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Collection
Prints and Drawings
3
Creator
Crome, John, 1768–1821
1
Rowlandson, Thomas, 1756–1827
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1717
11
1750
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1835
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1813
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1817
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1934
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1911
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1912
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On-site Access
Accessible in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
2
Unavailable
1
Classification
Prints
2
Drawings & Watercolors
1
Creator Gender
male
3
Collective Title
Liber Studiorum
1
Period
19th century
3
Materials & Techniques
brown ink
2
etching (printing process)
2
wove paper
2
graphite
1
gray ink
1
laid paper
1
pen
1
watercolor
1
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38
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Work Type
intaglio print
2
drawing
1
watercolor
1
Genre
genre subject
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3
landscape
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sporting art
1
Subject Terms
dog (animal)
2
genre subject
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men
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bushes
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carriage
1
cart
1
coats
1
doorway
1
hats
1
hills
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horse (animal)
1
landscape
1
oaks
1
path
1
peasants
1
plants
1
resting
1
road
1
sack
1
saddle
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Exhibition History
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Date
1813
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1
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
2
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
3
Print made by John Crome, 1768–1821
Composition: Sandy Road through Woodland
1813