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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
39
Creator
Blake, William, 1757–1827
20
Turner, J. M. W. (Joseph Mallord William), 1775–1851
11
Cooke, George, 1781–1834
6
McLean,, active 1820s
6
Goodall, Edward, 1795–1870
2
Wallis, Robert, 1794–1878
2
Radclyffe, William, 1780–1855
1
Reynolds, Joshua, Sir, 1723–1792
1
Stockdale, Frederick Wilton Litchfield, active 1803–1848
1
Turner, Charles, 1774–1857
1
Date
1827
86
1826
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39
1794
36
1814
33
1834
33
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1979
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1825
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1801
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1874
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1890
3
On-site Access
Accessible by appointment in the Study Room
39
Image Use
Free to Use
39
Image Available
Available
39
Classification
Prints
[remove]
39
Creator Gender
male
39
Collective Title
For the Sexes: The Gates of Paradise, Copy G
20
Cooke's Picturesque Views of the Southern Coast of England
7
Provincial Antiquities and Picturesque Scenery of Scotland
2
The Amulet
1
The Literary Souvenir
1
Period
19th century
39
Materials & Techniques
wove paper
30
line engraving
29
etching (printing process)
26
chine collé
4
laid paper
2
mezzotint
1
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Work Type
intaglio print
32
frontispiece
1
Genre
literary theme
19
religious and mythological subject
19
landscape
8
military art
6
genre subject
3
marine art
3
cityscape
1
Subject Terms
literary theme
19
religious and mythological subject
19
text
17
men
11
nudes
9
children
8
beard
5
leaf
5
trees
5
night
4
sitting
4
wings
4
angel
3
branches
3
cane
3
clouds
3
marine art
3
sky
3
stars
3
sun
3
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Subject Terms
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Associated Places
United Kingdom
4
England
3
English Channel
2
Europe
2
Kent
2
Deal
1
Edinburgh
1
Folkestone
1
Leith
1
London
1
North Sea
1
North Yorkshire
1
Parish Church of St. Mary and St. Eanswythe
1
Richmond
1
Richmond Hill
1
Richmond Park
1
Scotland
1
Thames
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
37
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Yale University Art Gallery Collection
1
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Date
1826
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24
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1
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
2
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
3
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
4
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
5
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
6
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
7
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
8
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
9
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
10
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
11
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
12
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
13
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
14
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
15
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
16
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
17
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
18
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
19
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
20
Prints made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
21
Print made by George Cooke, 1781–1834
Edinburgh Castle
1826
22
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour
1826
23
Print made by Charles Turner, 1774–1857
Children Crying Forfeits
1826
24
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1826
25
Print made by William Radclyffe, 1780–1855
Deal, Kent
1826
26
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
27
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
28
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
29
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
30
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
31
McLean, active 1820s
McLean's Scraps for Albums
1826
32
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1826-1837
33
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826
34
McLean, active 1820s
McLean's Scraps for Albums
1826
35
McLean, active 1820s
McLean's Scraps for Albums
1826
36
McLean, active 1820s
McLean's Scraps for Albums
1826
37
McLean, active 1820s
McLean's Scraps for Albums
1826
38
McLean, active 1820s
McLean's Scraps for Albums
1826
39
Print made by Frederick W. L. Stockdale, active 1803–1848
Midgham House, the Seat of W.S. Poyntz, Esq., M.P
1826