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301. Dunstanborough Castle

Dunstanborough Castle
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 14 15/16 inches (27.5 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Cowes, Isle of Wight

Cowes, Isle of Wight
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving; third state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 9/16 inches (26.4 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Alnwick Castle, Northumberland

Alnwick Castle, Northumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Alnwick Castle, Northumberland

Alnwick Castle, Northumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Holy Island, Northumberland

Holy Island, Northumberland
Creator:
Print made by William Tombleson, ca.1795–1835
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Winchelsea, Sussex

Winchelsea, Sussex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Winchelsea, Sussex

Winchelsea, Sussex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1830
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Walton Bridge on Thames, Surrey

Walton Bridge on Thames, Surrey
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 1/2 inches (26.8 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Trematon Castle, Cornwall

Trematon Castle, Cornwall
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Stoneyhurst, Lancashire

Stoneyhurst, Lancashire
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on moderatle thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. The Lake of Geneva

The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 9 7/8 inches (38.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. The Forum Romanum

The Forum Romanum
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1830
Materials & Techniques:
Etching and engraving on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. Hospice of the Great St. Bernard

Hospice of the Great St. Bernard
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 1/8 inches (38.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Hospice of the Great St. Bernard II (The Dead-House)

Hospice of the Great St. Bernard II (The Dead-House)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Marengo

Marengo
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Hannibal Passing the Alps

Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Aosta

Aosta
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. Lake of Como, I

Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 inches (38.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 inches (38.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Venice

Venice
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Folkestone

Folkestone
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1830
Materials & Techniques:
Mezzotint with chine-collé; 1879 impression on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 inches (27.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. The "Horse and Groom," Lea Bridge

The "Horse and Groom," Lea Bridge
Creator:
Edward Duncan, 1803–1882
Date:
1830
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 5 3/4 x 8 3/4in. (14.6 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Rat Hunters

Rat Hunters
Creator:
James Mitchell, 1791–1852
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Mount: 21 13/16 × 15 5/16 inches (55.4 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Athenaeum

Athenaeum
Creator:
Print made by R. F. Cahusac, active 1830
Date:
1830
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 15/16 x 18 7/8 inches (32.8 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. I am not learned in Vaccine Matters - but I think those look like Charley's Calves

I am not learned in Vaccine Matters - but I think those look like Charley's Calves
Creator:
Hablot Knight Browne, 1815–1882
Date:
Undated
Materials & Techniques:
Black chalk and watercolor on moderately thick, moderately textured, gray laid paper
Dimensions:
Sheet: 21 1/2 x 28 7/8 inches (54.6 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Hadleigh Castle, Large Plate

Hadleigh Castle, Large Plate
Creator:
Print made by David Lucas, 1802–1881
Date:
1830-1832
Materials & Techniques:
Mezzotint and etching; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 18 inches (33 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Trees in Northwick Park

Trees in Northwick Park
Creator:
David Roberts, 1796–1864
Date:
1830
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 14 1/16 x 8 7/8in. (35.7 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Dobbs & Company Manufacturers. Dobbs & Company, Soho Square, London

Dobbs & Company Manufacturers. Dobbs & Company, Soho Square, London
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Embossed print on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

333. Off to the Fishing Grounds

Off to the Fishing Grounds
Creator:
Thomas Sewell Robins, 1814–1880
Date:
between 1830 and 1880
Materials & Techniques:
Watercolor and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 x 18 1/2 inches (30.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

334. Sketches from Life in Paris: Seated Woman and Seated Man - two drawings on one mount

Sketches from Life in Paris: Seated Woman and Seated Man - two drawings on one mount
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 1/4 inches (9.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. John Bacon, R. A.

John Bacon, R. A.
Creator:
William Camden Edwards, 1777–1855
Date:
1830
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:
Sheet: 5 1/2 × 3 1/4 inches (13.9 × 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Sir Thomas Lawrence

Sir Thomas Lawrence
Creator:
Richard James Lane, 1800–1872
Date:
1830
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Sir Thomas Lawrence P. R. A.

Sir Thomas Lawrence P. R. A.
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1830
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
Creator:
Richard James Lane, 1800–1872
Date:
1830
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Sir Astley Cooper, Bart.

Sir Astley Cooper, Bart.
Creator:
Samuel Cousins, 1801–1887
Date:
1830
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 20 1/2 x 15 3/16in. (52.1 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

340. Windsor Castle, Berkshire: Plan at Ground Level

Windsor Castle, Berkshire: Plan at Ground Level
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Watercolor and pen and black ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 16 1/8 × 28 5/8 inches (41 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Windsor Castle, Berkshire: View

Windsor Castle, Berkshire: View
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Pen and black ink and wash on wove paper with single black ink boarder
Dimensions:
Sheet: 16 1/4 × 28 5/8 inches (41.3 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Windsor Castle, Berkshire: Distant View from the North

Windsor Castle, Berkshire: Distant View from the North
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
1830
Materials & Techniques:
Graphite, pen and black ink and graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/8 × 2 7/8 inches (20.6 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Windsor Castle, Berkshire: View

Windsor Castle, Berkshire: View
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Pen and blak ink and graphite with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 28 5/8 inches (41.3 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Windsor Castle, Berkshire: View

Windsor Castle, Berkshire: View
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Pen and black ink and wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 28 3/4 inches (41.6 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Windsor Castle, Berkshire: Upper Floor Plan

Windsor Castle, Berkshire: Upper Floor Plan
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Watercolor, pen and black ink, graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 1/4 × 28 7/8 inches (41.3 × 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Windsor Castle, Berkshire: Principal Floor Plan

Windsor Castle, Berkshire: Principal Floor Plan
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Watercolor, pen and black ink, graphite on Slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 1/2 × 28 7/8 inches (41.9 × 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Who'll Have a Crown - Now's Your Time

Who'll Have a Crown - Now's Your Time
Creator:
Print made by William Heath, 1795–1840
Date:
1830
Materials & Techniques:
Etching, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 3/4 x 15 1/4 inches (27.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

348. The Stricken Deer

The Stricken Deer
Creator:
Print made by John Webb, active 1830–1840
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

349. Coaching: The Royal Mails Starting from the General Post Office, London

Coaching: The Royal Mails Starting from the General Post Office, London
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1830
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 27 x 20in. (68.6 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. The Junction of the Severn and the Wye with Chepstow in the Distance

The Junction of the Severn and the Wye with Chepstow in the Distance
Creator:
David Cox, 1783–1859
Date:
1830
Materials & Techniques:
Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

351. Priam. The Winner of the Derby Stakes at Epsom

Priam. The Winner of the Derby Stakes at Epsom
Creator:
Edward Duncan, 1803–1882
Date:
1830
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. The new Master of the Crown Inn discharging Betty the head Chambermaid

The new Master of the Crown Inn discharging Betty the head Chambermaid
Creator:
Henry Heath, active 1824–1835
Date:
1830
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. A Man in an enclosed Carriage being pulled by a Horse with a Rider

A Man in an enclosed Carriage being pulled by a Horse with a Rider
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite
Dimensions:
Sheet: 5 3/4 × 7 1/2 inches (14.6 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Sketches from Life in Paris: Seated Woman and Standing Man

Sketches from Life in Paris: Seated Woman and Standing Man
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 1/4 inches (9.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Mr. Hawks thinks he had Better Turn Back

Mr. Hawks thinks he had Better Turn Back
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite and black chalk
Dimensions:
Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. The Shyer suddenly Departs but not in Peace

The Shyer suddenly Departs but not in Peace
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Red chalk
Dimensions:
Sheet: 5 5/8 × 4 5/16 inches (14.3 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. The Reverend Paul Returns with Despatches

The Reverend Paul Returns with Despatches
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite and black chalk
Dimensions:
Sheet: 4 5/16 × 6 15/16 inches (10.9 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. After the Manner of Raphael

After the Manner of Raphael
Creator:
Julia Margaret Cameron, 1815–1879
Date:
undated
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 12 3/8 × 9 3/16 inches (31.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery

359. "Hark": Startled Horse and Alert Rider

"Hark": Startled Horse and Alert Rider
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Contemporary drawn border: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. "You're Not Going to Follow, Belle, Are You?"

"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor, and white gouavhe on moderately thick, slightly textured, gray-brown, wove paper
Dimensions:
Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. The Sporting Parson: "He Trieth a Little 'High Church' Style"

The Sporting Parson: "He Trieth a Little 'High Church' Style"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 13/16 inches (27.1 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. The Sporting Parson: "He Sheweth Them the Way They Should Go"

The Sporting Parson: "He Sheweth Them the Way They Should Go"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. The Sporting Parson: "Next a Little Low Church"

The Sporting Parson: "Next a Little Low Church"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. The Sporting Parson: "He Then Goes in For Baptism"

The Sporting Parson: "He Then Goes in For Baptism"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 7/8 inches (27.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. The Sporting Parson: "He Sends Mother Eve's Apples Flying"

The Sporting Parson: "He Sends Mother Eve's Apples Flying"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835

A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835
Creator:
Thomas Sidney Cooper, 1803–1902
Date:
ca. 1835
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/16 × 8 3/4 inches (18.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. The Sanctuary

The Sanctuary
Creator:
Print made by J. W. Watts, 1815–1895
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 7/8 x 31 13/16in. (42.9 x 80.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

373. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. The London-Dumphries Royal Mail

The London-Dumphries Royal Mail
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
between 1830 and 1840
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Young Woman

Young Woman
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Watercolor on ivory
Dimensions:
Overall: 6 × 4 7/8 inches (15.2 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

377. A View in Western Australia

A View in Western Australia
Creator:
Print made by John S. Templeton, active 1830–1857
Date:
1830
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

378. Holy Loch, Heart of Mid-Lothian

Holy Loch, Heart of Mid-Lothian
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

379. Wolsey's Well at Esher, Surrey

Wolsey's Well at Esher, Surrey
Creator:
Print made by George Cooke, 1781–1834
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

380. Arcades: of Interlaced Mouldings

Arcades: of Interlaced Mouldings
Creator:
C. Hacker
Date:
1830
Materials & Techniques:
Pen and brown ink, graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving, stipple engraving, and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 8 11/16 inches (29.8 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

382. Goldsmith's Hall, Foster Lane

Goldsmith's Hall, Foster Lane
Creator:
Print made by W. E. Albutt, active 1836–1863
Date:
ca. 1835
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

383. Landscape with Gypsies and Wagon

Landscape with Gypsies and Wagon
Creator:
follower of David Cox, 1783–1859
Date:
mid-19th century
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, white wove paper
Dimensions:
Sheet: 4 5/8 x 6 3/4 inches (11.7 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Figure of Natural History

Figure of Natural History
Creator:
Edward Henry Corbould, 1815–1905
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 6 inches (16.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

385. Segment of Military Frieze

Segment of Military Frieze
Creator:
Edward Henry Corbould, 1815–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 15 5/8 inches (14 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

386. The Terrace

The Terrace
Creator:
Alfred Elmore, 1815–1881
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 8 1/4 inches (28.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. The Poet. The Sailor's Ballast

The Poet. The Sailor's Ballast
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 3/4 x 6 1/16in. (19.7 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

388. The Needless Alarm. A Smoking Party

The Needless Alarm. A Smoking Party
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/16in. (19.5 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

389. The Gouty Merchant and Stranger. A Card Party.

The Gouty Merchant and Stranger. A Card Party.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/8in. (19.5 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

390. The Angler's Going Out. The Pleasures of Angling.

The Angler's Going Out. The Pleasures of Angling.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 3/16in. (19.4 x 15.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

391. Lobster Sauce. The Unexpected Visit.

Lobster Sauce. The Unexpected Visit.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 3/4 x 6 1/8in. (19.7 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

392. The Englishman in France. A Cold Duck.

The Englishman in France. A Cold Duck.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 3/16in. (19.4 x 15.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

393. Admiral Van Tromp's Duel. Comforts of a Wife.

Admiral Van Tromp's Duel. Comforts of a Wife.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 9/16 x 6 1/8in. (19.2 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

394. Going Out. Going Home.

Going Out. Going Home.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 1/2 x 5 15/16in. (19.1 x 15.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

395. The Pauper Family and Footman. A Steam Packet Cabin.

The Pauper Family and Footman. A Steam Packet Cabin.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 1/8in. (19.4 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

396. None but the Brave deserve the Fair. Honour.

None but the Brave deserve the Fair. Honour.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 1/8in. (19.4 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

397. £/Pounds. s/Shillings. p/Pence. Dancing Bears.

£/Pounds. s/Shillings. p/Pence. Dancing Bears.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/16in. (19.5 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

398. Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave.

Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/8in. (19.5 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

399. Cottage and Trees

Cottage and Trees
Creator:
David Cox, 1783–1859
Date:
1830s
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 9 3/4 inches (28.9 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Study for John Russell, the 6th Duke of Bedford

Study for John Russell, the 6th Duke of Bedford
Creator:
Sir George Hayter, 1792–1871
Date:
ca. 1835
Materials & Techniques:
Black chalk, white chalk, and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 5 1/4 × 4 1/8 inches (13.3 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Collection of Matthew Rutenberg