Date: 1821 - YCBA Collections Search Search Results

1. Fire in London, Seen from Hampstead

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1826
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 3 3/4 x 6 inches (9.5 x 15.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Study of Hollyhocks

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1826
Materials & Techniques:: Oil on board
Dimensions:: 9 1/2 x 7 inches (24.1 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

4. Cloud Study, Early Morning, Looking East from Hampstead

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 5 3/4 x 12 3/4 inches (14.6 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Cloud Study with Trees

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 6 3/4 × 12 inches (17.1 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 8 3/8 × 11 1/2 inches (21.3 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Hampstead Heath looking towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821 to 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Parham Mill, Gillingham

Creator:: John Constable, 1776–1837
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 23 3/4 inches (50.2 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Erechtheum, Athens, with Figures in the Foreground

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 26 3/8 x 35 1/4 inches (67 x 89.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Bologna

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Oil on paper, laid on canvas
Dimensions:: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. A View of Trajan's Forum, Rome

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 24 3/8 × 20 1/8 inches (61.9 × 51.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

15. An Unknown Man

Creator:: Peter Turnerelli, 1774–1839
Date:: 1821
Materials & Techniques:: Marble
Dimensions:: Overall: 22 x 13 1/2 x 9 1/2 inches (55.9 x 34.3 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Robert Stewart, Viscount Castlereagh

Creator:: Sir Francis Leggatt Chantrey, 1781–1841
Date:: 1821
Materials & Techniques:: Marble
Dimensions:: Overall: 30 x 22 x 8 1/4 inches (76.2 x 55.9 x 21 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. William Howley, Bishop of London (1766-1848)

Creator:: Sir Francis Leggatt Chantrey, 1781–1841
Date:: 1821
Materials & Techniques:: Marble
Dimensions:: Overall: 23 × 13 1/2 × 10 1/2 inches (58.4 × 34.3 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

19. Harvest under a Crescent Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: ca. 1826
Materials & Techniques:: Wood engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Thenot Remonstrates with Colinet; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Colinet Rests by a Stream at Night; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Thenot and Colinet at Supper; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Blighted Corn; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Sabrina's Silvery Flood; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Illustrations of Eclogue I, Introductory, The Giant Polypheme

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Theocritus

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Epicurus

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Caius Julius Cæsar

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Illustrations of Imitation of Eclogue I, Page 15

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Illustrations of Imitation of Eclogue I, Page 16

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Illustrations of Imitation of Eclogue I, Page 17

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Illustrations of Imitation of Eclogue I, Page 14

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Illustrations of Imitation of Eclogue I, Page 18

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. From Antique Coins

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Octavius Augustus Cæsar

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

Creator:: Wood blocks engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Seventeen electrotypes taken from the original wood-engraved blocks, each in a small folio with letterpress text on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Illustrations of Imitation of Eclogue I, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Publius Virgilius Maro

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Right Honorable George Lord Anson

Creator:: James McArdell, ca. 1729–1765
Date:: 1821
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 11 x 14 7/8in. (27.9 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

53. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Creator:: Print made by John W. Gear, 1806–1866
Date:: undated
Materials & Techniques:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 9/16 inches (26.2 x 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. The Celebrated Wooden Bridge across the Delaware at Trenton

Creator:: Charles Augustus Busby, 1788–1834
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown ink with brown wash and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Anne Page and Slender

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 4 7/16 inches (18.8 x 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Three Swords

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Watercolor, (As issued (colored by hand)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. St. Pancras New Church

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 9 3/4 x 7 1/4in. (24.8 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plan of Westminster Abbey and Environs for the Coronation of George IV

Creator:: James Wyld, 1790–1836
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

60. The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Part of the Choir wiith the remains of the South Transept of St. Barts the Great

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 5/16 x 10 3/16in. (31.3 x 25.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 13 1/4in. (41.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Interior of Salters Hall Meeting

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: 1821
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Address to Her Majesty Queen Caroline Presented at Brandenburgh House, 30th October 1820

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Exhibition Somerset House Tom and Bob

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 4 3/4 x 7in. (12.1 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A View of Somerset House

Creator:: Robert Havell, 1769–1832
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Country Squire taking a peep at Charley's Theatre Westminster

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Edinbourgh vu de la Chapelle S. Antoine

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Les Pendus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 8 3/8 inches (17.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Stephano and Trinculo with Caliban

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown wash with gouache and oil over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 x 4 1/4 inches (15.2 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Katherina and Grumio

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Ford in a Rage After Seeing Falstaff

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Master William Page and Sir Hugh Evans

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 11 5/8 inches (43.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 x 7 1/2 inches (27.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. St. Pancras New Church

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 1/4 x 7 1/2in. (26 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Admission Card to the Coronation of George IV

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Embossed engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

88. Thatched Cottage near Henley

Creator:: John Baverstock Knight, 1785–1859
Date:: 1821
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Prospero and Ariel

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 4 3/4 inches (15 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Punch

Creator:: Print made by Rowney & Forster, active 1820–1822
Date:: after 1821
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 13/16 × 12 9/16 inches (22.4 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Vue de Charing Cross a Londres

Creator:: Charles H. Onghena, 1806–1886
Date:: undated
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Gate-Way of the Bloody Tower

Creator:: Frederick Nash, 1782–1856
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Interior of the Fives Court, with Randall, and Turner Sparring

Creator:: Charles Turner, 1774–1857
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 22 7/8 x 31 5/8in. (58.1 x 80.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Parish of Christ Church, Surrey

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 inches (32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1821
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 12 1/4 inches (27 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1821

Search Results

1. Fire in London, Seen from Hampstead

2. Study of Hollyhocks

3. Hampstead Heath Looking Towards Harrow

4. Cloud Study, Early Morning, Looking East from Hampstead

5. Cloud Study with Trees

6. Cloud Study

7. Cloud Study

8. Cloud Study

9. Hampstead Heath looking towards Harrow

10. Parham Mill, Gillingham

11. The Erechtheum, Athens, with Figures in the Foreground

12. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

13. Bologna

14. A View of Trajan's Forum, Rome

15. An Unknown Man

16. Robert Stewart, Viscount Castlereagh

17. William Howley, Bishop of London (1766-1848)

18. Ship in a Storm

19. Harvest under a Crescent Moon

20. At Hailsham, Sussex: a Storm Approaching

21. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

22. Thenot Remonstrates with Colinet; Imitation of Eclogue I

23. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

24. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

25. Colinet Rests by a Stream at Night; Imitation of Eclogue I

26. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

27. Thenot and Colinet at Supper; Imitation of Eclogue I

28. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

29. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

30. The Blighted Corn; Imitation of Eclogue I

31. Sabrina's Silvery Flood; Imitation of Eclogue I

32. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

33. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

34. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

35. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

36. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

37. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

38. Illustrations of Eclogue I, Introductory, The Giant Polypheme

39. Theocritus

40. Epicurus

41. Caius Julius Cæsar

42. Illustrations of Imitation of Eclogue I, Page 15

43. Illustrations of Imitation of Eclogue I, Page 16

44. Illustrations of Imitation of Eclogue I, Page 17

45. Illustrations of Imitation of Eclogue I, Page 14

46. Illustrations of Imitation of Eclogue I, Page 18

47. From Antique Coins

48. Octavius Augustus Cæsar

49. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

50. Illustrations of Imitation of Eclogue I, Frontispiece

51. Publius Virgilius Maro

52. The Right Honorable George Lord Anson

53. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

54. The Celebrated Wooden Bridge across the Delaware at Trenton

55. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

56. Anne Page and Slender

57. The Three Swords

58. St. Pancras New Church

59. Plan of Westminster Abbey and Environs for the Coronation of George IV

60. The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey

61. Part of the Choir wiith the remains of the South Transept of St. Barts the Great

62. A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great

63. Interior of Salters Hall Meeting

64. Address to Her Majesty Queen Caroline Presented at Brandenburgh House, 30th October 1820

65. Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820

66. Exhibition Somerset House Tom and Bob

67. A View of Somerset House

68. The Country Squire taking a peep at Charley's Theatre Westminster

69. Edinbourgh vu de la Chapelle S. Antoine

70. Les Pendus

71. Ferdinand Reunited with his Father

72. Stephano and Trinculo with Caliban

73. Katherina and Grumio

74. Christopher Sly and the Page, as His Wife

75. Ford in a Rage After Seeing Falstaff