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Date 1825

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Alfred Diston Peasant of Hierro
Alfred Diston, active 1818–1829
Peasant of Hierro
1825
Alfred Diston Natives of La Palma
Alfred Diston, active 1818–1829
Natives of La Palma
1825
Alfred Diston Native of Tacocronte, Tenerife
Alfred Diston, active 1818–1829
Native of Tacocronte, Tenerife
1825
Alfred Diston Peasants of Chasna, Tenerife
Alfred Diston, active 1818–1829
Peasants of Chasna, Tenerife
1825
I. H. Gascoigne Government House, Belize from Fort St. George, British Honduras
I. H. Gascoigne, active 1830s–1840s
Government House, Belize from Fort St. George, British Honduras
ca. 1830
Edward Duncan Wild Duck Shooting
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
Edward Duncan Pheasant Shooting
Edward Duncan, 1803–1882
Pheasant Shooting
1825
Alfred Diston View from Port Orotava, Tenerife
Alfred Diston, active 1818–1829
View from Port Orotava, Tenerife
1825
Illustrations to Shakspeare
Illustrations to Shakspeare
1825
Sir Charles D'Oyly Brahmins at a Toolsee Altar
Print made by Sir Charles D'Oyly, 1781–1845
Brahmins at a Toolsee Altar
ca. 1830
Sir Charles D'Oyly A Mussalmaum Schoolmaster
Print made by Sir Charles D'Oyly, 1781–1845
A Mussalmaum Schoolmaster
ca. 1830
James C. Allen Harborough Sands
Print made by James C. Allen, active 1821–1831
Harborough Sands
ca. 1830
John Buckler FSA West view of the Ruins of Cowdray House, Sussex
John Buckler FSA, 1770–1851
West view of the Ruins of Cowdray House, Sussex
1825
John Buckler FSA West View of the Ruins of Cowdray House, Sussex; from the Court
John Buckler FSA, 1770–1851
West View of the Ruins of Cowdray House, Sussex; from the Court
1825
James Robert Thompson P. Turnerelli, Esq.
James Robert Thompson, active 1807–1843
P. Turnerelli, Esq
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Sir Charles D'Oyly Female Attendants
Print made by Sir Charles D'Oyly, 1781–1845
Female Attendants
ca. 1830
Sir Charles D'Oyly A Bheesty or Water Carrier
Print made by Sir Charles D'Oyly, 1781–1845
A Bheesty or Water Carrier
ca. 1830
Sir Charles D'Oyly Ordbhawn or Hindoo Fakeer
Print made by Sir Charles D'Oyly, 1781–1845
Ordbhawn or Hindoo Fakeer
ca. 1830
Sir Charles D'Oyly Nuts or Indian Jugglers
Print made by Sir Charles D'Oyly, 1781–1845
Nuts or Indian Jugglers
ca. 1830
Sir Charles D'Oyly A Punca Bearer
Print made by Sir Charles D'Oyly, 1781–1845
A Punca Bearer
ca. 1830
Sir Charles D'Oyly A Samporea or Snake Catcher
Print made by Sir Charles D'Oyly, 1781–1845
A Samporea or Snake Catcher
ca. 1830
Sir Charles D'Oyly A Syce or Groom
Print made by Sir Charles D'Oyly, 1781–1845
A Syce or Groom
ca. 1830
Maddocks Hungerford Market
Maddocks, active 1825
Hungerford Market
1825
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
Richard Banks Harraden Emanuel College from St. Andrews Street, Cambridge
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
Richard Banks Harraden Jesus College from the Meadows, Cambridge
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
Richard Banks Harraden Jesus College, Cambridge
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
Richard Banks Harraden New Building of St. John's from the Gardens, Cambridge
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
Richard Banks Harraden St. Peter's College, Cambridge
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
Samuel Cousins Elizabeth Duchess of Rutland
Print made by Samuel Cousins, 1801–1887
Elizabeth Duchess of Rutland
1825
Samuel William Reynolds Garrick in the Character of Richard, third
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
unknown artist Macbeth as Performed at National Theatre
unknown artist
Macbeth as Performed at National Theatre
ca. 1830
unknown artist The Vail of Llangedwyn / Oct 16, 1825
unknown artist
The Vail of Llangedwyn / Oct 16, 1825
1825
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy"
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy"
1825-1826
Theodore Henry Adolphus Fielding A Shipwreck
Print made by Theodore Henry Adolphus Fielding, 1781–1851
A Shipwreck
1825
unknown artist Newbattle Abbey, Scotland
unknown artist
Newbattle Abbey, Scotland
ca. 1830
Gideon Yates The Building of London Bridge
Attributed to Gideon Yates, active 1825–1837
The Building of London Bridge
undated
unknown artist Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
unknown artist A View of Hyde Park from Ennismore Gardens
unknown artist
A View of Hyde Park from Ennismore Gardens
ca. 1830
unknown artist The Banqueting-House, Whitehall
unknown artist
The Banqueting-House, Whitehall
1825
Theodore Henry Adolphus Fielding A Shipwreck
Print made by Theodore Henry Adolphus Fielding, 1781–1851
A Shipwreck
1825
Edward Duncan Set of four: 2. Woodcock Shooting.
Edward Duncan, 1803–1882
Set of four: 2. Woodcock Shooting
1825
Edward Duncan Set of four: 3. Pheasant Shooting.
Edward Duncan, 1803–1882
Set of four: 3. Pheasant Shooting
1825
Edward Duncan Set of four: 4. Wild Duck Shooting.
Edward Duncan, 1803–1882
Set of four: 4. Wild Duck Shooting
1825
Day & Co. Holford House, Regent's Park
Print made by Day & Co., 1824–1913
Holford House, Regent's Park
ca. 1830
James Pollard Doncaster Race for the Great St. Leger Stakes
James Pollard, 1792–1867
Doncaster Race for the Great St. Leger Stakes
1825
Charles Hunt Mail Coach by Moonlight
Charles Hunt, 1803–1877
Mail Coach by Moonlight
1825
Joshua Gleadah Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester
Joshua Gleadah, active 1830s
Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester
ca. 1830
Edward Duncan Set of four: 1. Partridge Shooting.
Edward Duncan, 1803–1882
Set of four: 1. Partridge Shooting
1825
George Hunt Coaching: Mail
George Hunt, active 1820–1840
Coaching: Mail
1825
George Hunt Coaching: Tandem
George Hunt, active 1820–1840
Coaching: Tandem
1825
M. Egerton Barouche
M. Egerton, active 1821–1828
Barouche
1825
Matthew Dubourg [Coaching] The Mail Guard
Matthew Dubourg, active 1786–1838
[Coaching] The Mail Guard
1825
François-Séraphin Delpech Emmanuel Joseph Sieyès
Print made by François-Séraphin Delpech, 1778–1825
Emmanuel Joseph Sieyès
1825
Alfred Henry Forrester Caricature Drawing
Alfred Henry Forrester, 1804–1872
Caricature Drawing
ca. 1850
Thomas A. Woolnoth Walter Fawkes Esqr.
Print made by Thomas A. Woolnoth, 1785–1857
Walter Fawkes Esqr
1825
Charles Jameson Grant Luminous Don Key
Charles Jameson Grant, active 1830–1852
Luminous Don Key
ca. 1830
Charles Cousen Tintern Abbey, Moonlight on the Wye
Print made by Charles Cousen, ca. 1819–1889
Tintern Abbey, Moonlight on the Wye
undated
Thomas Sidney Cooper View of a Cathedral at the End of a Street
Thomas Sidney Cooper, 1803–1902
View of a Cathedral at the End of a Street
ca. 1830
Joseph Powell Six Views on Clapham Common, London
Joseph Powell, 1780–1834
Six Views on Clapham Common, London
1825
unknown artist Side and Rear Elevations of a Church
unknown artist
Side and Rear Elevations of a Church
ca. 1830
To her I love.
To her I love
mid-19th century
Amid'st a meadow green and gay ...
Amid'st a meadow green and gay ..
mid-19th century
London manners and dandy fashions.
London manners and dandy fashions
[approximately 1825?]
Kruyff, Cornelis de, 1771-1854, ill. Vues choisies d'Amsterdam et ses environs /
Kruyff, Cornelis de, 1771–1854
Vues choisies d'Amsterdam et ses environs
[1825?]
The gift receive the deed approved ...
The gift receive the deed approved ..
mid-19th century
What gives us comfort in this world of woe? ...
What gives us comfort in this world of woe? ..
mid-19th century
My heart is where thou art!
My heart is where thou art!
mid-19th century
By penning these misc lines, to prove a pledge of my unceasing love ...
By penning these misc lines, to prove a pledge of my unceasing love ..
mid-19th century
Sinclair, George, 1786-1834, author. Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey :
Sinclair, George, 1786–1834
Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey
MDCCCXXV [1825]
Constant as the sun in heaven above, this heart that thou has won will be to see in love.
Constant as the sun in heaven above, this heart that thou has won will be to see in love
mid-19th century
Switzerland in miniature :
Switzerland in miniature
1825
May mutual loves count us blest.
May mutual loves count us blest
mid-19th century
The language of the flowers is but useless here to tell ...
The language of the flowers is but useless here to tell ..
mid-19th century
I am thine love.
I am thine love
mid-19th century
T'is happiness we have in view, and mine is in possessing you.
T'is happiness we have in view, and mine is in possessing you
mid-19th century
A token of faithful love! To my dearest Valentine!
A token of faithful love! To my dearest Valentine!
mid-19th century
Thou art my life, my love my heart. Thou art the world. And if thy will show .... I'll do it or die for thee.
Thou art my life, my love my heart. Thou art the world. And if thy will show .... I'll do it or die for thee
mid-19th century
I live for thee only.
I live for thee only
mid-19th century
Oh! Woe is me. My tender heart is pierced with cupid's fatal dart ...
Oh! Woe is me. My tender heart is pierced with cupid's fatal dart ..
mid-19th century
Parry, William, fl. 1825. The last days of Lord Byron :
Parry, William, fl. 1825
The last days of Lord Byron
MDCCCXXV [1825]
Happy is her most truly so for whom you heart does beat :
Happy is her most truly so for whom you heart does beat
mid-19th century
Cupid'a ariel ship.
Cupid'a ariel ship
mid-19th century
Music is the voice of love. My love for thee is pure and ardent.
Music is the voice of love. My love for thee is pure and ardent
mid-19th century
Perspectivische Ansicht des Tunnels unter der Themse.
Perspectivische Ansicht des Tunnels unter der Themse
ca. 1825]
If truest love can gain respect I may a mutual love expect ...
If truest love can gain respect I may a mutual love expect ..
mid-19th century
Havell, Robert, 1769-1832. The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature,
Havell, Robert, 1769–1832
The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature,
[1825]
Muriel, Catharine. Catharine Muriel commonplace book :
Muriel, Catharine
Catharine Muriel commonplace book
1825-circa 1840
To my pretty Valentine!
To my pretty Valentine!
mid-19th century
Can you keep a secret? If so open this.
Can you keep a secret? If so open this
mid-19th century
How sweet upon the features of the one we hold most dear ...
How sweet upon the features of the one we hold most dear ..
mid-19th century
When the hearts feeling burns with concealing, oh, what an anguish silent to languish.
When the hearts feeling burns with concealing, oh, what an anguish silent to languish
mid-19th century
To my Valentine
To my Valentine
mid-19th century
I will love thee ever dearly.
I will love thee ever dearly
mid-19th century
Funeral biscuits :
Funeral biscuits
[approximately 1825]
Valentine card.
Valentine card
mid-19th century
Musée des dames et des demoiselles :
Musée des dames et des demoiselles
[ca. 1825?]
A heart that boasts a tender flame, sincere and constant too :
A heart that boasts a tender flame, sincere and constant too
mid-19th century