Date: 1820 - YCBA Collections Search Search Results

101. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

103. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

104. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

105. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (a) on medium, slightly textured, cream laid paper mounted to board
Dimensions:: Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

106. Study for a Destroying Deity

Creator:: William Blake, 1757–1827
Date:: 1820 to 1825
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Beach Scene

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Watercolor with scraping out on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/8 inches (13.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. A Study for the Central Character in Ward's Painting "The Deer Stealer"

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. John Gilpin in the Uxbridge Passage Boat

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, blue wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. A View of London from Highgate

Creator:: George Barret Jr., 1767–1842
Date:: 1820
Materials & Techniques:: Watercolor over graphite with scraping and gum on thick, smooth, cream card
Dimensions:: Sheet: 20 1/2 × 32 1/8 inches (52.1 × 81.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Near Broadstairs

Creator:: William J. Blacklock, 1805–1858
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

Creator:: James Ward, 1769–1859
Date:: 1820 to 1830
Materials & Techniques:: Black chalk and white chalk on medium, slightly texture, brown wove paper mounted moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 3/4 inches (13 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Design for Grosvenor Bridge, Chester

Creator:: Thomas Harrison, 1744–1829
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. St. Jacques, Dieppe

Creator:: Henry William Burgess, active 1809–1860
Date:: 1820
Materials & Techniques:: Watercolor, pen and brown ink, black ink, green ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Valle Crucis Abbey, Denbighshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 20 5/8 inches (37.1 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Moonlit Landscape with a Ruined Castle

Creator:: John Martin, 1789–1854
Date:: between 1820 and 1830
Materials & Techniques:: Gray wash, brown wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. In the American Garden

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Greenwich

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor with scratching out on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11in. (19.4 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Mother and Child

Creator:: Sir David Wilkie, 1785–1841
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

121. Jedburgh Parish Church

Creator:: Thomas Henry Wyatt, 1807–1880
Date:: undated
Materials & Techniques:: Graphite with pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. The Revolutionaire: Single Corvette

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 14 7/8 × 16 7/8 inches (37.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

123. Greenwich Hospital from Woolwich Reach

Creator:: David Cox, 1783–1859
Date:: 1820s
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/4 inches (14.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. William Short

Creator:: John Linnell, 1792–1882
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 7 1/4 inches (24.8 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Still Life with a Ginger Jar

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 7 inches (10.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/16 × 7 inches (11 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Erlestoke Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Gray wash, blue wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 5/16 inches (24.8 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Boat Building on the Teign

Creator:: Samuel Lucas, 1805–1870
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 18 1/8 inches (23.8 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

132. Coast Scene with Figures

Creator:: Robert Brandard, 1805–1862
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 12 5/8 inches (15.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Preparatory drawing for The Waltz

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, red chalk, pen and black ink, brown wash, and graphite, squared for transfer on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Preparatory drawing for The Waltz

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Remains of Purton Hall, Staffordshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1820
Materials & Techniques:: Watercolor, graphite, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 3/8 inches (37.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

Creator:: Samuel Rawle, 1771–1860
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. A Maiden Lady and her Family

Creator:: Print made by unknown artist
Date:: between 1820 and 1840
Materials & Techniques:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 8 7/8 inches (29.2 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Her Majesty Queen Caroline Going in State to St. Paul's Cathedral, 20 November 1820

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 6 7/8 x 15 3/16in. (17.5 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Design for Hyde Park and St. James' Park Entrance

Creator:: Sir John Soane, 1753–1837
Date:: ca. 1826
Materials & Techniques:: Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Mr. Howard's Large Oak, August 5, 1820

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 5/8 inches (11.7 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Bantam Cock and Farmpails

Creator:: James Sowerby, 1756–1822
Date:: 1820
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 8 7/8 inches (38.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10in. (33 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. View of Watermans Hall, Cold Harbour, Upper Thames Street

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. View of the Building in Cato Street where the Conspirators were Discovered and Plan of the District

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. View of Cato Street

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Cato Street Conspiracy (no. 2)

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. York, the Old Bridge and St. William's Chapel

Creator:: Henry Cave, 1780–1836
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 19 x 26in. (48.3 x 66cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Advertisement for Part I of 'Views at Hastings'

Creator:: Engraved by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The First Party

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. The Betting Booth

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Gambling House

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. The Mess Room

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. The Duel

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. The Sick Room

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. The Inheritance

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Tom & Jerry sporting their blunt...

Creator:: George Cruikshank, 1792–1878
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

160. Bow Street...

Creator:: George Cruikshank, 1792–1878
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

161. Tom & Jerry in Trouble after a Spree

Creator:: George Cruikshank, 1792–1878
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

162. Tom & Jerry, Sporting their 'bits of blood'...

Creator:: George Cruikshank, 1792–1878
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

163. Midnight, Tom & Jerry at a Coffee Shop...

Creator:: George Cruikshank, 1792–1878
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

164. Tom Getting the best of a Charley

Creator:: George Cruikshank, 1792–1878
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

165. Haughton Court, Hanover, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Study for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1820
Materials & Techniques:: Watercolor with gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Rome from Monte Mario

Creator:: Print made by John Byrne, 1786–1847
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Frontispiece to Mr. Fawkes Catalogue

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1820
Materials & Techniques:: Soft-ground etching, and engraving on thin, smooth, beige wove paper
Dimensions:: Mount: 11 3/8 × 9 1/16 inches (28.9 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Christ Church from the Meadows

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: between 1820 and 1823
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Part of Balliol College Quadrangle

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1820
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Hurstmonceux Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Raby Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Etching and line engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Lulworth Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Minehead, Somersetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Minehead, Somersetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching with brown wash; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/4 inches (30.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Christ Church Cathedral and Part of Corpus Christi College

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1820
Materials & Techniques:: Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Edinburgh, from the Calton Hill

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Elevation of a Proposed Design for King's College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1825
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 16 × 39 inches (40.6 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Lyssons Estate, St. Thomas in the East, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Sketch of a Woman near a Cottage

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Study for Napoleon Bonaparte

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Study for Napoleon Bonaparte

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 9/16 × 4 inches (11.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Holland Estate, St. Thomas in the East, View from the Change of Air House

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Mill Yard, Holland Estate, St. Thomas in the East

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1820

Search Results

101. Barnard Castle

102. Gloucester Cathedral

103. Paestum

104. Shields Lighthouse

105. Ship in a Storm

106. Study for a Destroying Deity

107. The Parable of the Wise and Foolish Virgins

108. Beach Scene

109. A Study for the Central Character in Ward's Painting "The Deer Stealer"

110. John Gilpin in the Uxbridge Passage Boat

111. A View of London from Highgate

112. Near Broadstairs

113. Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."

114. Design for Grosvenor Bridge, Chester

115. St. Jacques, Dieppe

116. Valle Crucis Abbey, Denbighshire

117. Moonlit Landscape with a Ruined Castle

118. In the American Garden

119. Greenwich

120. Mother and Child

121. Jedburgh Parish Church

122. The Revolutionaire: Single Corvette

123. Greenwich Hospital from Woolwich Reach

124. William Short

125. Still Life with a Ginger Jar

126. Florence, from the Chiesa al Monte

127. Erlestoke House and Park

128. Erlestoke House and Park

129. Erlestoke Park

130. Erlestoke House and Park

131. Boat Building on the Teign

132. Coast Scene with Figures

133. Preparatory drawing for The Waltz

134. Preparatory drawing for The Waltz

135. Remains of Purton Hall, Staffordshire

136. The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

137. A Maiden Lady and her Family

138. Her Majesty Queen Caroline Going in State to St. Paul's Cathedral, 20 November 1820

139. Design for Hyde Park and St. James' Park Entrance

140. The Tenth Day of the Decameron

141. Mr. Howard's Large Oak, August 5, 1820

142. Bantam Cock and Farmpails

143. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

144. View of Watermans Hall, Cold Harbour, Upper Thames Street

145. View of the Building in Cato Street where the Conspirators were Discovered and Plan of the District

146. View of Cato Street

147. Cato Street Conspiracy (no. 2)

148. York, the Old Bridge and St. William's Chapel

149. Fitting out. - Plate 1

150. Advertisement for Part I of 'Views at Hastings'

151. Morning of the Gale, November 23 1824 in Catwater at Plymouth

152. The First Party

153. The Betting Booth

154. The Gambling House

155. The Mess Room

156. The Duel

157. The Sick Room

158. The Inheritance

159. Tom & Jerry sporting their blunt...

160. Bow Street...

161. Tom & Jerry in Trouble after a Spree

162. Tom & Jerry, Sporting their 'bits of blood'...

163. Midnight, Tom & Jerry at a Coffee Shop...

164. Tom Getting the best of a Charley

165. Haughton Court, Hanover, Jamaica

166. Study for "Reading the Will"

167. Rome from Monte Mario

168. Florence, from the Chiesa al Monte

169. Florence, from the Chiesa al Monte

170. Turin, from the Portico of the Superga Church

171. Frontispiece to Mr. Fawkes Catalogue

172. Christ Church from the Meadows

173. Part of Balliol College Quadrangle

174. Hurstmonceux Castle

175. Raby Castle, County of Durham