Date: 1814 / Image Use: Free to Use - YCBA Collections Search Search Results

1. Somerset House Terrace from Waterloo Bridge

Creator:: John Constable, 1776–1837
Date:: ca. 1819
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/8 × 7 3/8 inches (15.6 × 18.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Lake Avernus: Aeneas and the Cumaean Sibyl

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1814 and 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 × 38 1/4 inches (71.8 × 97.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Oil on panel
Dimensions:: 35 1/2 × 53 1/4 inches (90.2 × 135.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

4. Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo

Creator:: Sir David Wilkie, 1785–1841
Date:: ca. 1819
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/2 x 17 inches (26.7 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Pedlar

Creator:: Sir David Wilkie, 1785–1841
Date:: 1814
Materials & Techniques:: Oil on panel
Dimensions:: 23 1/2 x 19 1/2 inches (59.7 x 49.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

6. J. & W. Chaplin's Dover-London Stage on the Road

Creator:: John Cordrey, active 1765–1825
Date:: 1814
Materials & Techniques:: Oil on canvas
Dimensions:: 20 3/8 x 30 1/8 inches (51.8 x 76.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Stage Design for Heart of Midlothian; The Tolbooth

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1819
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 3/8 inches (27.9 x 39.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Stage Design for Heart of Midlothian; Deans' Cottage

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1819
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 1/4 inches (27.9 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Dutch Sailing Vessels

Creator:: William Anderson, 1757–1837
Date:: 1814
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/2 x 13 1/8 inches (26.7 x 33.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. In Dovedale

Creator:: John Linnell, 1792–1882
Date:: 1814 to 1815
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. In Dovedale

Creator:: John Linnell, 1792–1882
Date:: 1814 to 1815
Materials & Techniques:: Oil on paper mounted on panel
Dimensions:: 7 1/2 × 12 1/4 inches (19.1 × 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Solitude

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Solitude

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1814
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. St. Mary's Redcliffe, Bristol

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1814
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lord Viscount Castlereagh

Creator:: Charles Turner, 1774–1857
Date:: 1814
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 7/8 × 13 13/16 inches (53 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Mrs. Frances Abington, (née Barton)

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 13/16 inches (23.2 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 14 1/4 inches (28.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View of Redcliff Church &c. Bristol

Creator:: Print made by John Pye, 1782–1874
Date:: 1814
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 11 3/4 inches (25.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Bay Windows in the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching and engraving; published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 3/4 inches (30.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; 2nd state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; second published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 9/16 inches (28.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; 1st state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 11/16 inches (29.8 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof (5a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Corfe Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching; second state, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Plan of the Island and Harbour of Masuah

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Barmouth, Merionethshire

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Aquatint with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 15/16 inches (26.8 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

32. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1814
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 × 24 9/16 inches (51.8 × 62.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Thomas Gray

Creator:: Charles Heath, 1785–1848
Date:: 1814
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Sacred Architecture: the South Entrance of Dukes Place

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 x 10 7/16in. (33 x 26.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Billingsgate

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 7 15/16 × 10 5/8 inches (20.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Antient N.E. View of Cornhill

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/8 x 12in. (23.8 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. London seen from Blackfriars Bridge

Creator:: William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 1/4 x 8 1/2in. (13.3 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. St. Saviour- Interior

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. West View of the Choir of St. Saviour's

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Greenwich

Creator:: William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Cold Baths Fields Prison

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The View of the Fair in Hyde Park, August 1st

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of the Thames off Three Cranes Wharf when frozen, Monday 31st January to Saturday 5th February 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Fair on the Thames, February 4, 1814

Creator:: Luke Clennell, 1781–1840
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A View of Frost Fair, on the Thames, February 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Woodcut
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Fair on the Thames, February 1814

Creator:: George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A View of the Temple of Concord

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Parts of London Wall and Bethlem Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. South West View of Bethlem Hospital and London Wall

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Villa at Richmond

Creator:: William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A View of the Herald's Proclaiming of Peace at the Royal Exchange London on June 20, 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. South West View of Sadler's Wells

Creator:: William Wise, Active 1823–1876
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Philanthropic Reform in St. George's Fields

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Somerset House

Creator:: William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. E.S.E. View of John Bunyan's Meeting House

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Study of the Face of Jesus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Black chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 3 × 2 15/16 inches (7.6 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink, brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 3 1/2 inches (9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/8 × 4 1/16 inches (8.6 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Study of a Religious Ceremony Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View in Hyde Park, with the Fleet at Anchor on the Serpentine River, 12 August 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 11/16 x 13in. (22.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Scene on the Serpentine, Hyde Park on the Night of the Grand Jubilee, August 1, 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 5/8 x 13in. (21.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Martin, Ludgate

Creator:: S. Jenkins, active 1814–1818
Date:: 1814
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 8 1/4in. (31.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Custom House

Creator:: William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 6in. (24.8 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Fatal Conflagration of the Custom House, 12th February 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 18 3/4in. (35.9 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. St. Olave's, Southwark

Creator:: S. Jenkins, active 1814–1818
Date:: 1814
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. St. Thomas's Southwark

Creator:: William Wise, Active 1823–1876
Date:: 1814
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. St. Vedast Foster Lane

Creator:: Samuel Rawle, 1771–1860
Date:: 1814
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. St. Barts the Lesser

Creator:: S. Jenkins, active 1814–1818
Date:: 1814
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 1/4 x 10 3/8in. (23.5 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Guildhall

Creator:: J. Pass, active 1796–1800
Date:: 1814
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View of the Interior of Guildhall during a Banquet on 18 June 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Christ Church United with St. Leonard's Foster Lane

Creator:: William Wise, Active 1823–1876
Date:: 1814
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/2 x 7 1/2in. (29.2 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Study of a Man, Looking Through a Telescope, Accompanied by Two Women

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814
Materials & Techniques:: Graphite on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 8 9/16 × 8 inches (21.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 3/4 × 10 9/16 inches (14.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. View of Valetta, Malta

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Pike Pool, Beresford Hall, Derbyshire

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Black and white chalk and graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 16 7/8 x 22 inches (42.9 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Rye House

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 11 1/8 x 15 1/2 inches (28.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Finsbury Square

Creator:: George Sidney Shepherd, 1784–1862
Date:: 1814
Materials & Techniques:: Watercolor, ink, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Ruins at Sabachtsche

Creator:: Frederick Catherwood, 1799–1854
Date:: undated
Materials & Techniques:: Watercolor and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 15 1/4 x 12 1/8 inches (38.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Collection, Gift of Henry Schnakenberg to Yale University Art Gallery

81. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, with chine collé, scraping out, and white gouache; touched engraver's proof 6(a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Bow and Arrow Castle, Isle of Portland

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; first published state on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 17 3/8 inches (28.7 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Bow and Arrow Castle, Isle of Portland

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/2 inches (28.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Rye, Sussex

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etched state, engraver's proof (2a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (II) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (II) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Ramsgate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof (V) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Mount Edgecomb, Devonshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Whitstable, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Village Politicians

Creator:: Abraham Raimbach, 1784–1868
Date:: 1814
Materials & Techniques:: Engraving and etching
Dimensions:: Plate: 20 x 24 1/2in. (50.8 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. London. Seen from Blackfriars Bridge

Creator:: William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. J.M.W. Esq. Western Suburb

Creator:: William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1814

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Search Results

1. Somerset House Terrace from Waterloo Bridge

2. Lake Avernus: Aeneas and the Cumaean Sibyl

3. Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis

4. Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo

5. The Pedlar

6. J. & W. Chaplin's Dover-London Stage on the Road

7. Stage Design for Heart of Midlothian; The Tolbooth

8. Stage Design for Heart of Midlothian; Deans' Cottage

9. Dutch Sailing Vessels

10. In Dovedale

11. In Dovedale

12. Solitude

13. Solitude

14. St. Mary's Redcliffe, Bristol

15. Lord Viscount Castlereagh

16. Mrs. Frances Abington, (née Barton)

17. Crypt in Kirkstall Abbey, Yorkshire

18. View of Redcliff Church &c. Bristol

19. Crypt in Kirkstall Abbey, Yorkshire

20. Bay Windows in the Flower Garden at Farnley

21. Poole, Dorsetshire

22. Poole, Dorsetshire

23. Poole, Dorsetshire

24. Lulworth Cove, Dorset

25. Corfe Castle, Dorsetshire

26. Teignmouth, Devon

27. Teignmouth, Devon

28. Dartmouth, Devon

29. Dartmouth, Devon

30. Plan of the Island and Harbour of Masuah

31. Barmouth, Merionethshire

32. Representation of the Festival for the Return of Peace

33. Thomas Gray

34. Sacred Architecture: the South Entrance of Dukes Place

35. Billingsgate

36. Antient N.E. View of Cornhill

37. London seen from Blackfriars Bridge

38. St. Saviour- Interior

39. West View of the Choir of St. Saviour's

40. Greenwich

41. Cold Baths Fields Prison

42. The View of the Fair in Hyde Park, August 1st

43. View of the Thames off Three Cranes Wharf when frozen, Monday 31st January to Saturday 5th February 1814

44. The Fair on the Thames, February 4, 1814

45. A View of Frost Fair, on the Thames, February 1814

46. Fair on the Thames, February 1814

47. A View of the Temple of Concord

48. Parts of London Wall and Bethlem Hospital

49. South West View of Bethlem Hospital and London Wall

50. Villa at Richmond

51. A View of the Herald's Proclaiming of Peace at the Royal Exchange London on June 20, 1814

52. South West View of Sadler's Wells

53. The Philanthropic Reform in St. George's Fields

54. Somerset House

55. E.S.E. View of John Bunyan's Meeting House

56. Study of the Face of Jesus

57. Study For, Christ's Entry into Jerusalem

58. Study For, Christ's Entry into Jerusalem

59. Study For, Christ's Entry into Jerusalem

60. Study For, Christ's Entry into Jerusalem

61. Study of a Religious Ceremony Scene

62. View in Hyde Park, with the Fleet at Anchor on the Serpentine River, 12 August 1814

63. Scene on the Serpentine, Hyde Park on the Night of the Grand Jubilee, August 1, 1814

64. St. Martin, Ludgate

65. The Custom House

66. The Fatal Conflagration of the Custom House, 12th February 1814

67. St. Olave's, Southwark

68. St. Thomas's Southwark

69. St. Vedast Foster Lane

70. St. Barts the Lesser

71. Guildhall

72. View of the Interior of Guildhall during a Banquet on 18 June 1814

73. Christ Church United with St. Leonard's Foster Lane

74. Study of a Man, Looking Through a Telescope, Accompanied by Two Women