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101. Ship and Cutter

Ship and Cutter
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; engraver's proof (b), 1873 impression on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Shields Lighthouse

Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. The Evening Gun

The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint with scraping; touched engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 7 1/2 × 9 7/8 inches (19 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Shields Lighthouse

Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; trial proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. A Sea Piece - A Rough Sea with a Fishing Boat

A Sea Piece - A Rough Sea with a Fishing Boat
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1830
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Study for a Destroying Deity

Study for a Destroying Deity
Creator:
William Blake, 1757–1827
Date:
1820 to 1825
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

107. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

108. Church of L'Ery, near Pont-de-l'Arche

Church of L'Ery, near Pont-de-l'Arche
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

109. Fisherman by a Boat with a Dog

Fisherman by a Boat with a Dog
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

110. Seran Raja's Palace

Seran Raja's Palace
Creator:
Print made by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint with hand coloring in watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 29 inches (54 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

111. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Bodmin Moor

Bodmin Moor
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Dr. Syntax Bound to a Tree by Highwaymen

Dr. Syntax Bound to a Tree by Highwaymen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Dr Syntax Meditating on the Tombstones

Dr Syntax Meditating on the Tombstones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. View of Lambeth Palace on Thames

View of Lambeth Palace on Thames
Creator:
David Cox, 1783–1859
Date:
between 1820 and 1829
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper
Dimensions:
Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Albany Street, Regents Park

Albany Street, Regents Park
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:
Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Domfront, Looking to the South East

Domfront, Looking to the South East
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 x 16 1/2 inches (28.3 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Yarmouth Sands, Norfolk

Yarmouth Sands, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1820 to 1830
Materials & Techniques:
Watercolor, gouache, graphite, and scraping out on medium smooth cream wove paper
Dimensions:
Sheet: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Ruin of a Norman Church

Ruin of a Norman Church
Creator:
after John Sell Cotman, 1782–1842
Date:
ca. 1825
Materials & Techniques:
Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. A View of London taken from Greenwich Park

A View of London taken from Greenwich Park
Creator:
Engraved by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 10 3/8 x 14in. (26.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Fort Candelaria, Tenerife

Fort Candelaria, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

The Convent and Part of the Town of Candelaria, on the south side of Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:
Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Brown wash and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Huckster of Port Orotava, Tenerife

Huckster of Port Orotava, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
ca. 1825
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Upnor Lodge

Upnor Lodge
Creator:
Mary Smirke, 1779–1853
Date:
1820
Materials & Techniques:
Watercolor, ink, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Mademoiselle Rose Nue, Vue de Dos

Mademoiselle Rose Nue, Vue de Dos
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1820
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

128. Woolwich

Woolwich
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
between 1820 and 1835
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/16 x 7 11/16 inches (16.1 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable

129. Rouen, from la Haute Vieille Tour

Rouen, from la Haute Vieille Tour
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

130. Provincial Actors on their Route

Provincial Actors on their Route
Creator:
Print made by Theodore Lane, 1800–1828
Date:
ca. 1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

131. On the Canal, Regent's Park

On the Canal, Regent's Park
Creator:
Print made by George Harley, 1791–1871
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

132. Young Woman with Coral Necklace and Crucifix

Young Woman with Coral Necklace and Crucifix
Creator:
Anne Mee, ca. 1760–1851
Date:
ca. 1825
Materials & Techniques:
Watercolor on ivory
Dimensions:
Overall: 3 1/8 × 2 1/2 × 1/4 inches (7.9 × 6.4 × 0.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

133. Rome from Monte Testaccio

Rome from Monte Testaccio
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Unknown Wed Couple, possibly Newcastle

Unknown Wed Couple, possibly Newcastle
Creator:
Print made by unknown artist
Date:
1820
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

135. Clifden, Connemara

Clifden, Connemara
Creator:
Print made by Robert Brandard, 1805–1862
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

136. The Monument

The Monument
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

137. The Vulture Landing Despatches at Dantzic

The Vulture Landing Despatches at Dantzic
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

138. View of the Site of the Monastery of the Simplon, & of Mount Rosa

View of the Site of the Monastery of the Simplon, & of Mount Rosa
Creator:
Print made by unknown artist
Date:
1820
Materials & Techniques:
Color-printed aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

139. William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon.

William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon.
Creator:
William Finden, 1787–1852
Date:
1820
Materials & Techniques:
Engraving with chine collé on wove paper
Dimensions:
Image: 3 7/8 x 3 1/8in. (9.8 x 7.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

140. Dr. Syntax Attends the Execution

Dr. Syntax Attends the Execution
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Rouen, from Mont Sainte Catherine

Rouen, from Mont Sainte Catherine
Creator:
Print made by Charles Heath, 1785–1848
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

142. Dieppe

Dieppe
Creator:
Print made by Charles Heath, 1785–1848
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

143. Sèvres

Sèvres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

144. Warwick Castle, The Seat of the Rt. Honble. the Earl of Warwick

Warwick Castle, The Seat of the Rt. Honble. the Earl of Warwick
Creator:
Print made by John J. Hinchliff, 1805–1875
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

145. Dr. Syntax and his Counterpart

Dr. Syntax and his Counterpart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:
Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Eugene Galleries, Inc.

146. Rasselas, Prince of Abyssinia

Rasselas, Prince of Abyssinia
Creator:
Samuel Freeman, 1773–1857
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 x 3 3/4in. (15.2 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

147. Samuel Johnson

Samuel Johnson
Creator:
Samuel Freeman, 1773–1857
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 x 12in. (43.2 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

148. View of the Coronation Procession of George IV

View of the Coronation Procession of George IV
Creator:
unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Plan of the Old Parliament Houses, Westminster

Plan of the Old Parliament Houses, Westminster
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:
Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Riding [a pair]: 2. Tilbury Fort.

Riding [a pair]: 2. Tilbury Fort.
Creator:
Edward Hull, 1810–1877
Date:
1820
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 9 1/2 x 14 1/4in. (24.1 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Frontispiece to Rasselas' Tale by Dr. Johnson

Frontispiece to Rasselas' Tale by Dr. Johnson
Creator:
John Romney, 1786–1863
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 3/4 x 3 3/4in. (14.6 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

153. Mrs. W. West as Cordelia

Mrs. W. West as Cordelia
Creator:
Print made by Thomas A. Woolnoth, 1785–1857
Date:
1820
Materials & Techniques:
Stipple engraving on medium cream slithtly textured wove paper
Dimensions:
Overall: 6 3/8 × 3 3/4 inches (16.2 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

154. Saint Lo

Saint Lo
Creator:
David Roberts, 1796–1864
Date:
ca. 1825
Materials & Techniques:
Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Traders and a Warship in Coastal Waters

Traders and a Warship in Coastal Waters
Creator:
George Chambers, 1803–1840
Date:
between 1820 and 1840
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 x 12 1/4 inches (22.9 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

156. An Album of 17 Views of Erlestoke House, Park and Surroundings

An Album of 17 Views of Erlestoke House, Park and Surroundings
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Graphite and wash, or graphite and watercolor, or graphite, pen and ink and watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Errand Boy Asleep in a Church

Errand Boy Asleep in a Church
Creator:
circle of John Sell Cotman, 1782–1842
Date:
ca. 1825
Materials & Techniques:
Watercolor over graphite on medium slightly textured cream wove paper
Dimensions:
Sheet: 9 3/8 x 11 3/8 inches (23.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Seated Girl Holding a Stick

Seated Girl Holding a Stick
Creator:
Joshua Cristall, 1768–1847
Date:
1820
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 3 5/8 inches (14.9 x 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1825
Materials & Techniques:
Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

160. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Douvres Church, Normandy

Douvres Church, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/2 x 9 3/8 inches (36.8 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Notre Dame sur l'Eau, Domfront, Normandy

Notre Dame sur l'Eau, Domfront, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 16 1/4 inches (26 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. The Barons' Hall, Mont Saint Michel

The Barons' Hall, Mont Saint Michel
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 16 1/4 inches (23.8 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Panorama Old London Bridge

Panorama Old London Bridge
Creator:
David Cox, 1783–1859
Date:
1820s
Materials & Techniques:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 30 1/8 inches (19.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Summer Landscape

Summer Landscape
Creator:
Lionel Constable, 1828–1887
Date:
ca. 1825
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
Creator:
Print made by Alfred Adlard, 1803–1869
Date:
1820
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 19 3/4 inches (26.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

167. Breadnut (Artocarpus camansi)

Breadnut (Artocarpus camansi)
Creator:
Unknown artist (Company style)
Date:
ca. 1825
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 19 1/4 inches (38.1 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

168. Study for Quay at Straddon Point Near Plymouth

Study for Quay at Straddon Point Near Plymouth
Creator:
William Daniell, 1769–1837
Date:
ca. 1825
Materials & Techniques:
Brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

169. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Creator:
Joshua Cristall, 1768–1847
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Bantam Cock and Farmpails

Bantam Cock and Farmpails
Creator:
James Sowerby, 1756–1822
Date:
1820
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 8 7/8 inches (38.7 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Boat Building on the Teign

Boat Building on the Teign
Creator:
Samuel Lucas, 1805–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 18 1/8 inches (23.8 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

172. In the American Garden

In the American Garden
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Erlestoke House and Park

Erlestoke House and Park
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 13 5/16 inches (24.8 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Erlestoke House and Park

Erlestoke House and Park
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor, with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 7 inches (10.8 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Greenwich

Greenwich
Creator:
David Cox, 1783–1859
Date:
between 1820 and 1829
Materials & Techniques:
Watercolor with scratching out on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 x 11in. (19.4 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Mr. Howard's Large Oak, August 5, 1820

Mr. Howard's Large Oak, August 5, 1820
Creator:
James Ward, 1769–1859
Date:
1820
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 5/8 inches (11.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Erlestoke House and Park

Erlestoke House and Park
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and brown ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 5/16 × 7 inches (11 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Erlestoke Park

Erlestoke Park
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Gray wash, blue wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Jedburgh Parish Church

Jedburgh Parish Church
Creator:
Thomas Henry Wyatt, 1807–1880
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Mother and Child

Mother and Child
Creator:
Sir David Wilkie, 1785–1841
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

181. William Mason

William Mason
Creator:
Alfred William Warren, active 1791–1809
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

182. The Inheritance

The Inheritance
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. The Night House

The Night House
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. The Betting Booth

The Betting Booth
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. The Gambling House

The Gambling House
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. The First Party

The First Party
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. The Mess Room

The Mess Room
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. The Usurer

The Usurer
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. The Sick Room

The Sick Room
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. The Duel

The Duel
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Bow Street...

Bow Street...
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

192. Tom Getting the best of a Charley

Tom Getting the best of a Charley
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

193. Bridport, Dorsetshire

Bridport, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Bridport, Dorsetshire

Bridport, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Fowey, Cornwall

Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Fowey, Cornwall

Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Fowey, Cornwall

Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Lulworth Castle, Dorsetshire

Lulworth Castle, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. A Maiden Lady and her Family

A Maiden Lady and her Family
Creator:
Print made by unknown artist
Date:
between 1820 and 1840
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 8 7/8 inches (29.2 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. The Revolutionaire: Single Corvette

The Revolutionaire: Single Corvette
Creator:
Joseph Cartwright, c.1789–1829
Date:
1820
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 14 7/8 × 16 7/8 inches (37.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection