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Collection
Prints and Drawings
20
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
19
Goodall, Edward, 1795–1870
5
Miller, William, 1796–1882
5
Allen, James C., active 1821–1831
3
Wallis, Robert, 1794–1878
3
Cooke, George, 1781–1834
2
Calvert, Edward, 1799–1883
1
Cooke, William Bernard, 1778–1855
1
Date
1834
117
1833
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1835
49
1836
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1814
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1828
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1820
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1803
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1870
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1823
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1764
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1824
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1859
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1802
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1825
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1767
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1826
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1795
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1805
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1810
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1818
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1831
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1877
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1984
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1758
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1797
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1772
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1800
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1827
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1837
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1863
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1798
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1847
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1857
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1864
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1906
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1986
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1989
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1674
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1724
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1725
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1734
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1
On-site Access
Accessible in the Study Room
20
Image Use
Free to Use
20
Image Available
Available
20
Classification
Prints
19
Drawings & Watercolors
1
Creator Gender
male
20
Collective Title
Cooke's Picturesque Views of the Southern Coast of England
19
Period
19th century
20
Materials & Techniques
etching (printing process)
19
wove paper
19
line engraving
16
graphite
2
steel engraving
2
black ink
1
chine collé
1
laid paper
1
watercolor
1
Height [cm]
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38
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54
Work Type
intaglio print
19
drawing
1
watercolor
1
Genre
landscape
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20
marine art
19
animal art
1
Subject Terms
marine art
17
landscape
7
landscape (representation)
7
bay (body of water)
6
river
6
channel (water body component)
3
cityscape
3
castle
2
harbor
2
lighthouse
2
castles
1
church
1
cove
1
estuary
1
grazing
1
island
1
lambs
1
oxen
1
pastoral
1
Associated Places
England
19
Europe
19
United Kingdom
17
Cornwall
6
Bristol Channel
5
Devon
5
Combe Martin
4
Combe Martin Bay
4
English Channel
4
Boscastle
3
Carrick Roads
3
Fal
3
Falmouth
3
Kent
3
Pendennis Castle
3
Roseland peninsula
3
Saint Mawes
3
Saint Mawes Castle
3
Valency
3
Brede
2
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Associated Places
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Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
20
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Date
1814
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Genre
landscape
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15
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1
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
2
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
3
Print made by Robert Wallis, 1794–1878
Ramsgate, Kent
1814 to 1826
4
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
5
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
6
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814
7
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
8
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
9
Print made by Robert Wallis, 1794–1878
Ramsgate, Kent
1814 to 1826
10
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
11
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
12
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
13
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
14
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
15
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
16
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
17
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
18
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
19
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1814 to 1826
20
Attributed to Edward Calvert, 1799–1883
Lamb and Oxen in a Pastoral Landscape
undated