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More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint with graphite, white chalk, and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10in. (19.4 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Deepdene near Dorking
Creator:
Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (5) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Coppersmith's, Shoe Lane
Creator:
Henry William Burgess, active 1809–1860
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Georgiana, Duchess of Bedford
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 7 inches (22.2 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. A Minuet

A Minuet
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Circassians
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Russian Cossacks at a Boathouse on the Banks of the Don
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Watercolor and graphite on very thick, slightly textured, beige card
Dimensions:
Sheet: 13 15/16 × 10 15/16 inches (35.4 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures and Animals in a Vineyard
Creator:
John Frederick Lewis, 1804–1876
Date:
ca. 1829
Materials & Techniques:
Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. William Wilberforce and Child
Creator:
John Linnell, 1792–1882
Date:
1824
Materials & Techniques:
Watercolor, gouache, graphite, and scored gesso ground on panel
Dimensions:
Sheet: 14 x 10 1/4 inches (35.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
Hammersmith Church (Middlesex)
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church at Highgate, Middlesex
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
Creator:
Robert Havell II, 1793–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Banquet - 19th July 1821
Creator:
William James Bennett, 1787–1844
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rue du Gros Horloge
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North West View of Wrexham Church
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Etching and aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Neptune's Trident
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1824 to 1825
Materials & Techniques:
Etching and engraving on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 17 5/8 × 11 1/8 inches (44.8 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Eddystone Lighthouse
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof, Turner's copies on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/8 × 21 5/8 inches (37.8 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Eddystone Lighthouse
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1825
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sun-Rise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sun-Rise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824 to 1825
Materials & Techniques:
Mezzotint; earliest engraver's proof on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 14 3/8 inches (25.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Whittlingham Church
Creator:
Print made by Joseph Stannard, 1797–1830
Date:
1824
Materials & Techniques:
Etching
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Footbridge
Creator:
Print made by Joseph Stannard, 1797–1830
Date:
1824 to 1827
Materials & Techniques:
Etching, engraver's proof
Dimensions:
Sheet: 4 5/16 × 10 3/8 inches (11 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thatched Cottage with a Gable End
Creator:
Print made by Joseph Stannard, 1797–1830
Date:
1824
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Yarmouth Jetty
Creator:
Print made by Joseph Stannard, 1797–1830
Date:
between 1824 and 1837
Materials & Techniques:
Etching
Dimensions:
Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowdray Ruins
Creator:
Print made by James Clark, 19th century
Date:
1824
Materials & Techniques:
Colored aquatint on thick, textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Date:
1824 to 1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ominum Gatherum No. 6
Creator:
Henry Heath, active 1824–1835
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Omnium Gatherum, No. 7
Creator:
Henry Heath, active 1824–1835
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ominum Gatherum, Second Series, No. 3
Creator:
Henry Heath, active 1824–1835
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 1/2 inches (27 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London from Greenwich Park
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
H. Bone, Esqr., R.A.
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
Creator:
J. W. Wageman, active 1824
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Gravesend

Gravesend
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby
Creator:
Matthew Dubourg, active 1786–1838
Date:
1824
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coliseum, Rome
Creator:
Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:
1824
Materials & Techniques:
Graphite camera lucida drawing on medium, smooth, cream wove paper
Dimensions:
Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Antwerp Cathedral
Creator:
Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:
1824
Materials & Techniques:
Graphite camera lucida drawing on medium, smooth, cream wove paper mounted on sheet of cream wove paper
Dimensions:
Mount: 7 5/8 × 11 1/2 inches (19.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
Creator:
Print made by John Gendall, 1790–1865
Date:
1824
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 8
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 3
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 14
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 5
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coaching: The Reading Coaches
Creator:
Robert Havell, 1769–1832
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 11/16 x 15 5/8in. (27.1 x 39.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Shooting] The Sportsman (four lines of verse by J. Emery)
Creator:
George Maile, active 1824–1840
Date:
1824
Materials & Techniques:
Color printed etching and mezzotint
Dimensions:
Sheet: 10 1/2 x 7 1/2in. (26.7 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. The Toast

The Toast
Creator:
George Hunt, active 1820–1840
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A set of four: Full Cry. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A set of four: The Death. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of 6 with the printed wrapper: British Proverbs
Creator:
Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Hand colored soft-ground etchings
Dimensions:
Sheet: 8 3/4 x 11 1/8in. (22.2 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gurney's New Steam Carriage
Creator:
unknown artist
Date:
ca. 1829
Materials & Techniques:
Engraving, colored by hand
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Irish Tilting Match, or the Poissardes against the Poignards
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevations and Plans of the Court of Kings Bench
Creator:
Print made by unknown artist
Date:
ca. 1827
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Thomas Lawrence's Painting Room in 1824
Creator:
Emily Calmady, 19th century
Date:
1824
Materials & Techniques:
Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:
Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Collection of Drawings Volume 1
Creator:
Anne Rushout, ca. 1768–1849
Date:
1824 to 1832
Materials & Techniques:
watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/4 inches (18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Turk on a Horse
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
undated
Materials & Techniques:
Pen and sepia ink
Dimensions:
Frame: 2 1/4 × 1 15/16 × 3/16 inches (5.7 × 4.9 × 0.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. No Shoe's!

No Shoe's!
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 3 5/8 x 5 1/8in. (9.2 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Merchantman Becalmed Offshore
Creator:
David Cox Jr., 1809–1885
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/16 inches (11.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Exeter College Eight on the Isis, Oxford
Creator:
William Turner of Oxford, 1789–1862
Date:
1824
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gothic Bridge of Eudes, Tours
Creator:
Print made by Henry Adlard, active 19th century
Date:
between 1824 and 1848
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Sydney, New South Wales, S. View
Creator:
Print made by unknown artist
Date:
1824
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 13
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 16
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 12
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 9
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 6
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 15
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
View from the Cowgate of the Buildings on the South of the Parliament Close
Creator:
Print made by Robert Scott, 1771–1841
Date:
1824
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

194. Cuyp

Cuyp
Creator:
Print made by John Young, 1755–1825
Date:
1824
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Covent Garden Market
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A High Caste Woman Standing by a Wall
Creator:
William Daniell, 1769–1837
Date:
ca. 1829
Materials & Techniques:
Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Walking Dress, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1824
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 7 1/2 inches (21.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Studies
Creator:
George Richmond, 1809–1896
Date:
between 1824 and 1896
Materials & Techniques:
Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Collection of Matthew Rutenberg
Entrance to Calais Harbour
Creator:
David Cox, 1783–1859
Date:
ca. 1829
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Country Boys
Creator:
William Evans of Bristol, 1809–1858
Date:
undated
Materials & Techniques:
Watercolor and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 6 5/8 inches (18.7 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection