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Collection
Prints and Drawings
163
Rare Books and Manuscripts
3
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
73
Cooke, William Bernard, 1778–1855
27
Unknown artist
22
Havell, Robert, 1769–1832
8
Hill, John, 1770–1850
8
Turner, Charles, 1774–1857
8
Nash, Frederick, 1782–1856
7
Dawe, Henry E., 1790–1848
6
Green, William, 1760–1823
6
Nuttall,, Fisher & Dixon, active 1818
6
Smirke, Robert, 1752–1845
5
Allen, James C., active 1821–1831
4
Havell, Daniel, 1785–1826
4
Marks, J. L., active 1787–1799
4
Rawle, Samuel, 1771–1860
4
Say, William, 1768–1834
4
Smith, Anker., 1759–1819
4
Beechey, William, Sir, 1753–1839
3
Cousins, Samuel, 1801–1887
3
Lupton, Thomas Goff, 1791–1873
3
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Creator
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Date
1800
823
1834
601
1789
417
1802
375
1825
365
1827
365
1794
350
1835
346
1795
334
1792
322
1830
310
1793
309
1833
301
1700
294
1797
294
1799
286
1782
283
1803
283
1791
277
1804
270
1808
268
1820
268
1836
259
1546
248
1796
225
1775
224
1823
224
1798
219
1809
215
1821
215
1780
213
1801
210
1790
209
1832
209
1824
200
1783
198
1807
196
1739
192
1812
190
1828
189
1826
183
1814
182
1630
181
1811
181
1837
181
1813
180
1788
178
1784
171
1810
170
1818
167
1816
[remove]
166
1831
165
1850
156
1819
153
1822
145
1786
144
1805
144
1754
141
1787
141
1785
140
1806
134
1778
132
1838
132
1745
127
1815
127
1817
125
1779
122
1771
121
1859
121
1781
118
1829
118
1755
117
1770
114
1776
114
2000
113
1989
110
1750
109
1880
109
1900
105
0
104
1772
103
1999
103
1768
99
1839
97
1876
95
1765
93
1762
91
1773
90
1777
89
1897
89
1674
88
1751
88
1890
88
1738
87
1855
87
1882
87
1896
86
1767
82
1769
82
1887
80
On-site Access
Accessible by appointment in the Study Room
166
Image Use
Free to Use
163
Under Certain Circumstances
3
Image Available
Available
144
Unavailable
22
Classification
Prints
[remove]
166
Creator Gender
male
149
unknown
25
female
1
Collective Title
Liber Studiorum
23
Cooke's Views in Sussex
21
'History of Cassiobury Park,' 1816 and 1837
8
Cooke's Rivers of Devon
6
Illustrations from Camden's 'The imperial history of England'
6
Whitaker's 'Loidis and Elmete'
6
Cooke's Picturesque Views of the Southern Coast of England
3
Iconographie Anglaise par Reynolds et Autres
2
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Surtees' History of Durham
1
The British Gallery of Contemporary Portraits
1
Period
19th century
166
Materials & Techniques
etching (printing process)
64
wove paper
46
laid paper
39
mezzotint
35
line engraving
29
brown ink
23
aquatint
12
hand coloring
9
chine collé
5
engraving (printing process)
3
letterpress printing
3
stipple engraving
2
gray wash
1
progressive proofs
1
proof before letters
1
soft-ground etching
1
watercolor
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
73
Unknown
42
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
71
Unknown
42
Work Type
intaglio print
98
relief print
3
engraving
2
accordion fold format (binding)
1
advertisement
1
aquatint
1
ephemera
1
frontispiece
1
panorama
1
trade cards (advertising)
1
Genre
landscape
61
architectural subject
33
historical subject
12
portrait
12
marine art
8
animal art
7
genre subject
7
military art
4
religious and mythological subject
3
cityscape
2
cartographic material
1
literary theme
1
still life
1
Subject Terms
architectural subject
8
landscape (representation)
6
portrait
6
river
6
frame (furnishing)
5
historical subject
5
bridge
4
marine art
4
channel (water body component)
3
death
3
religious and mythological subject
3
abbey
2
estate
2
king (person)
2
landscape
2
mourning
2
park
2
people
2
plague
2
prince
2
more
Subject Terms
»
Subject Period
19th century
1
Associated Places
United Kingdom
8
England
6
France
6
Alps
4
Europe
4
Arve
3
Bonneville
3
Calais
3
Cornwall
3
Devon
3
Dover, Strait of
3
English Channel
3
Tamar
3
City of Westminster
2
Dunblane
2
Dunblane Cathedral
2
Great Britain
2
London
2
Mount Edgcumbe Country Park Estate
2
Palace of Westminster
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Angelo, Henry, 1756–1835
1
Angelo, Henry, 1780–1852
1
Caratacus [Caractacus] (fl. AD 40–51), king in Britain
1
Claudius [Tiberius Claudius Nero Germanicus] (10 BC–AD 54), Roman emperor
1
Cupid
1
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Leopold I (1790–1865), king of the Belgians
1
Potter, John (Hatter)
1
Psyche
1
Sumner, Charles Richard (1790–1874), bishop of Winchester
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Darkness Visible - The Prints of John Martin (Clark Art Institute, 1986-09 - 1987-07-21)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
136
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Gift of James Wilson, YCBA Docent
6
Yale Center for British Art; Yale University Art Gallery Collection
6
Yale Center for British Art, Gift of Frederick W. Hilles
2
Yale Center for British Art
1
Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Mr. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961
1
Language
English
3
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Date
1816
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1
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
2
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
6
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
8
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
11
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
14
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
17
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
22
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
23
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
24
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
25
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
26
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
27
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
28
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
29
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
30
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
31
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
32
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
33
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
34
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
35
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
36
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
37
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
38
Print made by John Scott, 1774–1828
Harewood House
1816
39
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
40
Print made by John Martin, 1789–1854
A Classical City
1816
41
R. Page, active 1816–1825
Carlo Maratti
1816
42
Print made by John Scott, 1774–1828
Harewood House
1816
43
Print made by George Cooke, 1781–1834
Gledhow
1816
44
Print made by unknown artist
Flower Garden Porch at Farnley
1816
45
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
46
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
47
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
48
Print made by George Cooke, 1781–1834
Gledhow
1816
49
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
50
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
51
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
52
Print made by unknown artist
Princess of Wurtemberg
1816
53
William Say, 1768–1834
Mrs. Litchfield
1816
54
Print made by William Say, 1768–1834
Cupid and Psyche
1816
55
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
56
Joseph Constantine Stadler, active 1780–1812
A View of Horse Guards from Whitehall
1816
57
unknown artist
View of the Vauxhall Iron Bridge
1816
58
unknown artist
View of the Vauxhall Iron Bridge
1816
59
William Thomas Fry, 1789–1843
Thos. Jephson, Camberwell
1816
60
Thomas Sutherland, ca. 1785–1838
Ante Chamber Leading to the Throne Room, Carlton House
1816
61
Daniel Havell, 1785–1826
A View of the London Dock, from St. Georges in the East
1816
62
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
63
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
64
Daniel Havell, 1785–1826
London, taken near the New Custom House
1816
65
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
66
unknown artist
The New Custom House
1816
67
Robert Havell, 1769–1832
Coaching [a pair]: 2. Arrival of the Stage Coach
1816
68
Print made by B. Winkles, active 1830–1840
Longitudinal Section of Westminster Hall
ca. 1821
69
Charles Turner, 1774–1857
John, Earl of St. Vincent, Admiral of the Red
1816
70
Print made by Robert Havell, 1769–1832
View of the Royal Military Academy, Woolwich
1816
71
Robert Havell, 1769–1832
View of the Royal Artillery Barracks, Woolwich
1816
72
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
73
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
74
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
75
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
76
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
77
unknown artist
View of London from the Strand Bridge
1816
78
Attributed to Richard Dighton, 1795–1880
A Discharged Fifer
ca. 1821
79
J. L. Marks, active 1787–1799
Going to the Levee
ca. 1821
80
Richard Gilson Reeve, 1803–1889
The King's Presence Chamber
1816
81
Daniel Havell, 1785–1826
A View of London from the Queen's Palace
1816
82
Robert Havell, 1769–1832
Coaching [a pair]: 1. Stage Coach Setting Off
1816
83
J. L. Marks, active 1787–1799
His Majesty Landing on the Pier at Howth
ca. 1821
84
J. L. Marks, active 1787–1799
Adventures in a Snoozing Cellar
ca. 1821
85
J. L. Marks, active 1787–1799
Disagreeable Adventures of Brian Boru and Captain Grammachree in an Irish Whiskey Parlour (from: Caricature, vol. 6)
ca. 1821
86
unknown artist
Mortar in St. James' Park
1816
87
Print made by John Scott, 1774–1828
Harewood House
1816
88
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
89
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
90
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
91
unknown artist
Chapel of St. Giles in the Fields, Church of St. James, Tottenham Court Road
1816
92
Thomas Higham, 1796–1844
The Excise Office
1816
93
Henry R. Cook, active 1802–1849
Proscenium of the Opera House
1816
94
Henry R. Cook, active 1802–1849
Interior and Exterior Views of the Olympic Theatre near Drury Lane
1816
95
unknown artist
Buckingham Stairs Water Gate
1816
96
Giovanni Vendramini, 1769–1839
Sir Francis Bourgeois
1816
97
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
98
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
99
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
100
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
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