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The museum is reopening to the public in March 2025. We look forward to accepting orders for new collections photography at that time.
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Collection
Prints and Drawings
2
Creator
Calvert, Edward, 1799–1883
1
Griffiths, Henry, 1835–1849
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1749
89
1834
57
0
50
1832
46
2004
42
1784
41
1800
41
1789
40
1826
35
1835
25
1772
22
1793
22
1827
21
1850
21
1764
20
1794
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1825
18
1795
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1767
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1797
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1812
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1775
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1796
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1839
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1859
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1820
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1821
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1770
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1790
10
1860
10
1758
9
1777
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1785
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1791
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1799
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1815
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1837
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1855
9
1737
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1768
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1780
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1809
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1817
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1822
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1843
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1864
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1667
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1782
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1798
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1829
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1908
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1717
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1745
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1748
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1756
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1787
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1830
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1925
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1674
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1740
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1840
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1857
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1873
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1893
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1894
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1913
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1927
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1680
3
1700
3
1734
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1746
3
1762
3
1765
3
1774
3
1779
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1783
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1811
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1816
3
On-site Access
Accessible by appointment in the Study Room
2
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2
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2
Classification
Prints
2
Creator Gender
male
2
Collective Title
The Keepsake
1
Period
19th century
2
Materials & Techniques
Asian paper
1
chine collé
1
drypoint
1
engraving (printing process)
1
line engraving
1
wove paper
1
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29
Work Type
intaglio print
2
Genre
landscape
1
marine art
1
Subject Terms
basket
1
beehives
1
bride
1
building
1
cottage
1
drapery
1
fence
1
flowers (plants)
1
fruit
1
gate
1
grapes
1
grass
1
hay
1
hills
1
house
1
lamb
1
landscape
1
man
1
nudes
1
path
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Exhibition History
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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Date
1828
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1
Print made by Henry Griffiths, 1835–1849
The Wreck
1828-1837
2
Print made by Edward Calvert, 1799–1883
The Bride
1828