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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
54
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
41
Varrall, J. C., active 1815–1827
9
Wallis, Robert, 1794–1878
8
Brandard, Robert, 1805–1862
6
Goodall, Edward, 1795–1870
6
Alighieri, Dante, 1265–1321
4
Blake, William, 1757–1827
4
Radclyffe, William, 1780–1855
4
Smith, William R., active 1819–1851
4
Heath, Henry, active 1824–1835
3
Carpenter, James, active 1808–1843
2
Fairburn, John, active 19th century
2
Gladwin, George, active 1820s–1830s
2
McLean, Thomas, 1788–1875
2
Miller, William, 1796–1882
2
Phillips, John, active 1840–1852
2
Westwood, Charles, active 1819–1838
2
Wyatt, Benjamin Dean, 1775–1850
2
Wyatt, Philip William, 1777–1835
2
Cruikshank, George, 1792–1878
1
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Date
1630
107
1827
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1808
35
1832
28
1830
26
1859
21
1674
16
1789
16
1824
16
1800
14
1950
13
1675
12
1814
12
1831
12
1834
10
1833
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1836
9
1838
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1667
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1784
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1802
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1818
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1826
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1896
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1690
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1757
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1807
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1811
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1820
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1829
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1801
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1822
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1835
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1799
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1825
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1889
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1920
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1680
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1700
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1758
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1782
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1797
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1806
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1812
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1813
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1819
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1823
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1837
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1983
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1650
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1803
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1805
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1840
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1844
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1850
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1852
2
1864
2
On-site Access
Accessible by appointment in the Study Room
54
Image Use
Free to Use
54
Image Available
Available
51
Unavailable
3
Classification
Prints
54
Creator Gender
male
54
Collective Title
Picturesque Views in England and Wales
41
Blake's Illustrations of Dante
4
Period
19th century
54
Materials & Techniques
wove paper
29
etching (printing process)
24
line engraving
20
chine collé
13
hand coloring
5
watercolor
5
China paper
4
Height [cm]
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10
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43
Width [cm]
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58
Work Type
intaglio print
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54
Genre
landscape
26
cityscape
14
architectural subject
10
marine art
9
genre subject
8
literary theme
4
Subject Terms
river
8
landscape (representation)
7
abbey
4
architectural subject
2
caricature
2
genre subject
2
mansion
2
marine art
2
satire
2
scale (rule)
2
angry
1
arches
1
bags
1
balustrades
1
bonnets
1
bridge
1
building
1
capes
1
castle
1
coats
1
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Associated Places
England
9
United Kingdom
6
Bolton Abbey
3
North Yorkshire
3
Wharfe
3
Wharfedale
3
City of Westminster
2
Devon
2
Durham
2
Greater London
2
London
2
York House, Strand
2
Barnard Castle
1
Barnard Castle Bridge
1
Buckfast Abbey
1
Buckfastleigh
1
Cowes
1
Dart
1
Dartmouth
1
High Force
1
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Associated Places
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Exhibition History
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
4
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
2
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
2
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
48
Yale Center for British Art, Gift of Godfrey Pearlson
4
Yale Center for British Art, Gift of Godfrey Pearlson.
1
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
1
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Date
1827
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intaglio print
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24
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1
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
2
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
3
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
4
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
5
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
6
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
7
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
8
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
9
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
10
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
11
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
12
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
13
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
14
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
15
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827-1838
16
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
17
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
18
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
19
Print made by Robert Wallis, 1794–1878
Cowes, Isle of Wight
1827-1838
20
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
21
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
22
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
23
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
24
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
25
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
26
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
27
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
28
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
29
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
30
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
31
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
32
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
33
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
34
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
35
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
36
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
37
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
38
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
39
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
40
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
41
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
42
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
43
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
44
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
45
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
46
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
47
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
48
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
49
Print made by George Cruikshank, 1792–1878
Blear-Eyed Moll
ca. 1832
50
Print made by Henry Heath, active 1824–1835
A Complete Turn-Out among the Cabinet-Makers
1827
51
Print made by Henry Heath, active 1824–1835
Diogenes in Search of an Honest Ministry
1827
52
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
53
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
54
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827