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Date 1820

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1. Paestum

Paestum
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1820 and 1826
Materials & Techniques:
Mezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
On view at YUAG
St. Michael's Mount
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint with white chalk; touched engraver's proof (b)
Dimensions:
Sheet: 8 7/16 x 10 15/16in. (21.4 x 27.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
Gloucester Cathedral
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched engraver's proof (a)
Dimensions:
Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
Ship in a Storm
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1820 and 1826
Materials & Techniques:
Mezzotint; artist's proof (a) on medium, slightly textured, cream laid paper mounted to board
Dimensions:
Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Gloucester Cathedral
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1820 and 1826
Materials & Techniques:
Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1820 and 1826
Materials & Techniques:
Mezzotint; artist's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Paestum

Paestum
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched trial proof on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ship in a Storm
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint, printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 20 inches (31.4 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Sea and Sky
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge and Monument
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint; 1872 impression on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ship and Cutter
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge and Monument
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ship and Cutter
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; engraver's proof (b), 1873 impression on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Evening Gun
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint with scraping; touched engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 7 1/2 × 9 7/8 inches (19 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shields Lighthouse
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint; trial proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Church of L'Ery, near Pont-de-l'Arche
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell
Seran Raja's Palace
Creator:
Print made by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint with hand coloring in watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 29 inches (54 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
A View of London taken from Greenwich Park
Creator:
Engraved by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 10 3/8 x 14in. (26.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Woolwich

Woolwich
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
between 1820 and 1835
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/16 x 7 11/16 inches (16.1 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable
Rouen, from la Haute Vieille Tour
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Provincial Actors on their Route
Creator:
Print made by Theodore Lane, 1800–1828
Date:
ca. 1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
On the Canal, Regent's Park
Creator:
Print made by George Harley, 1791–1871
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Rome from Monte Testaccio
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unknown Wed Couple, possibly Newcastle
Creator:
Print made by unknown artist
Date:
1820
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Clifden, Connemara
Creator:
Print made by Robert Brandard, 1805–1862
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Monument
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Vulture Landing Despatches at Dantzic
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
View of the Site of the Monastery of the Simplon, & of Mount Rosa
Creator:
Print made by unknown artist
Date:
1820
Materials & Techniques:
Color-printed aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon.
Creator:
William Finden, 1787–1852
Date:
1820
Materials & Techniques:
Engraving with chine collé on wove paper
Dimensions:
Image: 3 7/8 x 3 1/8in. (9.8 x 7.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Rouen, from Mont Sainte Catherine
Creator:
Print made by Charles Heath, 1785–1848
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

35. Dieppe

Dieppe
Creator:
Print made by Charles Heath, 1785–1848
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

36. Sèvres

Sèvres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Warwick Castle, The Seat of the Rt. Honble. the Earl of Warwick
Creator:
Print made by John J. Hinchliff, 1805–1875
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Dr. Syntax and his Counterpart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:
Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Eugene Galleries, Inc.
Rasselas, Prince of Abyssinia
Creator:
Samuel Freeman, 1773–1857
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 x 3 3/4in. (15.2 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert
Samuel Johnson
Creator:
Samuel Freeman, 1773–1857
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 x 12in. (43.2 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert
View of the Coronation Procession of George IV
Creator:
unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Riding [a pair]: 2. Tilbury Fort.
Creator:
Edward Hull, 1810–1877
Date:
1820
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 9 1/2 x 14 1/4in. (24.1 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece to Rasselas' Tale by Dr. Johnson
Creator:
John Romney, 1786–1863
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 3/4 x 3 3/4in. (14.6 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert
Mrs. W. West as Cordelia
Creator:
Print made by Thomas A. Woolnoth, 1785–1857
Date:
1820
Materials & Techniques:
Stipple engraving on medium cream slithtly textured wove paper
Dimensions:
Overall: 6 3/8 × 3 3/4 inches (16.2 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
Creator:
Print made by Alfred Adlard, 1803–1869
Date:
1820
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 19 3/4 inches (26.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
Mother and Child
Creator:
Sir David Wilkie, 1785–1841
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
William Mason
Creator:
Alfred William Warren, active 1791–1809
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
The Inheritance
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Night House
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Betting Booth
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gambling House
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Party
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mess Room
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Usurer
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sick Room
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Duel

The Duel
Creator:
George Dawe, 1781–1829
Date:
ca. 1825
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bow Street...
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Tom Getting the best of a Charley
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Bridport, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridport, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lulworth Castle, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Maiden Lady and her Family
Creator:
Print made by unknown artist
Date:
between 1820 and 1840
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 8 7/8 inches (29.2 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tom & Jerry sporting their blunt...
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Tom & Jerry in Trouble after a Spree
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Midnight, Tom & Jerry at a Coffee Shop...
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Tom & Jerry, Sporting their 'bits of blood'...
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
View of Cato Street
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cato Street Conspiracy (no. 3)
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cato Street Conspiracy (no. 2)
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the General Cemetary at Kensal Green
Creator:
unknown artist
Date:
1820 to 1850
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Queen's Trial in the House of Lords
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Building in Cato Street where the Conspirators were Discovered and Plan of the District
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North View of the Interior of Furnival's Inn
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Watermans Hall, Cold Harbour, Upper Thames Street
Creator:
Bartholomew Howlett, 1767–1827
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Brewery and Dwelling House belonging to Messrs. Calvert and Company
Creator:
Bartholomew Howlett, 1767–1827
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hornsey Middlesex
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
Creator:
Print made by John Franklin, c.1800–1868
Date:
ca. 1825
Materials & Techniques:
Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection
Notre Dame, Abbeville
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1820
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
The Hall, Bermondsey Abby
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 14 3/4 × 10 9/16 inches (37.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East View of the Gateway of Bermondsey Abby
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 10 1/16 × 12 inches (25.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Waterloo Bridge
Creator:
Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 15 1/4in. (29.8 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside of One of the Rooms Under the Hall, Bermondsey, Abbey
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 x 10in. (33 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A General View of the Remains of Bermondsey Abbey, Surry
Creator:
Bartholomew Howlett, 1767–1827
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/2 x 16 5/8in. (31.8 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside of the Hall, Bermondsey Abbey
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside of a Room and Saxon Ornaments of Bermondsey Abbey
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On Hounslow Heath, Outer Suburb, West
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1820
Materials & Techniques:
Etching on medium, slightly textured, peach wove paper
Dimensions:
Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bermondsey Abby
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 11 3/16 inches (35.6 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Representation of the Election of Members of Parliament for Westminster 1820
Creator:
Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 13/16 x 20 1/4in. (40.2 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southeast View of the Gateway of Bermondsey Abbey
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 x 11 15/16in. (25.4 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Facsimile from one of the Books of Indentures for the Foundation of King Henry VII's Chapel
Creator:
Bartholomew Howlett, 1767–1827
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of the Hall of Furnival Inn
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West View of the Interior of Furnival's Inn
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A General View of the Remains of Bermondsey Abbey, Surrey
Creator:
Bartholomew Howlett, 1767–1827
Date:
1820
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canonbury Tower, Islington in 1820
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 5/16 x 10 3/8in. (21.1 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arundel; page 12 (Volume One)
Creator:
Print made by Henry Moses, ca. 1782–1870
Date:
ca. 1825
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection