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Collection
Prints and Drawings
164
Rare Books and Manuscripts
3
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
81
Hakewill, James, 1778–1843
35
Unknown artist
22
Pye, John, 1782–1874
17
Alken, Henry Thomas, 1784–1851
11
Cooke, George, 1781–1834
10
Sutherland, Thomas, ca. 1785–1838
10
Heath, Charles, 1785–1848
7
Smith, William R., active 1819–1851
7
Arnald, George, 1763–1841
6
Murray, John, founded 1768
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Smith, Charles John, 1803–1838
5
Rawle, Samuel, 1771–1860
4
Reynolds, Joshua, Sir, 1723–1792
4
Fittler, James, 1758–1835
3
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Creator
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Date
1800
823
1834
601
1789
418
1802
375
1827
365
1794
351
1835
346
1825
343
1795
334
1792
322
1830
314
1793
309
1833
301
1797
296
1700
294
1799
287
1782
283
1803
283
1791
278
1804
270
1808
270
1820
269
1836
260
1546
248
1826
232
1775
225
1796
225
1823
224
1798
219
1809
219
1821
215
1780
213
1790
210
1832
210
1801
209
1824
200
1783
198
1807
197
1739
192
1812
189
1828
189
1813
183
1837
183
1814
182
1630
181
1811
181
1788
178
1784
172
1810
170
1818
[remove]
167
1816
166
1850
166
1831
165
1819
153
1805
145
1822
145
1786
144
1754
141
1787
141
1785
140
1806
138
1778
134
1838
130
1745
127
1815
127
1817
125
1779
122
1771
121
1829
121
1859
121
1781
119
1755
118
1770
118
1776
113
2000
113
1989
110
1750
109
1880
109
1900
106
0
104
1772
104
1999
103
1839
97
1876
95
1769
94
1762
93
1765
93
1773
90
1777
89
1897
89
1674
88
1751
88
1890
88
1738
87
1855
87
1882
87
1896
86
1768
85
1767
84
1875
81
On-site Access
Accessible in the Study Room
167
Image Use
Free to Use
160
Under Certain Circumstances
7
Image Available
Available
146
Unavailable
21
Classification
Prints
[remove]
167
Creator Gender
male
158
unknown
25
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
33
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
167
Materials & Techniques
etching (printing process)
88
wove paper
86
line engraving
65
chine collé
45
laid paper
22
engraving (printing process)
16
mezzotint
11
stipple engraving
7
brown ink
3
colored ink
3
aquatint
2
sepia
2
engraver's proof
1
graphite
1
lithography
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
72
Unknown
23
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
89
Unknown
23
Work Type
intaglio print
111
aquatint
2
frontispiece
2
panorama
2
scroll
2
engraving
1
sporting print
1
Genre
landscape
67
architectural subject
50
cityscape
27
genre subject
14
marine art
13
animal art
4
portrait
4
botanical subject
1
military art
1
religious and mythological subject
1
sporting art
1
Subject Terms
river
41
landscape (representation)
33
architectural subject
30
cityscape
20
church
15
genre subject
12
bridge
11
men
10
castle
9
trees
8
waterfall
8
abbey
7
boats
7
buildings
6
canoes
6
cliffs
6
labor
6
poles
6
riverbanks
6
ruin
6
more
Subject Terms
»
Associated Places
England
33
United Kingdom
32
Europe
24
Italy
15
Durham
14
Tees
13
North Yorkshire
10
Richmond
9
Swale
7
Meuse
6
Greta
5
Grand Canal
4
Lazio
4
Ponte di Rialto
4
Rokeby
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
more
Associated Places
»
Associated People
West, Benjamin (1738–1820), American history painter active in Britain
2
Royal Academy
1
Venus
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
137
Yale Center for British Art, Paul Mellon Fund
9
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art; Gift of Herman W. Liebert
5
Yale Center for British Art
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. & Mrs. S.S. Duryee, B.A. 1917
1
Language
English
3
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Date
1818
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Print made by William Ward, 1766–1826
Filho da Puta and Sir Joshua
1818
3
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
4
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
5
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
6
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
7
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
8
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
9
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
10
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
11
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
12
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
13
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
14
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
15
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
16
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
17
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
18
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
19
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
20
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
21
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
22
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
23
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
24
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
25
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
26
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
27
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
28
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
29
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
30
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
31
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
32
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
33
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
34
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
35
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
36
Print made by William Richardson, active 1842–1877
The Roman Forum, from the Tower of the Capitol
1818-1820
37
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
38
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
39
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
40
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
41
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
42
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
43
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
44
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
45
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
46
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
47
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
48
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
49
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
50
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
51
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
52
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
53
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
54
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
55
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
56
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
57
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
58
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
59
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
60
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
61
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
62
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
63
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
64
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
65
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
66
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
67
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
68
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
69
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
70
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
71
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
72
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
73
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
74
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
75
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
76
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
77
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
78
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
79
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
80
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
81
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
82
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
83
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
84
Charles Turner, 1774–1857
The Right Honorable Edward Lord Viscount Exmouth
1818
85
Print made by James Johnson, 1803–1834
Venus Bathing
undated
86
Print made by James Johnson, 1803–1834
Music Has Charms
undated
87
William Angus, 1752–1821
St. John Wapping
1818
88
Joseph Constantine Stadler, active 1780–1812
View of Waterloo Bridge from the East End of Somerset House Terrace
1818
89
Charles John Smith, 1803–1838
House Occupied by the Royal Society, Crane Court, Fleet Street
undated
90
William James Ward, ca. 1800–1840
David Wilkie, R.A
1818
91
Daniel Havell, 1785–1826
Hampstead Heath, Middlesex
1818
92
unknown artist
Westminster Abbey, the North Transept
1818
93
Daniel Havell, 1785–1826
South East View of St. Paul's Cathedral
1818
94
Henry Hoppner Meyer, ca. 1782–1847
Samuel Johnson
1818
95
Edward Mitchell, active 1805–1816
Samuel Johnson
1818
96
T. Blood, active 1812–1814
Samuel Johnson
1818
97
Robert Havell, 1769–1832
A pair: 2. The Oxford and Oppostion Coaches
1818
98
Robert Havell, 1769–1832
A pair: 1. The Reading Coaches
1818
99
Charles Williams, active 1796–1830
The Matrimonial Mania - or - Poor Jonny Ridden to Death
1818
100
Print made by unknown artist
[ Caricature of two men and a woman, one of the men blowing smoke ]
ca. 1823
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