Date: 1827 / Image Available: Available - YCBA Collections Search Search Results

1. Study of Three Parrot Tulips

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1832
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 8 3/8 x 8 5/8in. (21.3 x 21.9cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cattle at a Pool at Sunrise

Creator:: James Ward, 1769–1859
Date:: 1827
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 12 1/2 × 17 3/4 inches (31.8 × 45.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A View of Thames Street, Windsor

Creator:: George Vincent, 1796–1832
Date:: 1827 to 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Portrait of Charles Frederick Schlaberg, London, 1827

Creator:: Thomas Phillips, 1770–1845
Date:: 1827
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 28 inches (91.4 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
On View:: Not on view

5. Frost Scene

Creator:: William Collins, 1788–1847
Date:: 1827
Materials & Techniques:: Oil on canvas
Dimensions:: 33 x 43 inches (83.8 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer

Creator:: John Ferneley, 1782–1860
Date:: 1827
Materials & Techniques:: Oil on canvas
Dimensions:: 52 1/4 x 45 1/4 inches (132.7 x 114.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Self-Portrait

Creator:: Richard Redgrave, 1804–1888
Date:: ca. 1832
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. George IV

Creator:: Sir Francis Leggatt Chantrey, 1781–1841
Date:: 1827
Materials & Techniques:: Marble
Dimensions:: Overall: 33 × 22 × 11 inches (83.8 × 55.9 × 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. An Unknown Young Woman

Creator:: John Gibson, 1790–1866
Date:: late 1820s
Materials & Techniques:: Marble
Dimensions:: Overall: 29 x 18 x 8 1/2 inches (73.7 x 45.7 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

10. Alexander Knox

Creator:: Sir Francis Leggatt Chantrey, 1781–1841
Date:: late 1820s
Materials & Techniques:: marble
Dimensions:: Overall: 24 13/16 × 13 inches (63 × 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

11. Study for "The Golden Age"

Creator:: Francis Danby, 1793–1861
Date:: 1827
Materials & Techniques:: Graphite and gouache on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 7 1/2 x 10 7/8in. (19.1 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Andrew Wyld in honor of Paul Mellon

12. Sky Study with Rainbow

Creator:: John Constable, 1776–1837
Date:: 1827
Materials & Techniques:: Watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Carlisle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 5/8in. (8.3 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Entrance to the Port of Marseille

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and brown ink with gouache over graphite on medium, slightly textured, blue wove paper mounted on moderately thick, slightly textured, cream card
Dimensions:: Mount: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

16. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Venice, the Doge's Palace

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

19. People on the Road Near Kalicut, Malabar

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 15 9/16 inches (25.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. English Country Town

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

21. The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Serpent Attacking Buoso Donati (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Baffled Devils Fighting (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Pit of Disease: The Falsifiers (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Advanced Guard - Sunrise

Creator:: James Pattison Cockburn, 1779–1847
Date:: ca. 1832
Materials & Techniques:: Pen and brown ink, graphite, brown wash, and white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Shepherd and Shepherdess by Moonlight

Creator:: Welby Sherman, active 1827
Date:: undated
Materials & Techniques:: Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Bridge at Llangollen

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, gum arabic, and gouache on thick, rough, cream wove paper
Dimensions:: Image: 10 9/16 x 14 5/16 inches (26.8 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Fortune Teller

Creator:: Thomas Stothard, 1755–1834
Date:: 1827
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately think, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Mountain Torrent

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor and gouache on thick, rough, cream wove paper
Dimensions:: Image: 10 5/8 x 15 1/8 inches (27 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Study of a Cottage by a lane

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 9 11/16 x 13 15/16 inches (24.6 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Farm Buildings

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, and black chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 7/16 inches (27.3 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Sketch of Boatmen on the Shore, Ships in the Distance

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 3/4 inches (17.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Trees and a Cottage by a River

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Black chalk and gum on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 1/8 inches (15.9 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Study of a Gentleman in 17th Century Costume

Creator:: Richard Parkes Bonington, 1802–1828
Date:: between 1827 and 1828
Materials & Techniques:: Pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 4 1/2 inches (11.7 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with chine collé and graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Prudoe Castle, Northumberland

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 50 × 22 1/2 inches (127 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; second published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 × 11 7/8 inches (25.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Straits of Dover

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 1/4 inches (42.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 × 15 1/4 inches (33 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/8 inches (30.8 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Holy Island, Northumberland

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (unfinished) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Lancaster from the Aqueduct Bridge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 3/8 inches (41.6 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Temple of Minerva, Cape Colonna

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: ca. 1832
Materials & Techniques:: Etching and engraving with chine collé on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/16 inches (30.2 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Kilgarren Castle, Pembroke

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 inches (42.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Straits of Dover

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 12 1/2 inches (26 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Okehampton, Devonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Okehampton, Devonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Okehampton, Devonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 1/2 inches (42.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; completed engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Malmsbury Abbey, Wiltshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Malmsbury Abbey, Wiltshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 3/8 inches (42.5 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Great Yarmouth, Norfolk

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 1/4 inches (42.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Great Yarmouth, Norfolk

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 14 1/2 inches (30.5 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hampton Court Palace

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Hampton Court Palace

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 1/4 inches (42.2 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 3/4 inches (42.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Carisbrook Castle, Isle of Wight

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 7/8 inches (41.6 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Carisbrook Castle, Isle of Wight

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 1/2 inches (42.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Cowes, Isle of Wight

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 1/2 inches (42.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Stamford, Lincolnshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/4 × 21 3/4 inches (41.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Square in the Village of Los Silos, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1827
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to thick brown card
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Florence, from San Miniato

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/4 inches (41.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 22 3/8 inches (42.9 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (1) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 1/2 inches (42.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/4 inches (41.9 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 5/8 inches (42.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1827

Image Available Available

Search Results

1. Study of Three Parrot Tulips

2. Cattle at a Pool at Sunrise

3. A View of Thames Street, Windsor

4. Portrait of Charles Frederick Schlaberg, London, 1827

5. Frost Scene

6. Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer

7. Self-Portrait

8. George IV

9. An Unknown Young Woman

10. Alexander Knox

11. Study for "The Golden Age"

12. Sky Study with Rainbow

13. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

14. Carlisle

15. Entrance to the Port of Marseille

16. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

17. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

18. Venice, the Doge's Palace

19. People on the Road Near Kalicut, Malabar

20. English Country Town

21. The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

22. Ciampolo the Barrator Tormented by the Devils (Plate 2)

23. Dante Striking against Bocca Degli Abati (Plate 7)

24. The Serpent Attacking Buoso Donati (Plate 5)

25. The Baffled Devils Fighting (Plate 3)

26. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

27. The Pit of Disease: The Falsifiers (Plate 6)

28. Advanced Guard - Sunrise

29. Shepherd and Shepherdess by Moonlight

30. The Bridge at Llangollen

31. The Fortune Teller

32. A Mountain Torrent

33. Study of a Cottage by a lane

34. Farm Buildings

35. Sketch of Boatmen on the Shore, Ships in the Distance

36. Trees and a Cottage by a River

37. Study of a Gentleman in 17th Century Costume

38. Orford, Suffolk

39. Aldborough, Suffolk

40. Aldborough, Suffolk

41. Prudoe Castle, Northumberland

42. Aldborough, Suffolk

43. Entrance to Fowey Harbour, Cornwall

44. Knaresborough, Yorkshire

45. Knaresborough, Yorkshire

46. Colchester, Essex

47. Straits of Dover

48. Buckfastleigh Abbey, Devonshire

49. Buckfastleigh Abbey, Devonshire

50. Lancaster Sands

51. Alnwick Castle, Northumberland

52. Holy Island, Northumberland

53. Colchester, Essex

54. Barnard Castle, Durham

55. Tivoli, a Composition

56. Tivoli, a Composition

57. Tivoli, a Composition

58. Lancaster from the Aqueduct Bridge

59. Temple of Minerva, Cape Colonna

60. Buckfastleigh Abbey, Devonshire

61. Kilgarren Castle, Pembroke

62. Orford, Suffolk

63. Valle Crucis Abbey, Denbighshire

64. Straits of Dover

65. Entrance to Fowey Harbour, Cornwall

66. Okehampton, Devonshire

67. Lancaster Sands

68. Okehampton, Devonshire

69. Okehampton, Devonshire

70. Knaresborough, Yorkshire

71. Lancaster Sands

72. Malmsbury Abbey, Wiltshire

73. Louth, Lincolnshire

74. Malmsbury Abbey, Wiltshire