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1. The Avon Gorge, Looking toward Clifton

The Avon Gorge, Looking toward Clifton
Creator:
Francis Danby, 1793–1861
Date:
ca. 1820
Materials & Techniques:
Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Steeton Manor House, Near Farnley

Steeton Manor House, Near Farnley
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1815 and 1818
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 6 5/8 inches (11.1 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Lulworth Castle, Dorset

Lulworth Castle, Dorset
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1820
Materials & Techniques:
Watercolor and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Shipping Scene, with Fishermen

Shipping Scene, with Fishermen
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1815 and 1820
Materials & Techniques:
Brown wash, brushed brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Frontispiece, Europe. A Prophecy

Frontispiece, Europe. A Prophecy
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching prined in brown ink; proof; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 28 Proof Impression

Jerusalem, Plate 28 Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:
Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Harwich, Essex

Harwich, Essex
Creator:
William Daniell, 1769–1837
Date:
ca. 1820
Materials & Techniques:
Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Landscape in Wales with Castle, Lake, and Rocky Foreground

Landscape in Wales with Castle, Lake, and Rocky Foreground
Creator:
pupil of John Varley, 1778–1842
Date:
1815
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 18 1/4 inches (17.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Monastery Mill

A Monastery Mill
Creator:
George Cattermole, 1800–1868
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on thick, rough, beige wove paper
Dimensions:
Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Creator:
Alfred Edward Chalon, 1780–1860
Date:
ca. 1820
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand

Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Creator:
Decimus Burton, 1800–1881
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 9/16 x 32 1/2 inches (47.1 x 82.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Gypsy Encampment

A Gypsy Encampment
Creator:
Octavius Oakley, 1800–1867
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 9/16in. (24.1 x 34.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Cathedral of St. Pierre, Caen

The Cathedral of St. Pierre, Caen
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 7 3/16 inches (25.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Larchant near Fontainebleau

Larchant near Fontainebleau
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink on moderately thick, slgihtly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 1 13/16 inches (8.3 × 4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Dagnall Lane, St. Albans

Dagnall Lane, St. Albans
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 11 5/8 inches (23.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A Young Scholar Goes Fishing

A Young Scholar Goes Fishing
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 8 inches (21.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Essex Chantry, Watford Church

The Essex Chantry, Watford Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Lecture House, Watford

The Lecture House, Watford
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 x 16 3/4 inches (32.4 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Lodge at Cassiobury

A Lodge at Cassiobury
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Young Girl Standing Barefoot

Young Girl Standing Barefoot
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Brown ink and watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 4 1/2 inches (22.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Portrait of a Man

Portrait of a Man
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 3/4 x 3 1/8 inches (9.5 x 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Bushey Church from the South West

Bushey Church from the South West
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Santa Giustina at Padua

Santa Giustina at Padua
Creator:
Monro School
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Shipping in a Calm

Shipping in a Calm
Creator:
James Baker Pyne, 1800–1870
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 19 3/4 inches (34.3 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Carlisle Bay, Barbados

Carlisle Bay, Barbados
Creator:
Lt. Paul Sandby, ca. 1820
Date:
ca. 1820
Materials & Techniques:
Pen and brown ink and brown wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 19 inches (14.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Goat Hill and Ships

Goat Hill and Ships
Creator:
Lt. Paul Sandby, ca. 1820
Date:
ca. 1820
Materials & Techniques:
Gray wash, graphite, with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 11 1/8 inches (14.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. A View of Carlisle Bay, Barbados, with Cottages

A View of Carlisle Bay, Barbados, with Cottages
Creator:
Lt. Paul Sandby, ca. 1820
Date:
ca. 1820
Materials & Techniques:
Gray wash, graphite, with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships

A Panoramic View of Carlisle Bay, Barbados, with Cottages and Ships
Creator:
Lt. Paul Sandby, ca. 1820
Date:
ca. 1820
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 12 7/8 inches (16.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. John Britton, F.S.A.

John Britton, F.S.A.
Creator:
Thomas Uwins, 1782–1857
Date:
ca. 1820
Materials & Techniques:
Graphite and gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 3 11/16 inches (11.3 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. View of Carlisle Bay, Barbados, with Ships and Boat

View of Carlisle Bay, Barbados, with Ships and Boat
Creator:
Lt. Paul Sandby, ca. 1820
Date:
ca. 1820
Materials & Techniques:
Gray wash with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 10 1/4 inches (14.9 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Interior of St. Pancras Church

The Interior of St. Pancras Church
Creator:
William Inwood, ca. 1771–1843
Date:
undated
Materials & Techniques:
Watercolor; (verso) graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A Bulldog

A Bulldog
Creator:
Samuel Howitt, 1756–1822
Date:
after 1815
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/8 inches (23.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Moat at the Tower of London

Moat at the Tower of London
Creator:
George Howse, 1800–1860
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 13 inches (18.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Design for Gameskeeper's Cottage

Design for Gameskeeper's Cottage
Creator:
George Pyne, 1800–1884
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A Regency House

A Regency House
Creator:
George Shepheard, ca. 1770–1842
Date:
ca. 1820
Materials & Techniques:
Watercolor over graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 21 inches (37.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Dunmore Park

Dunmore Park
Creator:
William Wilkins, 1778–1839
Date:
ca. 1820
Materials & Techniques:
Watercolor with scratching out over graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 13 3/8 × 33 inches (34 × 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo
Creator:
John Augustus Atkinson, 1775–1831
Date:
1815
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. St. Stephen's Hall

St. Stephen's Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 8 1/4 inches (22.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Windy Day

A Windy Day
Creator:
John Linnell, 1792–1882
Date:
1815
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 9 inches (15.6 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Haymaking on the Banks of a Lincolnshire River

Haymaking on the Banks of a Lincolnshire River
Creator:
attributed to Peter DeWint, 1784–1849
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 1/4 x 19 1/8 inches (18.4 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Harvesters in Landscape in Sussex

Harvesters in Landscape in Sussex
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Ultima, One of Lord Maynard's Mares

Ultima, One of Lord Maynard's Mares
Creator:
William Henry Davis, active 1803–1849
Date:
1815
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Castle above a River, Woodcutters in the Foreground

Castle above a River, Woodcutters in the Foreground
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 20 1/4 x 33 3/4 inches (51.4 x 85.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. A Ball at Scarborough

A Ball at Scarborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. An Old Coquette Outstood her Market

An Old Coquette Outstood her Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown and red-brown ink, over graphite, with pen and gray ink wash line on border; verso: graphite and watercolor blots on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 5 1/8 inches (16.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. A Group of Figures

A Group of Figures
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1820
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured wove paper
Dimensions:
Sheet: 4 3/8 x 7 5/16 inches (11.1 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. North West view of Charlton House, Kent; The Seat of Lady Wilson

North West view of Charlton House, Kent; The Seat of Lady Wilson
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. A Scene at Cambridge

A Scene at Cambridge
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Pen black ink and watercolor on medium, slightly textured, cream wove paper mounted to moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. A Potter Going Out

A Potter Going Out
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Doctor's Consultation

The Doctor's Consultation
Creator:
Thomas Rowlandson, 1756–1827
Date:
1815-1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 8 11/16 inches (27.5 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Death Turned Pilot

Death Turned Pilot
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. A Sporting Cove

A Sporting Cove
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown ink over graphite; verso: watercolor blots on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Serving Punch

Serving Punch
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Newbury Market Place, Berkshire

Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Girl Leaning on a Chair

Girl Leaning on a Chair
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 4 1/2 inches (19.1 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Study for a Monument to the Reverend John Clowes

Study for a Monument to the Reverend John Clowes
Creator:
John Flaxman, 1755–1826
Date:
ca. 1820
Materials & Techniques:
Gray ink with brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Chatham Dockyard from Upnor

Chatham Dockyard from Upnor
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Beach Scene - Sunrise

Beach Scene - Sunrise
Creator:
David Cox, 1783–1859
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 1/2 inches (12.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. The Princes in the Tower

The Princes in the Tower
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

67. Macbeth and the Apparition of the Armed Head

Macbeth and the Apparition of the Armed Head
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Fishermen Drawing a Net

Fishermen Drawing a Net
Creator:
David Cox, 1783–1859
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 inches (8.9 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Font at Dersingham Church, Norfolk

Font at Dersingham Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1815
Materials & Techniques:
Watercolor over graphite on medium, smooth cream wove paper
Dimensions:
Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Album Drawings

No cover image available
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. View of Elba and Porto Ferrajo

No cover image available
Creator:
Henry Aston Barker, 1774–1856
Date:
1815
Materials & Techniques:
Pen and black ink, red ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 12 7/8 inches (39.1 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection