Date: 1822 - YCBA Collections Search Search Results

101. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Twelfth Night

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. A Gypsy, Encampment

Creator:: George Vincent, 1796–1832
Date:: 1822
Materials & Techniques:: Etching
Dimensions:: Sheet: 6 1/4 x 8in. (15.9 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Thomas Moore, Esq.

Creator:: William Thomas Fry, 1789–1843
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Clerks-Well

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10 3/8in. (33 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Interior of Salters Hall Meeting

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Interior of the Royal Exchange, London

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. John Bunyan's Meeting House and the School connected therewith

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Hornby Castle from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Heysham and Cumberland Mountains

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Heriot's Hospital

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1822
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 3/8 inches (27.3 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Ruins Discovered at the Corner of Whitcomb Street 1821

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 11/16 x 11 5/8in. (34.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Gipsy Encampment

Creator:: Print made by Samuel David Colkett, 1806–1863
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 × 8 1/2 inches (13.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Lambeth Palace

Creator:: William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Samuel Johnson with biography

Creator:: William Holl II, 1807–1871
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 x 12in. (43.2 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

121. Francis Chantrey, Esq. R. A.

Creator:: unknown artist
Date:: 1822
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Sir George Hayter

Creator:: Sir George Hayter, 1792–1871
Date:: 1822
Materials & Techniques:: Etching and stipple engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 10 15/16 inches (38.2 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Fox-Hunting [set of three of four]: 4.The Death

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 4 1/2 x 14in. (11.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Fox-Hunting [set of three of four]: 2.The find

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 4 1/2 x 14in. (11.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Shooting [a pair]: 2. Evening of the First of September

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/16 x 18in. (35.7 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Shooting [set of six]: 2. Pheasant Shooting

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Shooting [set of six]: 3. Grouse Shooting

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Shooting [set of six]: 6. Packing up

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Gorleston, Suffolk

Creator:: Joseph Lambert, active 1822
Date:: 1822
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Westminster Abbey from Pimlic

Creator:: unknown artist
Date:: 1822
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Untitled: Shakspeare

Creator:: Benjamin Holl, 1808–1884
Date:: ca. 1827
Materials & Techniques:: Stipple engraving; proof impression on laid paper
Dimensions:: Sheet: 9 5/8 x 5 13/16in. (24.4 x 14.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

132. Mr. Wilkinson as Michael in Free & Easy

Creator:: Print made by Robert Cooper, active ca. 1800–1836
Date:: 1822
Materials & Techniques:: Stipple engraving, line engraving, and etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 11/16 × 7 11/16 inches (27.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

133. Frauen Capelle, Haupt Markt

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1822
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

134. Ulm Cathedral

Creator:: Print made by William Woolnoth, active 1806–1830
Date:: 1822
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

135. St. Stephan's Dom-Kirche, from Stock Am Eisen, Vienna

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1822
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

136. St. Stephan's Dom-Kirche, Vienna

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1822
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

137. Illustration for 'Spenser'

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

138. Fallow Deer

Creator:: Print made by Samuel Howitt, 1756–1822
Date:: 1822
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

139. Rumping - Kicking and Kissing - or - Cutting off the Privy Purse ---

Creator:: George Cruikshank, 1792–1878
Date:: 1822
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/8in. (22.2 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Fox-Hunting [set of three of four]: 1.Unkennelling

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 4 1/2 x 14in. (11.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Shooting [set of six]: 1. Partridge Shooting

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Shooting [a pair]: 1. Morning of the first of September

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/16 x 18in. (35.7 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Stage Coach

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 15/16 x 16 13/16in. (37.9 x 42.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The Hampshire Hunt

Creator:: Charles Turner, 1774–1857
Date:: 1822
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 21 3/4 x 30 3/4in. (55.2 x 78.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Snipe Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Marriage a la Mode: Scene with the Quack

Creator:: Print made by Charles Mottram, 1807–1876
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Trees and Cottage

Creator:: James Stark, 1794–1859
Date:: c.1822
Materials & Techniques:: Etching, second state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Quae Genus on his Journey to London

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 1/2 x 6in. (24.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Ombersley Church, Worcestershire, S.E.

Creator:: George Hollis, 1792–1842
Date:: 1822
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Foxhunting: The Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1822
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 26 13/16 inches (24.1 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Foxhunting: The Meet

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1822
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/16 × 26 7/8 inches (24 × 68.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge

Creator:: William Heath, 1795–1840
Date:: 1822
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Elevation of Buildings Fronting Westminster Hall

Creator:: Attributed to William Capon, 1757–1827
Date:: 1822
Materials & Techniques:: Graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/4 × 23 3/8 inches (33.7 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Olivia and Maria

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/16 × 9 1/16 inches (17.9 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Two Riders Seen from Behind, Oct. 10, 1822

Creator:: Sir David Wilkie, 1785–1841
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 11/16 × 7 7/8 inches (24.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Graphite on very thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 16 5/8 inches (27.9 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Near Twickenham

Creator:: Charles J. Hullmandel, 1789–1850
Date:: 1822
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Paradise Lost, Book V

Creator:: Print made by John Henry Robinson, 1796–1871
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 1/2 x 10 1/4in. (19.1 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

163. Paradise Lost, Book VI

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 x 11in. (20.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

164. The Castle of Isola, Italy

Creator:: Published by Rudolf Ackermann, 1764–1834
Date:: 1822
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

165. Imperial Riding School, St. Michael's Platz, Vienna

Creator:: Print made by H. Winkles, Active 1834–1840
Date:: 1822
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

166. An Elephant

Creator:: George Chinnery, 1774–1852
Date:: 1822
Materials & Techniques:: Pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 6 1/4in. (12.7 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Design for St. David, Pantasaph, Flintshire. East Elevation

Creator:: Thomas Henry Wyatt, 1807–1880
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:: Sheet: 6 9/16 × 5 3/8 inches (16.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Beinecke Rare Book and Manuscript Library

168. The Thames from Greenwich Park

Creator:: Engraved by William Bernard Cooke, 1778–1855
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Plate: 6 1/2 x 9 5/8in. (16.5 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. The New Petty Coat Administration

Creator:: Print made by William Heath, 1795–1840
Date:: ca. 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

170. Sailors on Shore at Navarino

Creator:: Print made by William Heath, 1795–1840
Date:: ca. 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

171. Druming Out. Or Making an Example of a Mutineer

Creator:: Print made by William Heath, 1795–1840
Date:: ca. 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

172. Winding Silk

Creator:: Print made by unknown artist
Date:: 1822
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

173. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

174. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 1/8 inches (18.3 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Morning Ride

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1823
Materials & Techniques:: Graphite and watercolor on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Shakespeare

Date:: 1822
Materials & Techniques:: Stipple engraving and etching on wove paper
Dimensions:: Sheet: 8 3/8 × 5 1/4 inches (21.3 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

184. West Front of Thornbury Catle, Gloucestershire

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. South West View of Thornbury Castle, Gloucestershire

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. North View of Thornbury Castle, Gloucestershire

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. South View of Thornbury Castle, Gloucestershire

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Design for a Monument for the North British Insurance Company

Creator:: Richard Corbould, 1757–1831
Date:: ca. 1827
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

191. Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1822
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 x 15 inches (20.6 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Round Tower, Castle of Lillebonne, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1822
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 8 5/8 inches (27.3 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Coast Scene with a Castle

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: ca. 1827
Materials & Techniques:: Brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 11 5/8 inches (22.9 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. The Corinthian Order

Creator:: Edward Walhouse Mark, 1817–1895
Date:: undated
Materials & Techniques:: Gray wash, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 13 1/4 inches (53.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. The Composite Order

Creator:: Edward Walhouse Mark, 1817–1895
Date:: undated
Materials & Techniques:: Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 × 13 5/16 inches (54 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. The Lecture

Creator:: Print made by unknown artist
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

197. The Invasion, Plate 1: France

Creator:: Print made by unknown artist
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

198. Adventures of a Ventriloquist

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Colored etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Fry Print Collection

199. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. The Ionic Order, after Palladio

Creator:: Edward Walhouse Mark, 1817–1895
Date:: undated
Materials & Techniques:: Gray washes, yellow watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 13 1/4 inches (53.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1822

Search Results

101. Isabella and Mariana Kneeling Before the Duke

102. Twelfth Night

103. Tempest

104. A Gypsy, Encampment

105. Thomas Moore, Esq.

106. Clerks-Well

107. Interior of Salters Hall Meeting

108. Interior of the Royal Exchange, London

109. John Bunyan's Meeting House and the School connected therewith

110. Hornby Castle from Tatham Church

111. Heysham and Cumberland Mountains

112. Heriot's Hospital

113. Tantallon Castle

114. St. Agatha's Abbey, Easby

115. Merrick Abbey, Swaledale

116. Ingleborough, from Hornby Castle Terrace

117. Ruins Discovered at the Corner of Whitcomb Street 1821

118. The Gipsy Encampment

119. Lambeth Palace

120. Samuel Johnson with biography

121. Francis Chantrey, Esq. R. A.

122. Sir George Hayter

123. Fox-Hunting [set of three of four]: 4.The Death

124. Fox-Hunting [set of three of four]: 2.The find

125. Shooting [a pair]: 2. Evening of the First of September

126. Shooting [set of six]: 2. Pheasant Shooting

127. Shooting [set of six]: 3. Grouse Shooting

128. Shooting [set of six]: 6. Packing up

129. Gorleston, Suffolk

130. Westminster Abbey from Pimlic

131. Untitled: Shakspeare

132. Mr. Wilkinson as Michael in Free & Easy

133. Frauen Capelle, Haupt Markt

134. Ulm Cathedral

135. St. Stephan's Dom-Kirche, from Stock Am Eisen, Vienna

136. St. Stephan's Dom-Kirche, Vienna

137. Illustration for 'Spenser'

138. Fallow Deer

139. Rumping - Kicking and Kissing - or - Cutting off the Privy Purse ---

140. Fox-Hunting [set of three of four]: 1.Unkennelling

141. Shooting [set of six]: 1. Partridge Shooting

142. Shooting [a pair]: 1. Morning of the first of September

143. Stage Coach

144. The Hampshire Hunt

145. Snipe Shooting

146. Grouse Shooting

147. Pheasant Shooting

148. Marriage a la Mode: Scene with the Quack

149. Trees and Cottage

150. Quae Genus on his Journey to London

151. Ombersley Church, Worcestershire, S.E.

152. Foxhunting: The Start

153. Foxhunting: The Meet

154. Partridge Shooting

155. A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge

156. Elevation of Buildings Fronting Westminster Hall

157. Olivia and Maria

158. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

159. Two Riders Seen from Behind, Oct. 10, 1822

160. Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.

161. Near Twickenham

162. Paradise Lost, Book V

163. Paradise Lost, Book VI

164. The Castle of Isola, Italy

165. Imperial Riding School, St. Michael's Platz, Vienna

166. An Elephant

167. Design for St. David, Pantasaph, Flintshire. East Elevation

168. The Thames from Greenwich Park

169. The New Petty Coat Administration

170. Sailors on Shore at Navarino

171. Druming Out. Or Making an Example of a Mutineer

172. Winding Silk

173. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

174. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

175. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil