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1. Dover from Shakespeare's Cliff

Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and engraving; engraver's proof (2a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 17 3/4 inches (27.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Two of a set of four: The Royal Hunt. 2. Taking the Stag

Two of a set of four: The Royal Hunt. 2. Taking the Stag
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1826
Materials & Techniques:
Hand colored and color printed aquatint
Dimensions:
Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Two of a set of four: The Royal Hunt. 1.The Meeting Place.

Two of a set of four: The Royal Hunt. 1.The Meeting Place.
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1826
Materials & Techniques:
Hand colored and color printed aquatint
Dimensions:
Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Action with the Spanish Slave Frigate 'Velos Passaheros' Captured by Boarding by H.M. Ship 'Primrose' Commander W. Boughton, off Wydah Bight of Benin, September 6, 1830

Action with the Spanish Slave Frigate 'Velos Passaheros' Captured by Boarding by H.M. Ship 'Primrose' Commander W. Boughton, off Wydah Bight of Benin, September 6, 1830
Creator:
Edward Duncan, 1803–1882
Date:
ca. 1831
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 12 1/4 x 17 3/4in. (31.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection