Weaver, 1774–1843
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 28 × 36 inches (71.1 × 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of John A. Robbins in memory of Faith Robbins
On View:: Not on view

20. St. Michael's Mount, Cornwall

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off

Creator:: William Daniell, 1769–1837
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 27 x 42 inches (68.6 x 106.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. The Colonnade of Queen Mary Court, Greenwich

Creator:: James Holland, 1799–1870
Date:: 1833
Materials & Techniques:: Oil on panel
Dimensions:: 9 7/8 × 14 1/8 inches (25.1 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. A Greek Boxer Waiting His Turn

Creator:: Joseph Gott, 1786–1860
Date:: ca. 1838
Materials & Techniques:: Marble
Dimensions:: Overall: 20 1/2 x 16 1/2 x 9 1/2 inches (52.1 x 41.9 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

24. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Study for "The Shearers"

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Distressed Poet

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

28. None

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

29. The Invasion, Plate II, England

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

30. Country Inn Yard

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

31. The Invasion, Plate II, England

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

32. Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

33. Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

34. Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

35. Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

36. Marriage à la Mode, Plate I, The Contract

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

37. Monaco at Sunset from the Southwest

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1838
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Fortified Rock of Monaco from the East

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1838
Materials & Techniques:: Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Whitby

Creator:: Charles Bentley, 1806–1854
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Old Double Bridge, Bury St. Edmunds

Creator:: James Ward, 1769–1859
Date:: 1833
Materials & Techniques:: Brown and gray wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Château d'Ecouen

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Black chalk with brown wash on thick, slightly textured, beige card
Dimensions:: Sheet: 18 1/8 × 11 3/8 inches (46 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Henstridge Church, 23 August 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/8 inches (17.5 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Scene from Quentin Durward

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Versailles

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 9 1/2 inches (8.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Luxor, Paris, December 1833

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Street Scene in Granada on the Day of the Bullfight

Creator:: John Frederick Lewis, 1804–1876
Date:: 1833
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Westminster Bridge and the Abbey

Creator:: Thomas Hollis, 1818–1843
Date:: 1833
Materials & Techniques:: Watercolor over graphite with some scraping on wove paper
Dimensions:: Sheet: 4 1/2 x 8 7/8in. (11.4 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Bryant Edward Duffay, 1833, Oct. 19th

Creator:: Bryant Edward Duffay
Date:: 1833
Materials & Techniques:: Graphite, black chalk, and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 13 5/16 × 9 5/16 inches (33.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Preparing for the Field, Trinidad

Creator:: Richard Bridgens, active 1838
Date:: ca. 1838
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 3/4 inches (24.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Principal plan of a proposed New House of Commons, by Adam Lee

Creator:: unknown artist
Date:: 1833
Dimensions:: Sheet: 15 3/8 x 11 3/4in. (39.1 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham, Jr.

53. Dover

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Rietz, near Saumur

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Jerusalem from the Latin Convent

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving; first published state on thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Between Clairmont and Mauves

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Clairmont

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Montjen

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Château de Nantes

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Edinburgh - March of the Highlanders

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching; open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching; open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and line engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; first published state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Tomb of Cecilia Metella, Rome

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on Thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 11 3/8 inches (42.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Palais at Blois

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and line engraving, with chine collé and graphite; touched engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Tours, Looking Backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, sliightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Saumur

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Rhodes

Creator:: Print made by William Finden, 1787–1852
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's finished proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Drachenfels

Creator:: Print made by William Finden, 1787–1852
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 5/16 inches (29.7 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Burial of Sarah

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Château Hamelin

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. St. Florent

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Scene on the Loire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Tours

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Mayburgh

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 8 5/8 inches (34.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Tantallon Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A Horn Lantern, July 25, 1833

Creator:: Edward William Cooke, 1811–1880
Date:: 1833
Materials & Techniques:: Graphite, pen and black ink, and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/16 × 7 inches (13.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Castle Upnor, on the River Medway

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching; open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving, with scraping out; touched engraver's proof (c)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Etching; open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Etching; open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1833

Search Results

1. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

2. Boat Building near Dinan, Brittany

3. A Wooded Landscape

4. Interior of the British Institution (Old Master Exhibition, Summer 1832)

5. Young Mariner and Dog

6. 'Margrave' with James Robinson Up

7. The English Brig 'Norval' before the Wind

8. Chichester Cathedral

9. The Suffolk Hunt : The Death

10. William Massey-Stanley driving his Cabriolet in Hyde Park

11. The Suffolk Hunt: Full Cry

12. The Suffolk Hunt: Going to Cover near Herringswell

13. The Suffolk Hunt: Gone Away

14. The Summer Bower, Derwent Water

15. The Well of St. Keyne

16. Dolwyddelan

17. View from Mr. Southey's House, Keswick

18. Waterloo

19. Prize Cattle in a Landscape

20. St. Michael's Mount, Cornwall

21. Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off

22. The Colonnade of Queen Mary Court, Greenwich

23. A Greek Boxer Waiting His Turn

24. The Weald of Kent

25. The Timber Wain

26. Study for "The Shearers"

27. The Distressed Poet

28. None

29. The Invasion, Plate II, England

30. Country Inn Yard

31. The Invasion, Plate II, England

32. Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London

33. Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

34. Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute

35. Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute

36. Marriage à la Mode, Plate I, The Contract

37. Monaco at Sunset from the Southwest

38. The Fortified Rock of Monaco from the East

39. Whitby

40. The Old Double Bridge, Bury St. Edmunds

41. Château d'Ecouen

42. Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"

43. Henstridge Church, 23 August 1833

44. Scene from Quentin Durward

45. Versailles

46. The Luxor, Paris, December 1833

47. A Street Scene in Granada on the Day of the Bullfight

48. Westminster Bridge and the Abbey

49. The Rescue of Lot

50. Bryant Edward Duffay, 1833, Oct. 19th

51. Preparing for the Field, Trinidad

52. Principal plan of a proposed New House of Commons, by Adam Lee

53. Dover

54. Rietz, near Saumur

55. Jerusalem from the Latin Convent

56. Ely Cathedral, Cambridgeshire

57. Blenheim, Oxfordshire

58. Blenheim, Oxfordshire

59. Havre

60. Ehrenbreitstein

61. Between Clairmont and Mauves

62. Clairmont

63. Montjen

64. Château de Nantes

65. Edinburgh - March of the Highlanders

66. Blenheim, Oxfordshire

67. Ely Cathedral, Cambridgeshire

68. Castle Upnor, on the River Medway

69. Coventry, Warwickshire

70. Ehrenbreitstein

71. Tomb of Cecilia Metella, Rome

72. Nantes

73. Blois

74. Amboise

75. Palais at Blois