Date: 1827 / Classification: Prints - YCBA Collections Search Search Results

301. Hookey Walker

Creator:: Print made by Thomas Landseer, 1795–1880
Date:: 1827
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

302. Duke of Clarence

Creator:: Print made by Henry Dawe, 1790–1848
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

303. Duke of Clarence

Creator:: Print made by Henry Dawe, 1790–1848
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

304. Mr. Matthews in America

Creator:: Print made by unknown artist
Date:: ca. 1832
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

305. The Duke of York Forcing His Way through the Enemy near Roubiax

Creator:: Published by Fisher, Son & Co., active 1821–1848
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

306. Canonbury House, Islington

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

307. Hanover Terrace, Regent's Park

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

308. Hanover Terrace, Regent's Park

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

309. Westdean House, the Seat of Lord Selsey

Creator:: Print made by Christopher Hewetson, 1737/38–1798
Date:: 1827
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 9 1/2 inches (14.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

310. The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

311. Perridge House:The Seat of Henry Limbrey Toll, Esq.

Creator:: Print made by unknown artist
Date:: 1827
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

312. The Limehouse Dock, Regent's Canal

Creator:: Print made by Frederick James Havell, 1801–1840
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

313. St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton

Creator:: William Westall, 1781–1850
Date:: 1827 or 1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 7 x 10 1/4in. (17.8 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

314. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Bound volume of seven prints on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 22 1/4 inches (56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. The Whirlwind of Lovers (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. The Baffled Devils Fighting (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The Serpent Attacking Buoso Donati (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. The Pit of Disease: The Falsifiers (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Collecton of seven engravings on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Illustrations to Milton's 'Paradise Lost'

Creator:: Print made by John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Bound volume of engravings on medium, slightly textured, cream laid paper
Dimensions:: Spine: 19 3/4 inches (50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

325. The Eagle Paris and Dover [sic] Coach

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 13 5/8 x 18 3/4in. (34.6 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Mail Coach Behind Time

Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. A Girl at her Devotions (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

328. The Orphans (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. George L. Green

329. Love, Jealously, Revenge and Despair

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

330. Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

331. Don Quixote and Sancho Panza (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

332. Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

333. Girl and Parrot (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

334. La Rosa Parlante (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

335. Impudence/ Impudence (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

336. Modesty/ Modestie (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

337. 1st of September

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Stage Coach

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 5/8 x 19 1/8in. (42.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

Creator:: Charles Hunt, 1803–1877
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 17 1/4in. (34.6 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Coaching: The Mail Coach in a Flood

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 7/8in. (33.3 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Set of Four - Racing: Preparing to Start

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Set of Four - Racing: Coming In

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Set of Four - Racing: Running

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Fox Hunting: Leicestershire - Getting Away

Creator:: after Henry Thomas Alken, 1785–1851
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Set of Four - Racing: Exercising

Creator:: George Alken, 1794–active 1837
Date:: 1827
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 11/16 x 10 15/16in. (22 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Meditation

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1827
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/2 x 10 3/4in. (36.8 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

348. 1st of October

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. 1st of October

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. 1st of September

Creator:: George Hunt, active 1820–1840
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/8 x 17 1/2in. (38.4 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

Creator:: Print made by unknown artist
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 × 11 3/4 inches (43.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

352. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Etching and mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

353. The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery.

Creator:: Print made by unknown artist
Date:: 1827
Materials & Techniques:: Aquatint and etching with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 19 1/2 inches (38.4 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

354. Tears of Repentance. Cabinet In's and Out's

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson.

355. Removing Rubbish. Cabinet In's and Out's

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

356. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

357. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

Creator:: Print made by Thomas Jones, active 1828
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 7/8 inches (28.6 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

358. Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Robert Dundas, second Viscount Melville

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

363. Robert Dundas, second Viscount Melville

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

364. Panorama prise au sommet du Mont Rigi / par Henry Keller.

Creator:: Keller, Heinrich, 1778–1862
Date:: [1827]
Physical Description:: 1 print on 2 sheets : hand-colored aquatint ; 19 x 94 cm, accordion folded to 20 x 11 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22728464850008651|Yale Center for British Art, Paul Mellon Collection

365. To His most excellent Majesty the King, these select views of Windsor Castle and the adjacent scenery are with gracious permission dedicated / by his Majesty's faithful subject & servant, William Daniell, R.A.

Creator:: Daniell, William, 1769–1837
Date:: [1827?]
Physical Description:: 12 prints : aquatint ; images 30 x 51 cm, mounted on sheets 50 x 71 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22862710580008651|Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1827

Classification Prints

Search Results

301. Hookey Walker

302. Duke of Clarence

303. Duke of Clarence

304. Mr. Matthews in America

305. The Duke of York Forcing His Way through the Enemy near Roubiax

306. Canonbury House, Islington

307. Hanover Terrace, Regent's Park

308. Hanover Terrace, Regent's Park

309. Westdean House, the Seat of Lord Selsey

310. The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq.

311. Perridge House:The Seat of Henry Limbrey Toll, Esq.

312. The Limehouse Dock, Regent's Canal

313. St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton

314. Illustrations to Dante's Divine Comedy

315. The Whirlwind of Lovers (Plate 1)

316. Ciampolo the Barrator Tormented by the Devils (Plate 2)

317. The Baffled Devils Fighting (Plate 3)

318. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

319. The Serpent Attacking Buoso Donati (Plate 5)

320. The Pit of Disease: The Falsifiers (Plate 6)

321. Dante Striking against Bocca Degli Abati (Plate 7)

322. Illustrations to Dante's Divine Comedy

323. Illustrations to Milton's 'Paradise Lost'

324. Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)

325. The Eagle Paris and Dover [sic] Coach

326. Mail Coach Behind Time

327. A Girl at her Devotions (Volume of 102 Lithographs)

328. The Orphans (Volume of 102 Lithographs)

329. Love, Jealously, Revenge and Despair

330. Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)

331. Don Quixote and Sancho Panza (Volume of 102 lithographs)

332. Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)

333. Girl and Parrot (Volume of 102 lithographs)

334. La Rosa Parlante (Volume of 102 lithographs)

335. Impudence/ Impudence (Volume of 102 lithographs)

336. Modesty/ Modestie (Volume of 102 lithographs)

337. 1st of September

338. Stage Coach

339. [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.

340. Coaching: The Mail Coach in a Flood

341. Set of Four - Racing: Preparing to Start

342. Set of Four - Racing: Coming In

343. Set of Four - Racing: Running

344. Fox Hunting: Leicestershire - Getting Away

345. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

346. Set of Four - Racing: Exercising

347. Meditation

348. 1st of October

349. 1st of October

350. 1st of September

351. Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

352. Dover

353. The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery.

354. Tears of Repentance. Cabinet In's and Out's

355. Removing Rubbish. Cabinet In's and Out's

356. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

357. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

358. Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

359. Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

360. Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

361. Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

362. Robert Dundas, second Viscount Melville

363. Robert Dundas, second Viscount Melville

364. Panorama prise au sommet du Mont Rigi / par Henry Keller.

365. To His most excellent Majesty the King, these select views of Windsor Castle and the adjacent scenery are with gracious permission dedicated / by his Majesty's faithful subject & servant, William Daniell, R.A.