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Collection
Prints and Drawings
65
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
28
Unknown artist
7
Dubourg, Matthew, active 1786–1838
6
Batty, Robert, 1788 or 1789–1848
5
Arnald, George, 1763–1841
4
Goodall, Edward, 1795–1870
4
Middiman, Samuel, ca. 1750–1831
4
Pollard, James, 1792–1867
4
Watson, Jonathan, 1820–1847
4
Cooke, George, 1781–1834
3
Cooke, William Bernard, 1778–1855
3
Heath, William, 1795–1840
3
Hogarth, William, 1697–1764
3
Jones, & Co., active 1822–1850
3
Le, Keux Henry, 1787–1868
3
Smith, William R., active 1819–1851
3
Ackermann, Rudolph, 1764–1834
2
Bowyer, Robert, 1758–1834
2
Heath, Charles, 1785–1848
2
Le, Keux John, 1783–1846
2
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Creator
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Date
1834
506
1835
282
1833
261
1800
259
1546
247
1827
240
1782
232
1789
232
1830
213
1836
204
1795
185
1630
181
1797
179
1793
174
1799
156
1826
152
1808
151
1792
148
1802
142
1794
141
1837
135
1832
125
1803
123
1780
119
1828
114
1818
111
1811
109
1859
109
1807
108
1814
108
1788
107
1812
107
1790
106
1820
105
1816
101
1999
97
1745
96
1755
96
1783
96
1775
95
1809
95
1784
94
1778
93
1791
93
2000
93
1779
92
1785
92
1825
92
1831
91
1776
90
1810
90
1850
90
1796
88
1674
85
1823
85
1700
83
1798
82
1838
80
1770
78
1786
78
1787
78
1773
77
0
75
1781
74
1819
74
1762
73
1769
73
1771
72
1772
72
1824
71
1806
70
1813
70
1739
69
1667
68
1765
68
1801
68
1821
68
1738
66
1550
65
1750
65
1822
[remove]
65
1896
65
1735
63
1777
62
1675
60
1768
58
1839
57
1751
56
1804
54
1805
54
1925
54
1990
54
1754
53
1829
53
1916
53
1774
52
1817
52
1756
51
1729
48
1897
48
On-site Access
Accessible in the Study Room
65
Image Use
Free to Use
63
Under Certain Circumstances
2
Image Available
Available
59
Unavailable
6
Classification
Prints
65
Creator Gender
male
62
unknown
7
Collective Title
Whitaker's History of Richmondshire
11
Provincial Antiquities and Picturesque Scenery of Scotland
9
Cooke's Picturesque Views of the Southern Coast of England
3
Picturesque Views in England and Wales
1
Period
19th century
65
Materials & Techniques
wove paper
52
etching (printing process)
37
line engraving
30
chine collé
18
hand coloring
10
laid paper
6
aquatint
5
watercolor
5
mezzotint
4
stipple engraving
3
brown ink
2
graphite
2
engraver's proof
1
engraving (printing process)
1
touched proof
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
81
Unknown
4
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
0
to
93
Unknown
4
Work Type
intaglio print
[remove]
65
Genre
landscape
31
architectural subject
20
genre subject
12
marine art
8
animal art
6
cityscape
6
sporting art
5
historical subject
3
portrait
3
military art
2
Subject Terms
architectural subject
11
river
11
castle
9
genre subject
9
landscape
9
landscape (representation)
9
marine art
9
trees
8
costume
7
sea
7
cityscape
6
hills
6
men
6
animal art
5
breeches (trousers)
5
church
5
hunting
5
mountains
5
sporting art
5
abbey
4
more
Subject Terms
»
Associated Places
United Kingdom
16
England
13
North Sea
7
Europe
5
Scotland
5
Forth
4
Forth, Firth of
4
Hornby
4
Hornby Castle
4
Lancashire
4
Meuse
4
North Berwick
4
North Yorkshire
4
Tantallon Castle
4
Tatham
4
Wenning
4
Belgium
3
Foreness Point
3
Kent
3
Margate
3
more
Associated Places
»
Associated People
George IV (1762–1830), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Hayter, George (1792–1871), British painter and printmaker
1
Hope, John, fourth earl of Hopetoun (1765–1823), army officer
1
Wilkinson, Tate (1739–1803), actor and theatre manager
1
Exhibition History
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Sir George Hayter and Victorian History Paintings (The Art Museum Princeton, 1995-02-04 - 1995-04-15)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
42
Yale Center for British Art; Yale University Art Gallery Collection
10
Yale Center for British Art, Paul Mellon Fund
5
Yale Center for British Art, Gift of Godfrey Pearlson
3
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
1
Yale Center for British Art, Gift of David M. Doret
1
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
1
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Date
1822
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intaglio print
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Search Results
1
Anker Smith, 1759–1819
Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action
1822
2
Charles Turner, 1774–1857
Coronation of King George IV in Westminster Abbey
1822
3
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
4
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1822
5
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
6
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
7
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
8
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
9
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
10
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
11
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
12
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
13
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
14
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
15
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
16
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
17
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
18
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
19
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
20
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
21
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
22
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1822
23
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
24
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
25
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
26
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
27
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
28
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
29
Print made by George Cooke, 1781–1834
Crichton Castle
1822
30
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
31
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
32
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
33
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
34
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
35
Bartholomew Howlett, 1767–1827
North Front of Bedford House, Bloomsbury Square
1822
36
unknown artist
A Ground Plan of Bermondsey Abbey
1822
37
unknown artist
View of the Bank of England
1822
38
Print made by Charles Mottram, 1807–1876
Marriage a la Mode: Scene with the Quack
undated
39
Charles Turner, 1774–1857
The Hampshire Hunt
1822
40
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
41
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
42
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
43
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
44
Sir George Hayter, 1792–1871
Sir George Hayter
1822
45
Print made by Robert Cooper, active ca. 1800–1836
Mr. Wilkinson as Michael in Free & Easy
1822
46
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
47
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
48
Print made by William Tombleson, ca.1795–1835
Frauen Capelle, Haupt Markt
1822
49
Print made by William Woolnoth, active 1806–1830
Ulm Cathedral
1822
50
Print made by William Tombleson, ca.1795–1835
St. Stephan's Dom-Kirche, Vienna
1822
51
Print made by unknown artist
Illustration for 'Spenser'
1822
52
Print made by Samuel Howitt, 1756–1822
Fallow Deer
1822
53
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
54
Print made by H. Winkles, Active 1834–1840
Imperial Riding School, St. Michael's Platz, Vienna
1822
55
Print made by Josiah Henshall, 1806–1869
St. Stephan's Dom-Kirche, from Stock Am Eisen, Vienna
1822
56
Print made by William Heath, 1795–1840
Druming Out. Or Making an Example of a Mutineer
ca. 1827
57
Print made by William Heath, 1795–1840
The New Petty Coat Administration
ca. 1827
58
Print made by William Heath, 1795–1840
Sailors on Shore at Navarino
ca. 1827
59
Print made by unknown artist
Winding Silk
1822
60
Abraham Raimbach, 1784–1868
Blind-Man's Bluff
1822
61
Print made by unknown artist
The Lecture
undated
62
Print made by unknown artist
The Invasion, Plate 1: France
undated
63
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, King George IV
1822
64
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
65
Print made by William Walker, 1791–1867
John, Earl of Hopetoun
1822