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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
14
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
10
Cockburn, James Pattison, 1779–1847
2
Havell, Robert, 1769–1832
2
Nash, Frederick, 1782–1856
2
Rawle, Samuel, 1771–1860
2
Scott, John, 1774–1828
2
Turner, Charles, 1774–1857
2
Cooke, George, 1781–1834
1
Cooke, William Bernard, 1778–1855
1
Dawe, Henry E., 1790–1848
1
Robinson,, Son & Holdsworth, active 1813–1816
1
Unknown artist
1
Wise, William, Active 1823–1876
1
Date
1834
98
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32
1808
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1827
21
1803
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1789
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1754
15
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1819
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1816
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1828
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1830
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1630
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1791
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1800
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1927
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1731
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1784
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1825
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1675
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1671
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1736
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1742
2
On-site Access
Accessible by appointment in the Study Room
14
Image Use
Free to Use
14
Image Available
Available
14
Classification
Prints
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14
Creator Gender
male
14
unknown
1
Collective Title
Liber Studiorum
4
Whitaker's 'Loidis and Elmete'
4
Cooke's Views in Sussex
1
Surtees' History of Durham
1
Period
19th century
14
Materials & Techniques
etching (printing process)
6
laid paper
5
line engraving
5
wove paper
5
brown ink
4
mezzotint
4
chine collé
1
Height [cm]
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44
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55
Work Type
intaglio print
10
Genre
landscape
9
architectural subject
4
genre subject
1
marine art
1
Subject Terms
bridge
1
landscape (representation)
1
river
1
Associated Places
Alps
1
Arve
1
Bonneville
1
France
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
14
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1816
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1
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
3
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
5
Print made by Robert Havell, 1769–1832
View of the Royal Military Academy, Woolwich
1816
6
William Wise, Active 1823–1876
Interior of Crosby Hall (Looking South)
1816
7
Samuel Rawle, 1771–1860
Interior of Part of Crosby Hall, Called the Council Room
1816
8
Print made by John Scott, 1774–1828
Harewood House
1816
9
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
10
Print made by unknown artist
Flower Garden Porch at Farnley
1816
11
Print made by John Scott, 1774–1828
Harewood House
1816
12
Print made by George Cooke, 1781–1834
Gledhow
1816
13
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
14
Robert Havell, 1769–1832
View of the Royal Artillery Barracks, Woolwich
1816