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Collection
Prints and Drawings
30
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
23
Allen, James C., active 1821–1831
4
Dawe, Henry E., 1790–1848
4
Cooke, William Bernard, 1778–1855
3
Lupton, Thomas Goff, 1791–1873
3
Scott, John, 1774–1828
3
Turner, Charles, 1774–1857
3
Hodgetts, Thomas, active 1801–1846
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Say, William, 1768–1834
2
Buckler, John Chessell, 1793–1894
1
Buckler, John FSA, 1770–1851
1
Byrne, John, 1786–1847
1
Kennerley, J.
1
Kennion, Charles John, 1789–1853
1
Kennion, Edward, 1743–1809
1
Martin, John, 1789–1854
1
Shepheard, George, ca. 1770–1842
1
Smirke, Robert, 1752–1845
1
Unknown artist
1
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1834
91
1630
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1811
41
1804
39
1835
36
2006
36
1896
34
1812
32
1816
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1825
29
1836
29
1808
26
1813
26
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24
1771
23
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23
1784
22
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21
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0
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1965
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11
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11
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1845
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1880
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1921
6
1690
5
1740
5
1750
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1776
5
1779
5
1822
5
On-site Access
Accessible by appointment in the Study Room
30
Image Use
Free to Use
30
Image Available
Available
29
Unavailable
1
Classification
Prints
25
Drawings & Watercolors
5
Creator Gender
male
30
unknown
1
Collective Title
Liber Studiorum
14
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete'
3
Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.
1
Iconographie Anglaise par Reynolds et Autres
1
Smirke [Shakespeare] Album
1
The Two Gentlemen of Verona
1
Period
19th century
30
Materials & Techniques
etching (printing process)
21
brown ink
16
laid paper
15
wove paper
15
mezzotint
14
line engraving
8
gouache
3
watercolor
3
black ink
2
brown wash
2
graphite
2
pen
2
gray ink
1
oil paint
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
40
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
9
to
58
Work Type
intaglio print
25
drawing
5
watercolor
4
Genre
landscape
27
architectural subject
14
genre subject
5
cityscape
2
marine art
2
religious and mythological subject
2
figure study
1
literary theme
1
portrait
1
Subject Terms
landscape
5
architectural subject
3
river
3
abbey
2
bridge
2
cityscape
2
death
2
genre subject
2
landscape (representation)
2
mourning
2
path
2
people
2
plague
2
religious and mythological subject
2
road
2
sitting
2
stairs
2
trees
2
women
2
Classical
1
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Subject Terms
»
Associated Places
United Kingdom
5
England
3
Alps
2
Arve
2
Bonneville
2
Dunblane
2
Dunblane Cathedral
2
Europe
2
France
2
Scotland
2
Africa
1
Aldbury
1
Dartmoor
1
Devon
1
Egypt
1
Hertfordshire
1
Jamaica
1
Switzerland
1
Tamar
1
Torridge
1
Associated People
Crab, the dog
1
Launce (character in The Two Gentlemen of Verona)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
28
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
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Date
1816
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21
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1
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
13
Print made by John Scott, 1774–1828
Harewood House
1816
14
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
15
Print made by John Scott, 1774–1828
Harewood House
1816
16
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
17
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
18
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
19
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
20
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
21
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
22
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
23
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
24
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
25
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
26
Print made by John Scott, 1774–1828
Harewood House
1816
27
John Buckler FSA, 1770–1851
The Dining Room at Newby Hall, Yorkshire
1816
28
John Martin, 1789–1854
Classical City in Landscape
1816
29
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
30
J. Kennerley
Mr. John Hunter
1816