Date: 1815 - YCBA Collections Search Search Results

201. Hecate

Creator:: George Henry Harlow, 1787–1819
Date:: 1815
Materials & Techniques:: Graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 7 inches (21.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

202. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1815
Materials & Techniques:: Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 × 24 7/16 inches (50.2 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. A Scene at Cambridge

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Pen black ink and watercolor on medium, slightly textured, cream wove paper mounted to moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Westminster Hall, East Entrance

Creator:: Robert Wallis, 1794–1878
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Arena of the Royalty Theatre

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Three Views of the Tower of London

Creator:: after James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Plan of the Tower of London..1681/1689

Creator:: James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. South Elevation of the White Tower, in the Tower of London

Creator:: James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Plan of the Tower of London MDCCXXVI

Creator:: James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Tower of London

Creator:: William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Stourport Bridge, Worcestershire, 1815

Creator:: Henry Hobson, born 1814
Date:: After 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Hare Hunting and Coursing: His Majesty's Harriers

Creator:: Richard Woodman, 1784–1859
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 22 x 26in. (55.9 x 66cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Luke Thomas Flood, Justice of the Peace

Creator:: M. Gauci, 1810–1846
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 7/16 inches (30.5 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. North West view of Charlton House, Kent; The Seat of Lady Wilson

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Clare Hall Chapel

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1815
Materials & Techniques:: Colored etching and aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Entrance to the Avenue from Clare Hall Piece with the new Buildings of King's

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1815
Materials & Techniques:: Hand-colored etching and aquatint
Dimensions:: Sheet: 10 1/2 x 13in. (26.7 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Ultima, One of Lord Maynard's Mares

Creator:: William Henry Davis, active 1803–1849
Date:: 1815
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Road Scene with a Thatched Cottage

Creator:: Print made by Joseph Stannard, 1797–1830
Date:: ca. 1820
Materials & Techniques:: Etching
Dimensions:: Sheet: 3 1/4 × 4 7/8 inches (8.3 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Stage Coach with the News of Peace

Creator:: Robert Havell, 1769–1832
Date:: 1815
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/4 x 18 1/4in. (33.7 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Westminster Hall

Creator:: Robert Sands, 1792–1855
Date:: 1815
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. His Majesty's Frigate "Endymion" . . .

Creator:: John Hill, 1770–1850
Date:: 1815
Materials & Techniques:: Aquatint with hand coloring
Dimensions:: Sheet: 18 x 21 5/8in. (45.7 x 54.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

232. Merchant Taylors School, Suffolk Lane, London

Creator:: Sheppard
Date:: 1815
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. St. Paul's from St. Martin's Le Grand

Creator:: James Baily, active 1815–1834
Date:: 1815
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 19 3/8 x 15 7/8in. (49.2 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. The Surrender of Callais

Creator:: John Young, 1755–1825
Date:: 1815
Materials & Techniques:: Etched outline proof
Dimensions:: Sheet: 19 1/2 x 28in. (49.5 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The Surrender of Callais

Creator:: John Young, 1755–1825
Date:: 1815
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 1/2 x 28in. (49.5 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. James Northcote

Creator:: Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:: 1815
Materials & Techniques:: Stipple engraving and crayon manner on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 14 3/4 inches (55.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Dr. Samuel Johnson

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/8 x 3 3/4in. (16.2 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

238. The Banqueting House, Whitehall

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. St. Frideswide's Shrine, in Christ-Church Cathedral

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1815
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

240. Views Taken at Exmouth and in Its Vicinity. Exmouth, 1815-1816

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Dr. Samuel Johnson

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/8 x 3 3/4in. (16.2 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

242. North-Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815 to 1823
Materials & Techniques:: Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:: Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Sir Thomas Bernard, Bart. L.L.D.

Creator:: Print made by Charles Picart, c.1780–1837
Date:: 1815
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 14 3/8 inches (43.8 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

244. Album Drawings

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Elkanah, Hannah and Samuel

Creator:: Print made by George Graham, active 1786–1813
Date:: 1815
Materials & Techniques:: Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

246. Sir Toby Belch, 1800

Creator:: Richard James Lane, 1800–1872
Date:: between 1815 and 1838
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

247. Signor Curione as Giasone (Volume of 102 lithographs)

Creator:: John Hayter, 1800–1895
Date:: undated
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

248. Madame Pasta as Desdemona (Volume of 102 lithographs)

Creator:: John Hayter, 1800–1895
Date:: undated
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

249. Remains of Winchester Palace, Southwark (for the Antiquarian Itinerary); page 96 (Volume Three)

Creator:: J. C. Varrall, active 1815–1827
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. The Prince Regent, the Emperor of Russia and the King of Prussia, etc. at a Review in Hyde Park on 20th June 1814

Creator:: Alexander Saverwied, active 1815
Date:: 1815
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Reverend Michael Lort

Creator:: James Stow, ca. 1770–after 1820
Date:: 1815
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/8 inches (27 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. No.9, The Milk House, Warren, etc. Returning to Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. No.12, Part of the Warren, Dr. Drury's, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. No.11, The Rocks Going towards Salterton

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. No.14, The Beacon, Taken from the Windmill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. No.18, Berry Head, etc., Taken at Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Western Side of Torquay, Tor Abbey Lies behind this Hill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Eastern Side of Torquay, Taken from Tor Abbey

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Mamhead, Starcross, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Chapel, Library, Fishmarket, Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Panoramic View from Berry Head to Powderham

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Lympstone, Mr. Hornell's House and Farm, The Embankment

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 1/16 × 5 inches (15.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. View of Elba and Porto Ferrajo

Creator:: Henry Aston Barker, 1774–1856
Date:: 1815
Materials & Techniques:: Pen and black ink, red ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 12 7/8 inches (39.1 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. The Admiralty and Horse Guards

Creator:: James S. Storer, 1771–1853
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. The Bishop of Winchester's Palace in Southwark

Creator:: George Hawkins, 1819–1852
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Views Taken at Exmouth and in Its Vicinity, Title Page, The Passage House

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Structural details and ornaments of Winchester Palace

Creator:: Barak Longmate Jr., ca. 1768–1836
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. North West View of the Hall of Winchester Palace, Southwark

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. David Wilkie, Esq. R.A.

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1815
Materials & Techniques:: Stipple engraving and crayon manner
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Thomas Stothard, Esq. R.A.

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1815
Materials & Techniques:: Stipple engraving and crayon manner
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Four Engravings of Landscape. London, 1815

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Leopolde Gulflocher, sculpteur en marbre et albatre.

Creator:: Gulflocher, Leopolde. no_linkage
Date:: [approximately 1815]
Physical Description:: 1 trade card ; 11 x 15 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22983542030008651|Yale Center for British Art, Paul Mellon Fund

294. Passions of the soul and the anatomy of the human face : delineated in a series of twenty-four chalk engraved heads / by Henry Singleton, Esq. ; and engraved by Charles Knight.

Passions of the soul and the anatomy of the human face : delineated in a series of twenty-four chalk engraved heads / by Henry Singleton, Esq. ; and engraved by Charles Knight.

Date:: 1815
Collection:: Rare Books and Manuscripts
Credit Line:: 22770790490008651|Yale Center for British Art, Paul Mellon Collection

295. Panharmonicon : designed as an illustration of an engraved plate, in which is attempted to be proved, that the principles of harmony more or less prevail throughout the whole system of nature, but more especially in the human frame and that where these principles can be applied to works of art, they excite the pleasing and satisfying ideas of proportion and beauty / by F. Webb.

Panharmonicon : designed as an illustration of an engraved plate, in which is attempted to be proved, that the principles of harmony more or less prevail throughout the whole system of nature, but more especially in the human frame and that where these principles can be applied to works of art, they excite the pleasing and satisfying ideas of proportion and beauty / by F. Webb.

Creator:: Webb, Francis, 1735–1815
Date:: [1815]
Physical Description:: 45 p., [4] leaves of plates (some folded) : illustrations ; 27 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: 22619186520008651|Yale Center for British Art, Paul Mellon Fund

296. Corporal Violette!!

Date:: [1815?]
Physical Description:: 1 sheet ([1] page) ; 31 x 21 cm
Collection:: Rare Books and Manuscripts
Credit Line:: 22623916500008651|Yale Center for British Art, Paul Mellon Fund

297. Walkers' tour through France. Being a new geographical game, containing many interesting particulars of the present state of the principal cities, towns, villages, mountains, rivers, &c. in that kingdom.

Walkers' tour through France. Being a new geographical game, containing many interesting particulars of the present state of the principal cities, towns, villages, mountains, rivers, &c. in that kingdom.

Date:: 1815
Physical Description:: 1 game ; 53 x 55 cm. fold. to 18 x 15 cm. & booklet (84 p.)
Collection:: Rare Books and Manuscripts

298. [Portraits of the winning horses of the Great St. Leger Stakes at Doncaster : from the year 1815 to the present year].

Date:: [1815-1844]
Physical Description:: 30 prints : aquatint, hand-colored ; 56 x 77 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: 22678040510008651|Yale Center for British Art, Paul Mellon Collection

299. A series of portraits of the emperors of Turkey : from the foundation of the monarchy to the year 1815 : engraved from pictures painted at Constantinople : commenced under the auspices of Sultan Selim the Third, and completed by command of Sultan Mahmoud the Second : with a biographical account of each of the emperors / By John Young.

A series of portraits of the emperors of Turkey : from the foundation of the monarchy to the year 1815 : engraved from pictures painted at Constantinople : commenced under the auspices of Sultan Selim the Third, and completed by command of Sultan Mahmoud the Second : with a biographical account of each of the emperors / By John Young.

Creator:: Young, John, 1755–1825
Date:: 1815]
Physical Description:: 4 p.L., 128, [2] p. : ill. ; 58 cm. in case 61 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: 22814909610008651|Yale Center for British Art, Paul Mellon Collection

300. Ancient topography of London : containing not only views of buildings, which in many instances no longer exist, and for the most part were never before published, but some account of places and customs either unknown, or overlooked by the London historians / by John Thomas Smith.

Ancient topography of London : containing not only views of buildings, which in many instances no longer exist, and for the most part were never before published, but some account of places and customs either unknown, or overlooked by the London historians / by John Thomas Smith.

Creator:: Smith, John Thomas, 1766–1833
Date:: 1815
Physical Description:: [4], 82 p., [33] leaves of plates : ill. ; 34 cm.
Collection:: Rare Books and Manuscripts
Credit Line:: 22843356560008651|Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1815

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201. Hecate

202. Representation of the Festival for the Return of Peace

203. A Ball at Scarborough

204. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

205. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

206. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

207. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

208. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

209. Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham

210. A Scene at Cambridge

211. Westminster Hall, East Entrance

212. Arena of the Royalty Theatre

213. Three Views of the Tower of London

214. Plan of the Tower of London..1681/1689

215. South Elevation of the White Tower, in the Tower of London

216. Plan of the Tower of London MDCCXXVI

217. Tower of London

218. The North Country Mails at The Peacock Inn, Islington

219. Stourport Bridge, Worcestershire, 1815

220. Hare Hunting and Coursing: His Majesty's Harriers

221. Luke Thomas Flood, Justice of the Peace

222. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

223. North West view of Charlton House, Kent; The Seat of Lady Wilson

224. Clare Hall Chapel

225. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

226. Entrance to the Avenue from Clare Hall Piece with the new Buildings of King's

227. Ultima, One of Lord Maynard's Mares

228. Road Scene with a Thatched Cottage

229. Stage Coach with the News of Peace

230. Westminster Hall

231. His Majesty's Frigate "Endymion" . . .

232. Merchant Taylors School, Suffolk Lane, London

233. St. Paul's from St. Martin's Le Grand

234. The Surrender of Callais

235. The Surrender of Callais

236. James Northcote

237. Dr. Samuel Johnson

238. The Banqueting House, Whitehall

239. St. Frideswide's Shrine, in Christ-Church Cathedral

240. Views Taken at Exmouth and in Its Vicinity. Exmouth, 1815-1816

241. Dr. Samuel Johnson

242. North-Country Mails at the Peacock, Islington

243. Sir Thomas Bernard, Bart. L.L.D.

244. Album Drawings

245. Elkanah, Hannah and Samuel

246. Sir Toby Belch, 1800

247. Signor Curione as Giasone (Volume of 102 lithographs)

248. Madame Pasta as Desdemona (Volume of 102 lithographs)

249. Remains of Winchester Palace, Southwark (for the Antiquarian Itinerary); page 96 (Volume Three)

250. The Prince Regent, the Emperor of Russia and the King of Prussia, etc. at a Review in Hyde Park on 20th June 1814

251. Reverend Michael Lort

252. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

253. No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

254. No.9, The Milk House, Warren, etc. Returning to Exmouth

255. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

256. No.12, Part of the Warren, Dr. Drury's, etc.

257. No.11, The Rocks Going towards Salterton

258. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

259. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

260. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

261. No.14, The Beacon, Taken from the Windmill

262. No.18, Berry Head, etc., Taken at Dawlish

263. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

264. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

265. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

266. No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

267. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

268. No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

269. Western Side of Torquay, Tor Abbey Lies behind this Hill

270. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

271. Eastern Side of Torquay, Taken from Tor Abbey

272. Mamhead, Starcross, etc.

273. Chapel, Library, Fishmarket, Beacon

274. Panoramic View from Berry Head to Powderham

275. Lympstone, Mr. Hornell's House and Farm, The Embankment