Design for the Mechanics' Institution, Basingstoke: Elevation
undated
17
Aaron Edwin Penley, 1807–1870
River Landscape
undated
18
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
19
Henry Morton, ca. 1807–1825
Winchelsea Castle
undated
20
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
21
unknown artist
Heidelberg
1822
22
Joseph Nash, 1808–1878
Fashionable Men and Women Conversing
ca. 1827
23
Joseph Nash, 1808–1878
Street Activity
ca. 1827
24
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
25
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
26
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
27
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
28
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
29
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
30
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
31
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
32
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
33
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
34
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
35
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
36
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
37
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
38
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
39
Robert Smirke, 1752–1845
Olivia and Maria
1822
40
John Buckler FSA, 1770–1851
South West View of Thornbury Castle, Gloucestershire
1822
41
John Buckler FSA, 1770–1851
West Front of Thornbury Catle, Gloucestershire
1822
42
John Buckler FSA, 1770–1851
South View of Thornbury Castle, Gloucestershire
1822
43
John Buckler FSA, 1770–1851
North View of Thornbury Castle, Gloucestershire
1822
44
John Buckler FSA, 1770–1851
South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart
1822
45
John Buckler FSA, 1770–1851
South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart
1822
46
John Sell Cotman, 1782–1842
Round Tower, Castle of Lillebonne, Normandy
1822
47
imitator of John Sell Cotman, 1782–1842
Coast Scene with a Castle
ca. 1827
48
Richard Corbould, 1757–1831
Design for a Monument for the North British Insurance Company
ca. 1827
49
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
50
George Chinnery, 1774–1852
An Elephant
1822
51
John Sell Cotman, 1782–1842
Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy
1822
52
Thomas Henry Wyatt, 1807–1880
Design for St. David, Pantasaph, Flintshire. East Elevation