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Date 1825

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Period 19th century

Remove constraint Period: 19th century

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Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Palace of Justice, with Fine Carved Chimney, Bruges
Palace of Justice, with Fine Carved Chimney, Bruges
ca. 1830
William Wallis Palace of Justice, with Fine Carved Chimney, Bruges
Print made by William Wallis, 1794– active 1830
Palace of Justice, with Fine Carved Chimney, Bruges
ca. 1830
Frederick Calvert One of A Series of Sixty Sketches of Cottages. London, 1825.
Print made by Frederick Calvert, ca. 1785–ca. 1845
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
Alfred Diston Peasant of Hierro
Alfred Diston, active 1818–1829
Peasant of Hierro
1825
Alfred Diston Charcoal seller, Tenerife
Alfred Diston, active 1818–1829
Charcoal seller, Tenerife
1825
Alfred Diston Natives of La Palma
Alfred Diston, active 1818–1829
Natives of La Palma
1825
Alfred Diston Native of Tacocronte, Tenerife
Alfred Diston, active 1818–1829
Native of Tacocronte, Tenerife
1825
unknown artist Study for a composition: The Wreck of an East Indiaman
unknown artist
Study for a composition: The Wreck of an East Indiaman
ca. 1830
Alfred Diston View of La Rambla de Castro near Port Orotava, Tenerife
Alfred Diston, active 1818–1829
View of La Rambla de Castro near Port Orotava, Tenerife
1825
Alfred Diston Peasants of Ycod el alto, Tenerife
Alfred Diston, active 1818–1829
Peasants of Ycod el alto, Tenerife
1825
Alfred Diston Peasants of Hierro
Alfred Diston, active 1818–1829
Peasants of Hierro
1825
David Cox London Bridge
David Cox, 1783–1859
London Bridge
before 1831
John Sell Cotman Château Navarre, near Evreux, Normandy
John Sell Cotman, 1782–1842
Château Navarre, near Evreux, Normandy
ca. 1830
Thomas Cundy Design for Grosvenor House, London
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
between 1825 and 1826
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
William Blake Illustrations of the Book of Job, in Twenty-one Plates
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, in Twenty-one Plates
1825
Samuel Cousins Elizabeth Duchess of Rutland
Print made by Samuel Cousins, 1801–1887
Elizabeth Duchess of Rutland
1825
Samuel William Reynolds Garrick in the Character of Richard, third
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
unknown artist Macbeth as Performed at National Theatre
unknown artist
Macbeth as Performed at National Theatre
ca. 1830
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy"
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy"
1825-1826
Richard Banks Harraden Emanuel College from St. Andrews Street, Cambridge
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
Richard Banks Harraden Jesus College from the Meadows, Cambridge
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
Richard Banks Harraden Jesus College, Cambridge
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
Richard Banks Harraden St. Peter's College, Cambridge
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
Richard Banks Harraden New Building of St. John's from the Gardens, Cambridge
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
Gideon Yates The Building of London Bridge
Attributed to Gideon Yates, active 1825–1837
The Building of London Bridge
undated
unknown artist The Vail of Llangedwyn / Oct 16, 1825
unknown artist
The Vail of Llangedwyn / Oct 16, 1825
1825
unknown artist A View of Hyde Park from Ennismore Gardens
unknown artist
A View of Hyde Park from Ennismore Gardens
ca. 1830
unknown artist Newbattle Abbey, Scotland
unknown artist
Newbattle Abbey, Scotland
ca. 1830
Joshua Gleadah Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester
Joshua Gleadah, active 1830s
Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester
ca. 1830
Edward Duncan Set of four: 1. Partridge Shooting.
Edward Duncan, 1803–1882
Set of four: 1. Partridge Shooting
1825
M. Egerton Barouche
M. Egerton, active 1821–1828
Barouche
1825
Edward Duncan Set of four: 4. Wild Duck Shooting.
Edward Duncan, 1803–1882
Set of four: 4. Wild Duck Shooting
1825
Edward Duncan Set of four: 2. Woodcock Shooting.
Edward Duncan, 1803–1882
Set of four: 2. Woodcock Shooting
1825
Edward Duncan Set of four: 3. Pheasant Shooting.
Edward Duncan, 1803–1882
Set of four: 3. Pheasant Shooting
1825
Day & Co. Holford House, Regent's Park
Print made by Day & Co., 1824–1913
Holford House, Regent's Park
ca. 1830
François-Séraphin Delpech Emmanuel Joseph Sieyès
Print made by François-Séraphin Delpech, 1778–1825
Emmanuel Joseph Sieyès
1825
Thomas Sidney Cooper View of a Cathedral at the End of a Street
Thomas Sidney Cooper, 1803–1902
View of a Cathedral at the End of a Street
ca. 1830
Theodore Henry Adolphus Fielding A Shipwreck
Print made by Theodore Henry Adolphus Fielding, 1781–1851
A Shipwreck
1825
Theodore Henry Adolphus Fielding A Shipwreck
Print made by Theodore Henry Adolphus Fielding, 1781–1851
A Shipwreck
1825
unknown artist The Banqueting-House, Whitehall
unknown artist
The Banqueting-House, Whitehall
1825
Joseph Powell Six Views on Clapham Common, London
Joseph Powell, 1780–1834
Six Views on Clapham Common, London
1825
James Pollard Doncaster Race for the Great St. Leger Stakes
James Pollard, 1792–1867
Doncaster Race for the Great St. Leger Stakes
1825
Charles Hunt Mail Coach by Moonlight
Charles Hunt, 1803–1877
Mail Coach by Moonlight
1825
George Hunt Coaching: Mail
George Hunt, active 1820–1840
Coaching: Mail
1825
George Hunt Coaching: Tandem
George Hunt, active 1820–1840
Coaching: Tandem
1825
unknown artist Side and Rear Elevations of a Church
unknown artist
Side and Rear Elevations of a Church
ca. 1830
Thomas A. Woolnoth Walter Fawkes Esqr.
Print made by Thomas A. Woolnoth, 1785–1857
Walter Fawkes Esqr
1825
Charles Cousen Tintern Abbey, Moonlight on the Wye
Print made by Charles Cousen, ca. 1819–1889
Tintern Abbey, Moonlight on the Wye
undated
Charles Jameson Grant Luminous Don Key
Charles Jameson Grant, active 1830–1852
Luminous Don Key
ca. 1830
Matthew Dubourg [Coaching] The Mail Guard
Matthew Dubourg, active 1786–1838
[Coaching] The Mail Guard
1825
Kruyff, Cornelis de, 1771-1854, ill. Vues choisies d'Amsterdam et ses environs /
Kruyff, Cornelis de, 1771–1854
Vues choisies d'Amsterdam et ses environs
[1825?]
Valentine card.
Valentine card
mid-19th century
Love has triumphed.
Love has triumphed
mid-19th century
The gift receive the deed approved ...
The gift receive the deed approved ..
mid-19th century
What gives us comfort in this world of woe? ...
What gives us comfort in this world of woe? ..
mid-19th century
Glasgow looking glass.
Glasgow looking glass
[1825]
Dearest name thee happy time that I in truth may all you mine.
Dearest name thee happy time that I in truth may all you mine
mid-19th century
Cox, David, 1783-1859. The young artist's companion, or, Drawing-book of studies and landscape embellishments :
Cox, David, 1783–1859
The young artist's companion, or, Drawing-book of studies and landscape embellishments
1825
A heart that boasts a tender flame, sincere and constant too :
A heart that boasts a tender flame, sincere and constant too
mid-19th century
Valentine card.
Valentine card
mid-19th century
A faithful tribute of affection! To my love.
A faithful tribute of affection! To my love
mid-19th century
The majestic game of the Asiatic ostrich.
The majestic game of the Asiatic ostrich
[approximately 1825]
Perspectivische Ansicht des Tunnels unter der Themse.
Perspectivische Ansicht des Tunnels unter der Themse
ca. 1825]
Hakewill, James, 1778-1843. A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821 /
Hakewill, James, 1778–1843
A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821
1825
Wimpory & Son (Firm : Manchester, England) Billhead recording purchases by Mrs. Davenport from Wimpory & Son, ladies shoe makers, Manchester.
Wimpory & Son (Firm : Manchester, England)
Billhead recording purchases by Mrs. Davenport from Wimpory & Son, ladies shoe makers, Manchester
approximately 1825
I wait a return of thy love.
I wait a return of thy love
mid-19th century
This small tribute, dearest, take keep it for thy lovers sake ...
This small tribute, dearest, take keep it for thy lovers sake ..
mid-19th century
May mutual loves count us blest.
May mutual loves count us blest
mid-19th century
Sinclair, George, 1786-1834, author. Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey :
Sinclair, George, 1786–1834
Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey
MDCCCXXV [1825]
By penning these misc lines, to prove a pledge of my unceasing love ...
By penning these misc lines, to prove a pledge of my unceasing love ..
mid-19th century
Dearest name the happy time, that I in truth may call you mine.
Dearest name the happy time, that I in truth may call you mine
mid-19th century
When the hearts feeling burns with concealing, oh, what an anguish silent to languish.
When the hearts feeling burns with concealing, oh, what an anguish silent to languish
mid-19th century
I am thine love.
I am thine love
mid-19th century
We must be united!
We must be united!
mid-19th century
I would these flowers had lips to tell that I do love thee true and well.
I would these flowers had lips to tell that I do love thee true and well
mid-19th century