Date: 1828 - YCBA Collections Search Search Results

101. Miss Croker

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1828
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

102. Sandown Bay, Isle of Wight, August 1828

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1828
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Looking upon Wootton Bridge, Isle of Wight, August 1828

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1828
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. In Mr. Nash's, East Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1828
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 4 1/2 inches (17.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Furnivals Inn, Holborn; page 5 (Volume Two)

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1828
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Okehampton, Devonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 1/2 inches (24.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. The Wreck

Creator:: Print made by Henry Griffiths, 1835–1849
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Rome, Castle of St. Angelo

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828 to 1830
Materials & Techniques:: Etching and engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. View of the Forum in Rome

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1828
Materials & Techniques:: Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:: Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

110. Mount Blanc

Creator:: Print made by B. R. Davies, active ca. 1833
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 1/4 inches (25.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; early trial proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Virginia Water, No. 2

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Virginia Water, No. 2

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and engraving; engraver's proof (c)
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1828
Materials & Techniques:: Etching and engraving; first published state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Checkoo or Oil Mill

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:: Sheet: 6 3/8 × 9 1/8 inches (16.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Basket Maker

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Palankeen Bearers

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. [Fox-hunting] Set of twelve "Turner's / Illustrations / to Nimrod / on the Condition / of Hunters," supplementary to C. J. Apperley's edition of 1834.

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: ca. 1833
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 x 8 1/2in. (12.7 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. One of a set of four: Much Ado About Nothing or Illustrations of Old Savings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching with chine collé; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderateny thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1832
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Etching; open etched state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. The Puckally

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Temple of Jupiter Panhellenius

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (c) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Building and Repairing Masoola Boats

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Air Man, July 10, 1828

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 3/8 inches (23.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Pavillion de Flore, August 22, 1828

Creator:: William Henry Lake Price, ca. 1810–ca. 1896
Date:: 1828
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/4 inches (19.1 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. View of the Pont Royal

Creator:: William Callow, 1812–1908
Date:: ca. 1833
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 13/16 inches (33.7 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. The Port of Ouchy; graphite study of two women with caps

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Graphite
Dimensions:: Sheet: 6 9/16 x 8 7/8in. (16.7 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Geneva with Mountains in the Distance

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Graphite
Dimensions:: Sheet: 6 9/16 x 8 13/16in. (16.7 x 22.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. East Cowes from Spring Hill, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1828
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Brading Church, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1828
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Handbill describing the Building and Finances of the Thames Tunnel

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Letterpress
Dimensions:: Sheet: 12 3/8 x 8 5/8in. (31.4 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. The New Corn Exchange, Mark Lane

Creator:: Josiah Henshall, 1806–1869
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Suspension Bridge, Hammersmith

Creator:: James Baily, active 1815–1834
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 11/16 x 12 5/8in. (24.6 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. A View of St. Katharine's Dock in the Month of January, 1828

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 3/16 × 27 7/8 inches (61.4 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Hamlet Winstanley

Creator:: James Thomson, 1800–1883
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828, republished 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 5/8 inches (27.6 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Hampton House, the Seat of T. Carr, Esquire

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Sion House

Creator:: James Baily, active 1815–1834
Date:: 1828
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. View at Trowse - Cattle Watering

Creator:: Alfred Stannard, 1806–1889
Date:: 1828
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 x 4in. (20.3 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Sporting Idealities No. 3 and No. 4/A Flattering Idea / Not So Flattering

Creator:: Thomas Jones, active 1828
Date:: 1828
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Idealities No. 5 and No. 6/ Ideas of Satisfaction / Ideas of Pioneers

Creator:: Thomas Jones, active 1828
Date:: 1828
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire II, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Coaching: Stage Coach Travelling

Creator:: Richard Rosenberg, active 1828–1848
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/4 x 18 1/4in. (33.7 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. West Country Mails at the Gloucester Coffee House, Piccadilly

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 24 5/8 x 31 1/4in. (62.5 x 79.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Coaching: The Birmingham Tally-Ho! Coaches Passing the Crown at Holloway

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 20 x 30in. (50.8 x 76.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. [Advertisement] Eclipse Sporting Gallery

Creator:: Rudolf Ackermann, 1764–1834
Date:: ca. 1833
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1828
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Fox Hunters - Throwing Off

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Fox Hunting: The Death

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Fox Hunters - In Full Cry

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Fox Hunting: Full Cry

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Fox Hunters - The Death

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828, republished 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. The High Street, Southampton

Creator:: Print made by Day & Co., 1824–1913
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Design for Rustic Bridge below the Cascade, Virginia Water

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1828
Materials & Techniques:: Pen and black and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 11/16 × 12 1/4 inches (19.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Drawing for The First Voyage

Creator:: William Mulready, 1786–1863
Date:: ca. 1833
Materials & Techniques:: Red chalk, white chalk, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 23 5/8 inches (48.6 x 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

180. Samuel Johnson

Creator:: William Camden Edwards, 1777–1855
Date:: 1828
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 9 1/2in. (30.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

181. Riding - A pair: 2. Now my dear Fanny

Creator:: Henry Pyall, 1795–1833
Date:: 1828
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 11 3/4in. (25.1 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Entrance Gate to Printers

Creator:: Harry Willson, Active 1813–1852
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphie, brown wash, pen and brown ink and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 10 3/16 × 6 5/8 inches (25.9 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

183. Sir Anthony Van Dyke

Creator:: Print made by William Fairland, active 1828–1835
Date:: 1828
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 11/16 x 11 1/8 inches (37.3 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Cadland, the Winner of the Derby Stakes at Epsom, 1828

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Hand colored aquatint
Dimensions:: Sheet: 15 1/2 x 19 3/4in. (39.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. The Royal Mails at the Angel Inn, Islington on the Night of His Majesty's Birthday

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 20 1/2 x 28 3/4in. (52.1 x 73cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Fox Hunting: Going to Cover

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Fox Hunting: The Leap

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Fox Hunters - Gone Away

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Windsor Castle

Creator:: William Parrott, 1813–ca. 1869
Date:: undated
Materials & Techniques:: Watercolor with brushpoint
Dimensions:: Sheet: 7 1/2 × 10 1/16 inches (19.1 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Racing: Fleur-de-Lis

Creator:: Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 x 18 7/8in. (38.1 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828

Creator:: Edward Duncan, 1803–1882
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/4 x 16 1/2in. (31.1 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. 1. St. Katherine's Hospital, Regents Park. 2. The Master's House

Creator:: Charles John Smith, 1803–1838
Date:: 1828
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Royal Hospital of St. Catherines, Regent's Park

Creator:: Print made by unknown artist
Date:: 1828
Materials & Techniques:: Color-printed aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

194. Remains of Winchester Palace, Southwark

Creator:: Print made by George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

195. The Southwark Iron Bridge

Creator:: Print made by George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

196. The City of Morocco, Taken from the South

Creator:: after William Marshall Craig, 1763 or 1764–1829
Date:: 1828
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

197. Hawley House: The Residence of T. Champion Esq.

Creator:: Print made by unknown artist
Date:: 1828
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

198. Northumberland House, Charing Cross, London

Creator:: John Chessell Buckler, 1793–1894
Date:: 1828
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 3/4 inches (28.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Loaded Camel

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 5/8 inches (19.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Gomero, Orchilla Gatherer

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/8 inches (22.9 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1828

Search Results

101. Miss Croker

102. Sandown Bay, Isle of Wight, August 1828

103. Looking upon Wootton Bridge, Isle of Wight, August 1828

104. In Mr. Nash's, East Cowes, Isle of Wight

105. Furnivals Inn, Holborn; page 5 (Volume Two)

106. Okehampton, Devonshire

107. The Wreck

108. Rome, Castle of St. Angelo

109. View of the Forum in Rome

110. Mount Blanc

111. Ehrenbreitstein, During the Demolition of the Fortress in 1817

112. Ehrenbreitstein, During the Demolition of the Fortress in 1817

113. Lake Albano

114. Lake Albano

115. Lake Albano

116. Lake Albano

117. Lago Maggiore

118. Lago Maggiore

119. Virginia Water, No. 1

120. Virginia Water, No. 2

121. Lago Maggiore

122. Virginia Water, No. 1

123. Virginia Water, No. 2

124. Virginia Water, No. 1

125. Nantes

126. Nantes

127. Palace of La Belle Gabrielle

128. Fonthill

129. The Checkoo or Oil Mill

130. The Basket Maker

131. Palankeen Bearers

132. [Fox-hunting] Set of twelve "Turner's / Illustrations / to Nimrod / on the Condition / of Hunters," supplementary to C. J. Apperley's edition of 1834.

133. One of a set of four: Much Ado About Nothing or Illustrations of Old Savings

134. Ehrenbreitstein, During the Demolition of the Fortress in 1817

135. Lake Albano

136. Nantes

137. Nantes

138. St. Germain-en-Laye

139. St. Germain-en-Laye

140. Palace of La Belle Gabrielle

141. The Puckally

142. The Temple of Jupiter in the Island of Aegina

143. Temple of Jupiter Panhellenius

144. Building and Repairing Masoola Boats

145. Air Man, July 10, 1828

146. Pavillion de Flore, August 22, 1828

147. View of the Pont Royal

148. The Port of Ouchy; graphite study of two women with caps

149. Geneva with Mountains in the Distance

150. East Cowes from Spring Hill, Isle of Wight

151. Brading Church, Isle of Wight

152. Handbill describing the Building and Finances of the Thames Tunnel

153. The New Corn Exchange, Mark Lane

154. Château des Comtes de Flandre, Ghent

155. Suspension Bridge, Hammersmith

156. A View of St. Katharine's Dock in the Month of January, 1828

157. Hamlet Winstanley

158. Sheerness, as Seen from the Nore

159. Hampton House, the Seat of T. Carr, Esquire

160. Sion House

161. View at Trowse - Cattle Watering

162. Catwater, Entrance to Plymouth Sound

163. Sporting Idealities No. 3 and No. 4/A Flattering Idea / Not So Flattering

164. Idealities No. 5 and No. 6/ Ideas of Satisfaction / Ideas of Pioneers

165. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

166. Coaching: Stage Coach Travelling

167. West Country Mails at the Gloucester Coffee House, Piccadilly

168. Coaching: The Birmingham Tally-Ho! Coaches Passing the Crown at Holloway

169. [Advertisement] Eclipse Sporting Gallery

170. South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

171. Fox Hunters - Throwing Off

172. Fox Hunting: The Death

173. Fox Hunters - In Full Cry

174. Fox Hunting: Full Cry

175. Fox Hunters - The Death