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Collection
Prints and Drawings
21
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Turner, Charles, 1774–1857
8
Blair, Robert, 1699–1746
5
Blake, William, 1757–1827
5
Schiavonetti, Luigi, 1765–1810
5
Ackermann, Rudolph, 1764–1834
4
Pugin, Augustus Charles, 1762–1832
4
Rowlandson, Thomas, 1756–1827
4
Cadell, Thomas, 1773–1836
2
Hill, John, 1770–1850
2
Bluck, John, active 1791–1819
1
Hall, Thomas, active early 19th century
1
Noble, Samuel, 1779–1853
1
Noble, William Bonneau, 1780–1831
1
Smith, John Thomas, 1766–1833
1
Stadler, Joseph Constantine, active 1780–1812
1
Stanfield, Clarkson, 1793–1867
1
Date
1888
47
1827
40
1834
40
1800
38
1802
33
1825
32
1828
31
1803
28
1823
28
1826
28
1804
23
1896
22
1808
[remove]
21
1817
19
1813
16
1855
16
1871
16
1801
14
1805
14
1807
14
1809
13
1833
13
1830
12
1845
12
1814
11
1820
11
1810
10
1839
10
1818
9
1824
9
1835
9
1867
9
1891
9
1811
8
1836
8
1837
8
1822
7
1860
7
1793
6
1815
6
1829
6
1859
6
1870
6
1877
6
1889
6
1895
6
1816
5
1819
5
1832
5
1838
5
1846
5
1863
5
1821
4
1853
4
1854
4
1880
4
1894
4
0
3
1812
3
1831
3
1840
3
1844
3
1849
3
1865
3
1884
3
1890
3
1899
3
1900
3
1782
2
1796
2
1798
2
1806
2
1841
2
1848
2
1851
2
1852
2
1862
2
1864
2
1872
2
1874
2
1883
2
1885
2
1892
2
1893
2
1777
1
1780
1
1781
1
1784
1
1788
1
1799
1
1842
1
1843
1
1850
1
1856
1
1857
1
1858
1
1861
1
1866
1
1869
1
1873
1
On-site Access
Accessible by appointment in the Study Room
21
Image Use
Free to Use
21
Image Available
Available
18
Unavailable
3
Classification
Prints
19
Drawings & Watercolors
2
Creator Gender
male
21
Collective Title
Liber Studiorum
7
The Grave, A Poem, by Robert Blair
5
Microcosm of London
2
The Egremont Sea-piece
1
Period
19th century
[remove]
21
Materials & Techniques
etching (printing process)
14
laid paper
9
wove paper
9
mezzotint
8
brown ink
7
aquatint
4
hand coloring
3
gouache
2
graphite
2
watercolor
2
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
17
to
41
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
22
to
51
Work Type
intaglio print
17
drawing
2
watercolor
2
Genre
landscape
6
religious and mythological subject
6
literary theme
5
architectural subject
3
genre subject
3
marine art
3
cityscape
1
Subject Terms
death
5
religious and mythological subject
5
wine
5
women
5
bread
4
clouds
4
genre subject
4
goblet
4
soul
4
Bible
3
angel
3
bed
3
book
3
elderly
3
kneeling
3
landscape
3
man
3
men
3
sailboats
3
waves (natural events)
3
more
Subject Terms
»
Associated Places
England
4
United Kingdom
4
Europe
3
London
2
Bridewell Prison
1
City of London
1
City of Westminster
1
Dartmoor
1
Devon
1
Egypt
1
Greater London
1
Lake Thun
1
Lambeth
1
Palace of Westminster
1
Rhine
1
Surrey
1
Switzerland
1
Tamar
1
Thames
1
Torridge
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
17
Yale Center for British Art, Gift of Chauncey Brewster Tinker
3
Yale Center for British Art, Yale Art Gallery Collection
1
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Date
1808
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Period
19th century
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Height [cm]
20
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1
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
2
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
3
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
4
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
5
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
6
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
7
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
8
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
9
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
10
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
11
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
12
John Hill, 1770–1850
Pass-Room Bridewell
1808
13
Joseph Constantine Stadler, active 1780–1812
Court of Chancery, Lincoln's Inn Hall
1808
14
John Hill, 1770–1850
Dining Hall, Asylum
1808
15
after Thomas Rowlandson, 1756–1827
Billingsgate Market
1808
16
Samuel Noble, 1779–1853
Lewisham
1808
17
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
18
Clarkson Stanfield, 1793–1867
Castles of Rheinfels and Thurnberg on the Rhine
undated
19
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
20
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
21
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808