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Date 1815

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1. Stonehenge at Daybreak

Stonehenge at Daybreak
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Stonehenge at Daybreak

Stonehenge at Daybreak
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Steeton Manor House, Near Farnley

Steeton Manor House, Near Farnley
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1815 and 1818
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 6 5/8 inches (11.1 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 34 Drawings from Nature By J C Nattes 1815 Fulham, Hammersmith &c.&c. Middlesex

34 Drawings from Nature By J C Nattes 1815 Fulham, Hammersmith &c.&c. Middlesex
Creator:
John Claude Nattes, 1765–1822
Date:
1815
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Harwich, Essex

Harwich, Essex
Creator:
William Daniell, 1769–1837
Date:
ca. 1820
Materials & Techniques:
Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Monastery Mill

A Monastery Mill
Creator:
George Cattermole, 1800–1868
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on thick, rough, beige wove paper
Dimensions:
Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Plan of Drumore and Howwell Meadows

Plan of Drumore and Howwell Meadows
Creator:
unknown artist
Date:
1815
Materials & Techniques:
Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 25 1/4 × 33 3/16 inches (64.1 × 84.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Santa Giustina at Padua

Santa Giustina at Padua
Creator:
Monro School
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Cathedral of St. Pierre, Caen

The Cathedral of St. Pierre, Caen
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 7 3/16 inches (25.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Larchant near Fontainebleau

Larchant near Fontainebleau
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink on moderately thick, slgihtly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 1 13/16 inches (8.3 × 4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Interior of St. Pancras Church

The Interior of St. Pancras Church
Creator:
William Inwood, ca. 1771–1843
Date:
undated
Materials & Techniques:
Watercolor; (verso) graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Dagnall Lane, St. Albans

Dagnall Lane, St. Albans
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 11 5/8 inches (23.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Lodge at Cassiobury

A Lodge at Cassiobury
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Bushey Church from the South West

Bushey Church from the South West
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Essex Chantry, Watford Church

The Essex Chantry, Watford Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Lecture House, Watford

The Lecture House, Watford
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 x 16 3/4 inches (32.4 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Herstmonceux Castle, Sussex

Herstmonceux Castle, Sussex
Creator:
John Greig, active 1803–1853
Date:
1815
Materials & Techniques:
Engraving, with graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand

Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Creator:
Decimus Burton, 1800–1881
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 9/16 x 32 1/2 inches (47.1 x 82.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Design for Gameskeeper's Cottage

Design for Gameskeeper's Cottage
Creator:
George Pyne, 1800–1884
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Dunmore Park

Dunmore Park
Creator:
William Wilkins, 1778–1839
Date:
ca. 1820
Materials & Techniques:
Watercolor with scratching out over graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 13 3/8 × 33 inches (34 × 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Regency House

A Regency House
Creator:
George Shepheard, ca. 1770–1842
Date:
ca. 1820
Materials & Techniques:
Watercolor over graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 21 inches (37.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Moat at the Tower of London

Moat at the Tower of London
Creator:
George Howse, 1800–1860
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 13 inches (18.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. North West view of Charlton House, Kent; The Seat of Lady Wilson

North West view of Charlton House, Kent; The Seat of Lady Wilson
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham

Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The North Country Mails at The Peacock Inn, Islington

The North Country Mails at The Peacock Inn, Islington
Creator:
James Pollard, 1792–1867
Date:
1815
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. St. Stephen's Hall

St. Stephen's Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 8 1/4 inches (22.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Westminster Hall

Westminster Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. House in Watergate Street, Chester, Dated 1593

House in Watergate Street, Chester, Dated 1593
Creator:
Print made by George Cuitt, 1779–1854
Date:
1815
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. The Lower Lobby, House of Commons

The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Houses of Lords and Commons

The Houses of Lords and Commons
Creator:
Print made by Miss Mary Byrne, 1776–1846
Date:
1815
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Springing of groins

Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Part of the Old Dormitory

Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Castle at Alencon

Castle at Alencon
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 inches (24.1 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. South-East View of the Church of Ifs, Near Caen, Normandy

South-East View of the Church of Ifs, Near Caen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite and brown wash on medium smooth cream wove paper
Dimensions:
Sheet: 18 1/4 x 11 3/8 inches (46.4 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Bridge and Tower, after Richard Wilson

Bridge and Tower, after Richard Wilson
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite on medium slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Ruin on a Lake, in the Manner of Richard Wilson

Ruin on a Lake, in the Manner of Richard Wilson
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite on medium smooth cream wove paper
Dimensions:
Sheet: 4 x 6 1/2 inches (10.2 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Bridge and Ruin, after Richard Wilson; On the Tiber

Bridge and Ruin, after Richard Wilson; On the Tiber
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1820
Materials & Techniques:
Graphite and black chalk on medium slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Great Snoring Church, Norfolk

Great Snoring Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1815 to 1816
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 9 1/4 inches (15.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. A Chest in Dersingham Church, Norfolk

A Chest in Dersingham Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1815
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 x 15 inches (19.1 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Font at Dersingham Church, Norfolk

Font at Dersingham Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1815
Materials & Techniques:
Watercolor over graphite on medium, smooth cream wove paper
Dimensions:
Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Italian Churches

No cover image available
Creator:
Henry Shaw, 1800–1873
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 1/16 × 5 inches (15.4 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Album Drawings

No cover image available
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. North-Country Mails at the Peacock, Islington

No cover image available
Creator:
James Pollard, 1792–1867
Date:
1815 to 1823
Materials & Techniques:
Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:
Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection