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Collection
Prints and Drawings
35
Creator
Blair, Robert, 1699–1746
28
Blake, William, 1757–1827
28
Schiavonetti, Luigi, 1765–1810
28
Cadell, Thomas, 1773–1836
14
Ackermann, Rudolph, 1764–1834
9
Rowlandson, Thomas, 1756–1827
3
Gillray, James, 1756–1815
2
Hill, John, 1770–1850
2
Humphrey, Hannah, ca. 1745–1818
2
Pugin, Augustus Charles, 1762–1832
2
Tegg, Thomas, 1776–1846
2
Allan, David, 1744–1796
1
Watt, & Baillie, active 1808
1
Williams, Charles, active 1796–1830
1
Date
1630
107
1827
54
1808
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35
1832
28
1830
26
1859
21
1674
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1789
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1824
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1800
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1950
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1675
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1814
12
1831
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1834
10
1833
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1836
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1838
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1667
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1784
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1802
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1818
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1826
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1828
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1896
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1690
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1757
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1829
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1801
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1817
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1835
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1799
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1825
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1889
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1920
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1680
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1758
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1929
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1715
3
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1746
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1750
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1779
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1780
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1792
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1794
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1798
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1809
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1895
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1912
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1916
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1923
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1925
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1983
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1650
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1803
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1840
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1844
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1850
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1852
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1864
2
On-site Access
Accessible by appointment in the Study Room
35
Image Use
Free to Use
35
Image Available
Unavailable
24
Available
11
Classification
Prints
35
Creator Gender
male
35
female
2
Collective Title
The Grave, A Poem, by Robert Blair
28
Microcosm of London
2
The Gentle Shepherd
1
Period
19th century
35
Materials & Techniques
etching (printing process)
35
wove paper
20
laid paper
14
aquatint
4
hand coloring
4
watercolor
3
Height [cm]
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51
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Work Type
intaglio print
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35
Genre
literary theme
28
religious and mythological subject
28
genre subject
3
historical subject
1
Subject Terms
death
25
religious and mythological subject
22
man
20
The Grave (1743) by Robert Blair (1699-1746)
14
literary theme
14
soul
14
woman
12
flames
9
nude
9
barefoot
8
genre subject
8
grave
8
cave
7
wine
7
women
7
cane
6
flying
6
goblet
6
kneeling
6
men
6
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Subject Terms
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Associated Places
Europe
3
United Kingdom
3
England
2
Bridewell Prison
1
City of London
1
Greater London
1
Lambeth
1
London
1
Scotland
1
Surrey
1
Exhibition History
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
30
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
1
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Date
1808
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intaglio print
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24
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1
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
2
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
3
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
4
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
5
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
6
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
7
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
8
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
9
John Hill, 1770–1850
Pass-Room Bridewell
1808
10
John Hill, 1770–1850
Dining Hall, Asylum
1808
11
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
12
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
13
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
14
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
15
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
16
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
17
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
18
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
19
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
20
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
21
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
22
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
23
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
24
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
25
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
26
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
27
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
28
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
29
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
30
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
31
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
32
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
33
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
34
Print made by Charles Williams, active 1796–1830
Boney and his Horse Talley - Returning to Paris with a Spanish Cargo
1808
35
Print made by Thomas Rowlandson, 1756–1827
Nap and his Partner Joe
1808