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Collection
Prints and Drawings
6
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
6
Cooke, William Bernard, 1778–1855
3
Dawe, Henry E., 1790–1848
3
Date
1834
146
1835
118
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114
1827
62
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41
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32
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1795
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1864
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1819
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1839
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1799
6
1807
6
1816
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6
1823
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1796
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1813
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1918
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1642
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1719
1
On-site Access
Accessible in the Study Room
6
Image Use
Free to Use
6
Image Available
Available
6
Classification
Prints
6
Creator Gender
male
6
Collective Title
Liber Studiorum
3
Cooke's Picturesque Views of the Southern Coast of England
2
Cooke's Rivers of Devon
1
Period
19th century
6
Materials & Techniques
etching (printing process)
6
brown ink
3
laid paper
3
mezzotint
3
wove paper
3
engraving (printing process)
2
line engraving
1
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38
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55
Work Type
intaglio print
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6
Genre
landscape
6
marine art
2
architectural subject
1
genre subject
1
Subject Terms
river
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6
landscape (representation)
5
bridge
3
estate
2
park
2
landscape (environment)
1
Associated Places
Alps
3
Arve
3
Bonneville
3
Devon
3
England
3
France
3
United Kingdom
3
Cornwall
2
Europe
2
Mount Edgcumbe Country Park Estate
2
Plymouth Sound
2
Tamar
2
Dartmoor
1
Exhibition History
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
6
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Date
1816
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intaglio print
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river
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1
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
4
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
5
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
6
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816