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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
9
Creator
Goldsmith, Oliver, 1728–1774
9
Rowlandson, Thomas, 1756–1827
9
Date
1859
10
1767
9
1812
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9
1864
7
1800
6
1834
6
1796
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1825
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1860
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1746
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1775
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1782
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1815
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1817
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1927
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1787
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1923
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1772
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1784
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1801
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1808
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1819
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1826
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1862
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1870
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1885
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1894
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1912
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1920
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1924
1
1928
1
1933
1
On-site Access
Accessible by appointment in the Study Room
9
Image Use
Free to Use
9
Image Available
Available
9
Classification
Drawings & Watercolors
9
Creator Gender
male
9
Collective Title
Illustrations to "The Vicar of Wakefield"
9
Period
19th century
9
Materials & Techniques
graphite
9
watercolor
9
wove paper
9
brown ink
8
red ink
8
tracing
6
gray ink
4
pen
3
Height [cm]
11
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9
Width [cm]
19
9
Work Type
drawing
9
watercolor
9
Genre
genre subject
9
Subject Terms
genre subject
9
vicar
9
men
8
women
7
trees
6
children
5
hats
5
horses (animals)
5
dogs (animals)
4
landscape
4
church
3
crowd
3
dog (animal)
3
houses
3
bonnets (caps)
2
gate
2
musicians
2
riding crop
2
table (support furniture)
2
aprons (main garments)
1
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Associated Places
England
9
Europe
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9
United Kingdom
9
Wakefield
9
Yorkshire
9
Exhibition History
Sidesaddle, 1690-1935 (National Sporting Library and Museum, 2018-09-07 - 2019-03-24)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
9
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Date
1812
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Europe
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11
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1
Thomas Rowlandson, 1756–1827
The Dance
ca. 1817
2
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
3
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
4
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
5
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
6
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
7
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
8
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
9
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817