Date: 1828 / Genre: marine art - YCBA Collections Search Search Results

1. The Low Lighthouse, North Shields

Creator:: Robert Salmon, 1775–ca.1845
Date:: 1828
Materials & Techniques:: Oil on panel
Dimensions:: 16 1/2 x 25 3/4 inches (41.9 x 65.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Shipping

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1828 and 1830
Materials & Techniques:: Brushed brown ink, pen and brown ink, gouache, graphite and white chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 3/8 x 7 3/8 inches (13.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Etching and line engraving; first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Virginia Water, No. 2

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Virginia Water, No. 2

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (c)
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Building and Repairing Masoola Boats

Creator:: John Gantz, 1772–1853
Date:: 1828
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (d) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Nantes

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Wreck

Creator:: Print made by Henry Griffiths, 1835–1849
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Deal

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint; engraver's proof (before a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Deal

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1854
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 19 3/8 inches (34 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; artist's proof on moderately thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:: Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint, proof before letters on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 14 3/8 inches (29.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 1/4 inches (27.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:: Sheet: 14 × 22 inches (35.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828, republished 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 5/8 inches (27.6 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Straits of Dover

Creator:: Print made by William Miller, 1796–1882
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/16 inches (26.7 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Line engraving, 2nd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; first state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 11 1/16 × 16 1/2 inches (28.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Plymouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/4 × 17 1/4 inches (33.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Deluge

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1828
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828, republished 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Etching and mezzotint; proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

51. Old Sarum in a Storm

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Watercolor over graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 7 1/2 inches (14.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Newstead Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1828

Genre marine art

Search Results

1. The Low Lighthouse, North Shields

2. Shipping

3. Ehrenbreitstein, During the Demolition of the Fortress in 1817

4. Ehrenbreitstein, During the Demolition of the Fortress in 1817

5. Lago Maggiore

6. Virginia Water, No. 1

7. Virginia Water, No. 2

8. Virginia Water, No. 2

9. Nantes

10. Building and Repairing Masoola Boats

11. Ehrenbreitstein, During the Demolition of the Fortress in 1817

12. Lago Maggiore

13. Lago Maggiore

14. Virginia Water, No. 1

15. Nantes

16. Nantes

17. Nantes

18. The Wreck

19. Sheerness, as Seen from the Nore

20. Margate

21. Portsmouth

22. Deal

23. Sidmouth

24. Sheerness, as Seen from the Nore

25. Portsmouth

26. Margate

27. Deal

28. Portsmouth

29. Plymouth

30. Catwater, Entrance to Plymouth Sound

31. Catwater, Entrance to Plymouth Sound

32. Falmouth

33. Sidmouth

34. Sidmouth

35. Sidmouth

36. Plymouth

37. Catwater, Entrance to Plymouth Sound

38. Falmouth

39. Sheerness, as Seen from the Nore

40. Straits of Dover

41. Lancaster Sands

42. Lago Maggiore

43. Virginia Water, No. 1

44. Ehrenbreitstein, During the Demolition of the Fortress in 1817

45. Plymouth

46. Falmouth

47. The Deluge

48. Sheerness, as Seen from the Nore

49. Catwater, Entrance to Plymouth Sound

50. Sheerness, as Seen from the Nore

51. Old Sarum in a Storm

52. Newstead Abbey